<?xml  version='1.0'   encoding='UTF-8'  ?><rss  version='2.0'   xmlns:content='http://purl.org/rss/1.0/modules/content/'   xmlns:wfw='http://wellformedweb.org/CommentAPI/'   xmlns:dc='http://purl.org/dc/elements/1.1/'   xmlns:atom='http://www.w3.org/2005/Atom'   xmlns:sy='http://purl.org/rss/1.0/modules/syndication/'   xmlns:itunes='http://www.itunes.com/dtds/podcast-1.0.dtd'   xmlns:slash='http://purl.org/rss/1.0/modules/slash/'  ><channel><title>The Unz Review: Trevor Lynch's Articles</title><atom:link href='https://www.unz.com/tlynch/breakfast-at-tiffanys/feed/'  rel='self'  type='application/rss+xml' /><link>https://www.unz.com</link><description>A Collection of Interesting, Important, and Controversial Perspectives Largely Excluded from the American Mainstream Media</description><lastBuildDate>Tue, 04 Nov 2025 16:26:21 +0000</lastBuildDate><language>en-US</language><sy:updatePeriod>hourly</sy:updatePeriod><sy:updateFrequency>1</sy:updateFrequency><generator>https://wordpress.org/?v=4.9.9</generator>
<item><title>Barbie, by Trevor Lynch</title><link>https://www.unz.com/tlynch/review-barbie/</link><comments>https://www.unz.com/tlynch/review-barbie/#comments</comments><pubDate>Tue, 25 Jul 2023 04:10:59 +0000</pubDate><dc:creator><![CDATA[Trevor Lynch]]></dc:creator>		<category><![CDATA[Foreign Policy]]></category>
		<category><![CDATA[History]]></category>
		<category><![CDATA[Ideology]]></category>
		<category><![CDATA[Anti-Semitism]]></category>
		<category><![CDATA[Conservative Movement]]></category>
		<category><![CDATA[Israel Lobby]]></category>
		<category><![CDATA[Israel/Palestine]]></category>
		<category><![CDATA[Jews]]></category>
		<category><![CDATA[NewTop]]></category>
		<category><![CDATA[Nick Fuentes]]></category>
		<category><![CDATA[Tucker Carlson]]></category>
		<category><![CDATA[White Americans]]></category>
		<category><![CDATA[White nationalism]]></category>
<guid  isPermaLink='false' >https://www.unz.com/?post_type=item&#038;p=526251</guid><description><![CDATA[Leftists ruin everything. Nothing, not even children’s toys, is immune from their hateful ideology. A case in point is Greta Gerwig’s Barbie. There are countless women who played with Barbie dolls as children, put them aside when they grew up, and occasionally think nostalgically about them without ever suspecting that they were the targets of...]]></description><wfw:commentRss>https://www.unz.com/article/tuckers-interview-with-nick-fuentes/feed/</wfw:commentRss><slash:comments>186</slash:comments></item><item><title>Review: The Matrix Resurrections, by Trevor Lynch</title><link>https://www.unz.com/tlynch/review-the-matrix-resurrections/</link><comments>https://www.unz.com/tlynch/review-the-matrix-resurrections/#comments</comments><pubDate>Thu, 30 Dec 2021 05:00:53 +0000</pubDate><dc:creator><![CDATA[Trevor Lynch]]></dc:creator>		<category><![CDATA[Foreign Policy]]></category>
		<category><![CDATA[History]]></category>
		<category><![CDATA[Ideology]]></category>
		<category><![CDATA[Anti-Semitism]]></category>
		<category><![CDATA[Conservative Movement]]></category>
		<category><![CDATA[Israel Lobby]]></category>
		<category><![CDATA[Israel/Palestine]]></category>
		<category><![CDATA[Jews]]></category>
		<category><![CDATA[NewTop]]></category>
		<category><![CDATA[Nick Fuentes]]></category>
		<category><![CDATA[Tucker Carlson]]></category>
		<category><![CDATA[White Americans]]></category>
		<category><![CDATA[White nationalism]]></category>
<guid  isPermaLink='false' >https://www.unz.com/?post_type=item&#038;p=508245</guid><description><![CDATA[Larry and Andy Wachowski’s The Matrix (1999) is a science fiction classic. The setting is a devastated Earth in the far future. The premise is that humanity has been enslaved by artificial intelligences. Human beings spend our lives in what are essentially coffins while mechanical vampires drain our energy. We don’t know it, because we...]]></description><wfw:commentRss>https://www.unz.com/article/tuckers-interview-with-nick-fuentes/feed/</wfw:commentRss><slash:comments>149</slash:comments></item><item><title>Review: House of Gucci, by Trevor Lynch</title><link>https://www.unz.com/tlynch/review-house-of-gucci/</link><comments>https://www.unz.com/tlynch/review-house-of-gucci/#comments</comments><pubDate>Wed, 22 Dec 2021 05:00:11 +0000</pubDate><dc:creator><![CDATA[Trevor Lynch]]></dc:creator>		<category><![CDATA[Foreign Policy]]></category>
		<category><![CDATA[History]]></category>
		<category><![CDATA[Ideology]]></category>
		<category><![CDATA[Anti-Semitism]]></category>
		<category><![CDATA[Conservative Movement]]></category>
		<category><![CDATA[Israel Lobby]]></category>
		<category><![CDATA[Israel/Palestine]]></category>
		<category><![CDATA[Jews]]></category>
		<category><![CDATA[NewTop]]></category>
		<category><![CDATA[Nick Fuentes]]></category>
		<category><![CDATA[Tucker Carlson]]></category>
		<category><![CDATA[White Americans]]></category>
		<category><![CDATA[White nationalism]]></category>
<guid  isPermaLink='false' >https://www.unz.com/?post_type=item&#038;p=508058</guid><description><![CDATA[House of Gucci is a highly entertaining combination of comedy, tragedy, and farce, tracing the decline of the Gucci fashion empire from an Italian family business to a global capitalist brand. House of Gucci would have been the best Martin Scorsese movie in years—if it hadn’t been directed by Ridley Scott. It has all the...]]></description><wfw:commentRss>https://www.unz.com/article/tuckers-interview-with-nick-fuentes/feed/</wfw:commentRss><slash:comments>24</slash:comments></item><item><title>Review: Milk, by Trevor Lynch</title><link>https://www.unz.com/tlynch/review-milk/</link><comments>https://www.unz.com/tlynch/review-milk/#comments</comments><pubDate>Tue, 30 Nov 2021 05:00:19 +0000</pubDate><dc:creator><![CDATA[Trevor Lynch]]></dc:creator>		<category><![CDATA[Foreign Policy]]></category>
		<category><![CDATA[History]]></category>
		<category><![CDATA[Ideology]]></category>
		<category><![CDATA[Anti-Semitism]]></category>
		<category><![CDATA[Conservative Movement]]></category>
		<category><![CDATA[Israel Lobby]]></category>
		<category><![CDATA[Israel/Palestine]]></category>
		<category><![CDATA[Jews]]></category>
		<category><![CDATA[NewTop]]></category>
		<category><![CDATA[Nick Fuentes]]></category>
		<category><![CDATA[Tucker Carlson]]></category>
		<category><![CDATA[White Americans]]></category>
		<category><![CDATA[White nationalism]]></category>
<guid  isPermaLink='false' >https://www.unz.com/?post_type=item&#038;p=507334</guid><description><![CDATA[You have to give the Left credit. They never take a day off. The eye of Sauron never blinks. They are frenzied and relentless in their attempts to overthrow our civilization. They softened us up for a long time, rotting away our character and identity by promoting vice, cynicism, and nihilism—all while playing the victim....]]></description><wfw:commentRss>https://www.unz.com/article/tuckers-interview-with-nick-fuentes/feed/</wfw:commentRss><slash:comments>184</slash:comments></item><item><title>Review: Red River, by Trevor Lynch</title><link>https://www.unz.com/tlynch/review-red-river/</link><comments>https://www.unz.com/tlynch/review-red-river/#comments</comments><pubDate>Wed, 24 Nov 2021 05:00:26 +0000</pubDate><dc:creator><![CDATA[Trevor Lynch]]></dc:creator>		<category><![CDATA[Foreign Policy]]></category>
		<category><![CDATA[History]]></category>
		<category><![CDATA[Ideology]]></category>
		<category><![CDATA[Anti-Semitism]]></category>
		<category><![CDATA[Conservative Movement]]></category>
		<category><![CDATA[Israel Lobby]]></category>
		<category><![CDATA[Israel/Palestine]]></category>
		<category><![CDATA[Jews]]></category>
		<category><![CDATA[NewTop]]></category>
		<category><![CDATA[Nick Fuentes]]></category>
		<category><![CDATA[Tucker Carlson]]></category>
		<category><![CDATA[White Americans]]></category>
		<category><![CDATA[White nationalism]]></category>
<guid  isPermaLink='false' >https://www.unz.com/?post_type=item&#038;p=507161</guid><description><![CDATA[Howard Hawks’ Red River (1948) is one of the greatest Westerns. Starring John Wayne and Montgomery Clift, Red River is the story of the first cattle drive on the Chisholm Trail from Texas to Abilene, Kansas. In Hawks’ hands, however, a movie about an episode in the history of America’s livestock business becomes mythic, epic,...]]></description><wfw:commentRss>https://www.unz.com/article/tuckers-interview-with-nick-fuentes/feed/</wfw:commentRss><slash:comments>67</slash:comments></item><item><title>Review: Dune, Part I, by Trevor Lynch</title><link>https://www.unz.com/tlynch/review-dune-part-i/</link><comments>https://www.unz.com/tlynch/review-dune-part-i/#comments</comments><pubDate>Mon, 25 Oct 2021 04:05:27 +0000</pubDate><dc:creator><![CDATA[Trevor Lynch]]></dc:creator>		<category><![CDATA[Foreign Policy]]></category>
		<category><![CDATA[History]]></category>
		<category><![CDATA[Ideology]]></category>
		<category><![CDATA[Anti-Semitism]]></category>
		<category><![CDATA[Conservative Movement]]></category>
		<category><![CDATA[Israel Lobby]]></category>
		<category><![CDATA[Israel/Palestine]]></category>
		<category><![CDATA[Jews]]></category>
		<category><![CDATA[NewTop]]></category>
		<category><![CDATA[Nick Fuentes]]></category>
		<category><![CDATA[Tucker Carlson]]></category>
		<category><![CDATA[White Americans]]></category>
		<category><![CDATA[White nationalism]]></category>
<guid  isPermaLink='false' >https://www.unz.com/?post_type=item&#038;p=506165</guid><description><![CDATA[Denis Villeneuve’s Dune, Part 1 is now in theatres. I can’t recommend it. It isn’t terrible. It is merely mediocre. I found it dull to the eyes, grating to the ears, and a drag on my patience. Villeneuve spends 156 minutes and only gets halfway through the novel. David Lynch told the whole story in...]]></description><wfw:commentRss>https://www.unz.com/article/tuckers-interview-with-nick-fuentes/feed/</wfw:commentRss><slash:comments>206</slash:comments></item><item><title>Review: No Time to Die, by Trevor Lynch</title><link>https://www.unz.com/tlynch/review-no-time-to-die/</link><comments>https://www.unz.com/tlynch/review-no-time-to-die/#comments</comments><pubDate>Thu, 07 Oct 2021 04:00:03 +0000</pubDate><dc:creator><![CDATA[Trevor Lynch]]></dc:creator>		<category><![CDATA[Foreign Policy]]></category>
		<category><![CDATA[History]]></category>
		<category><![CDATA[Ideology]]></category>
		<category><![CDATA[Anti-Semitism]]></category>
		<category><![CDATA[Conservative Movement]]></category>
		<category><![CDATA[Israel Lobby]]></category>
		<category><![CDATA[Israel/Palestine]]></category>
		<category><![CDATA[Jews]]></category>
		<category><![CDATA[NewTop]]></category>
		<category><![CDATA[Nick Fuentes]]></category>
		<category><![CDATA[Tucker Carlson]]></category>
		<category><![CDATA[White Americans]]></category>
		<category><![CDATA[White nationalism]]></category>
<guid  isPermaLink='false' >https://www.unz.com/?post_type=item&#038;p=505597</guid><description><![CDATA[No Time to Die is an excellent Bond film. It belongs in the company of Casino Royale and Skyfall and quite self-consciously reaches for the heights of On Her Majesty’s Secret Service, which is arguably the best Bond film ever. I was especially looking forward to No Time to Die because—although it is very much...]]></description><wfw:commentRss>https://www.unz.com/article/tuckers-interview-with-nick-fuentes/feed/</wfw:commentRss><slash:comments>235</slash:comments></item><item><title>Review: The Last Emperor, by Trevor Lynch</title><link>https://www.unz.com/tlynch/review-the-last-emperor/</link><comments>https://www.unz.com/tlynch/review-the-last-emperor/#comments</comments><pubDate>Wed, 29 Sep 2021 04:10:45 +0000</pubDate><dc:creator><![CDATA[Trevor Lynch]]></dc:creator>		<category><![CDATA[Foreign Policy]]></category>
		<category><![CDATA[History]]></category>
		<category><![CDATA[Ideology]]></category>
		<category><![CDATA[Anti-Semitism]]></category>
		<category><![CDATA[Conservative Movement]]></category>
		<category><![CDATA[Israel Lobby]]></category>
		<category><![CDATA[Israel/Palestine]]></category>
		<category><![CDATA[Jews]]></category>
		<category><![CDATA[NewTop]]></category>
		<category><![CDATA[Nick Fuentes]]></category>
		<category><![CDATA[Tucker Carlson]]></category>
		<category><![CDATA[White Americans]]></category>
		<category><![CDATA[White nationalism]]></category>
<guid  isPermaLink='false' >https://www.unz.com/?post_type=item&#038;p=505344</guid><description><![CDATA[When I first saw Bernardo Bertolucci’s The Last Emperor (1987), it struck me as a remake of Doctor Zhivago. Both narratives begin in glamorous and archaic empires that fall to Communist revolutions. Of course, that could just be due to the fact that the Chinese Revolution was something of a remake of the Russian Revolution....]]></description><wfw:commentRss>https://www.unz.com/article/tuckers-interview-with-nick-fuentes/feed/</wfw:commentRss><slash:comments>214</slash:comments></item><item><title>Review: Doctor Zhivago, by Trevor Lynch</title><link>https://www.unz.com/tlynch/review-doctor-zhivago/</link><comments>https://www.unz.com/tlynch/review-doctor-zhivago/#comments</comments><pubDate>Sat, 25 Sep 2021 04:00:48 +0000</pubDate><dc:creator><![CDATA[Trevor Lynch]]></dc:creator>		<category><![CDATA[Foreign Policy]]></category>
		<category><![CDATA[History]]></category>
		<category><![CDATA[Ideology]]></category>
		<category><![CDATA[Anti-Semitism]]></category>
		<category><![CDATA[Conservative Movement]]></category>
		<category><![CDATA[Israel Lobby]]></category>
		<category><![CDATA[Israel/Palestine]]></category>
		<category><![CDATA[Jews]]></category>
		<category><![CDATA[NewTop]]></category>
		<category><![CDATA[Nick Fuentes]]></category>
		<category><![CDATA[Tucker Carlson]]></category>
		<category><![CDATA[White Americans]]></category>
		<category><![CDATA[White nationalism]]></category>
<guid  isPermaLink='false' >https://www.unz.com/?post_type=item&#038;p=505164</guid><description><![CDATA[David Lean’s epic anti-Communist romance Doctor Zhivago (1965) is a great and serious work of art. Doctor Zhivago was initially panned by the critics—probably not because it is a bad film, but because it was very bad for Communism. Nevertheless, it was immensely popular. It is still one of the highest grossing movies of all...]]></description><wfw:commentRss>https://www.unz.com/article/tuckers-interview-with-nick-fuentes/feed/</wfw:commentRss><slash:comments>193</slash:comments></item><item><title>Review: The Incredibles and the Incredibles 2, by Trevor Lynch</title><link>https://www.unz.com/tlynch/review-the-incredibles-and-the-incredibles-2/</link><comments>https://www.unz.com/tlynch/review-the-incredibles-and-the-incredibles-2/#comments</comments><pubDate>Wed, 01 Sep 2021 04:00:12 +0000</pubDate><dc:creator><![CDATA[Trevor Lynch]]></dc:creator>		<category><![CDATA[Foreign Policy]]></category>
		<category><![CDATA[History]]></category>
		<category><![CDATA[Ideology]]></category>
		<category><![CDATA[Anti-Semitism]]></category>
		<category><![CDATA[Conservative Movement]]></category>
		<category><![CDATA[Israel Lobby]]></category>
		<category><![CDATA[Israel/Palestine]]></category>
		<category><![CDATA[Jews]]></category>
		<category><![CDATA[NewTop]]></category>
		<category><![CDATA[Nick Fuentes]]></category>
		<category><![CDATA[Tucker Carlson]]></category>
		<category><![CDATA[White Americans]]></category>
		<category><![CDATA[White nationalism]]></category>
<guid  isPermaLink='false' >https://www.unz.com/?post_type=item&#038;p=504353</guid><description><![CDATA[Brad Bird is the director of three classic animated films: The Iron Giant (1999), The Incredibles (2004), and Ratatouille (2007), as well as the blockbuster sequel The Incredibles 2 (2018). The Incredibles is a superhero film that also pays affectionate homage to the spy movies of the 1960s, especially classic Bond. I also classify The...]]></description><wfw:commentRss>https://www.unz.com/article/tuckers-interview-with-nick-fuentes/feed/</wfw:commentRss><slash:comments>95</slash:comments></item><item><title>Review: The Red Shoes, by Trevor Lynch</title><link>https://www.unz.com/tlynch/review-the-red-shoes/</link><comments>https://www.unz.com/tlynch/review-the-red-shoes/#comments</comments><pubDate>Mon, 23 Aug 2021 04:00:00 +0000</pubDate><dc:creator><![CDATA[Trevor Lynch]]></dc:creator>		<category><![CDATA[Foreign Policy]]></category>
		<category><![CDATA[History]]></category>
		<category><![CDATA[Ideology]]></category>
		<category><![CDATA[Anti-Semitism]]></category>
		<category><![CDATA[Conservative Movement]]></category>
		<category><![CDATA[Israel Lobby]]></category>
		<category><![CDATA[Israel/Palestine]]></category>
		<category><![CDATA[Jews]]></category>
		<category><![CDATA[NewTop]]></category>
		<category><![CDATA[Nick Fuentes]]></category>
		<category><![CDATA[Tucker Carlson]]></category>
		<category><![CDATA[White Americans]]></category>
		<category><![CDATA[White nationalism]]></category>
<guid  isPermaLink='false' >https://www.unz.com/?post_type=item&#038;p=504108</guid><description><![CDATA[Michael Powell’s The Red Shoes (1948) is his greatest work and one of my all-time favorite films. The Red Shoes is a work of art about art. The central characters of The Red Shoes are ballet impresario Boris Lermontov (brilliantly played by Anton Walbrook), ballerina Victoria Page (acted and danced by Moira Shearer), and composer...]]></description><wfw:commentRss>https://www.unz.com/article/tuckers-interview-with-nick-fuentes/feed/</wfw:commentRss><slash:comments>33</slash:comments></item><item><title>The Life &amp; Death of Colonel Blimp, by Trevor Lynch</title><link>https://www.unz.com/tlynch/the-life-death-of-colonel-blimp/</link><comments>https://www.unz.com/tlynch/the-life-death-of-colonel-blimp/#comments</comments><pubDate>Mon, 02 Aug 2021 04:00:36 +0000</pubDate><dc:creator><![CDATA[Trevor Lynch]]></dc:creator>		<category><![CDATA[Foreign Policy]]></category>
		<category><![CDATA[History]]></category>
		<category><![CDATA[Ideology]]></category>
		<category><![CDATA[Anti-Semitism]]></category>
		<category><![CDATA[Conservative Movement]]></category>
		<category><![CDATA[Israel Lobby]]></category>
		<category><![CDATA[Israel/Palestine]]></category>
		<category><![CDATA[Jews]]></category>
		<category><![CDATA[NewTop]]></category>
		<category><![CDATA[Nick Fuentes]]></category>
		<category><![CDATA[Tucker Carlson]]></category>
		<category><![CDATA[White Americans]]></category>
		<category><![CDATA[White nationalism]]></category>
<guid  isPermaLink='false' >https://www.unz.com/?post_type=item&#038;p=503268</guid><description><![CDATA[One of my all-time favorite movies is The Red Shoes, Michael Powell’s 1948 Technicolor feast about a ballet impresario played by the great Anton Walbrook and his ecstatic, obsessive, and ultimately destructive relationship with his art—and one artist in particular. So you can imagine how eagerly I sought out Powell’s first foray into Technicolor, 1943’s...]]></description><wfw:commentRss>https://www.unz.com/article/tuckers-interview-with-nick-fuentes/feed/</wfw:commentRss><slash:comments>74</slash:comments></item><item><title>Mishima: The Last Debate, by Trevor Lynch</title><link>https://www.unz.com/tlynch/mishima-the-last-debate/</link><comments>https://www.unz.com/tlynch/mishima-the-last-debate/#comments</comments><pubDate>Tue, 27 Jul 2021 04:00:33 +0000</pubDate><dc:creator><![CDATA[Trevor Lynch]]></dc:creator>		<category><![CDATA[Foreign Policy]]></category>
		<category><![CDATA[History]]></category>
		<category><![CDATA[Ideology]]></category>
		<category><![CDATA[Anti-Semitism]]></category>
		<category><![CDATA[Conservative Movement]]></category>
		<category><![CDATA[Israel Lobby]]></category>
		<category><![CDATA[Israel/Palestine]]></category>
		<category><![CDATA[Jews]]></category>
		<category><![CDATA[NewTop]]></category>
		<category><![CDATA[Nick Fuentes]]></category>
		<category><![CDATA[Tucker Carlson]]></category>
		<category><![CDATA[White Americans]]></category>
		<category><![CDATA[White nationalism]]></category>
<guid  isPermaLink='false' >https://www.unz.com/?post_type=item&#038;p=503156</guid><description><![CDATA[Yukio Mishima (1925–1970) was one of the giants of Japanese letters as well as an outspoken Right-wing nationalist. Mishima shocked the world on November 25, 1970, when he and members of his private militia, the Tatenokai or Shield Society, took hostage the commander of the Japan Self-Defense Force’s Ichigaya Camp. Mishima then delivered a speech...]]></description><wfw:commentRss>https://www.unz.com/article/tuckers-interview-with-nick-fuentes/feed/</wfw:commentRss><slash:comments>90</slash:comments></item><item><title>Review: The Bostonians, by Trevor Lynch</title><link>https://www.unz.com/tlynch/review-the-bostonians/</link><comments>https://www.unz.com/tlynch/review-the-bostonians/#comments</comments><pubDate>Mon, 28 Jun 2021 04:00:04 +0000</pubDate><dc:creator><![CDATA[Trevor Lynch]]></dc:creator>		<category><![CDATA[Foreign Policy]]></category>
		<category><![CDATA[History]]></category>
		<category><![CDATA[Ideology]]></category>
		<category><![CDATA[Anti-Semitism]]></category>
		<category><![CDATA[Conservative Movement]]></category>
		<category><![CDATA[Israel Lobby]]></category>
		<category><![CDATA[Israel/Palestine]]></category>
		<category><![CDATA[Jews]]></category>
		<category><![CDATA[NewTop]]></category>
		<category><![CDATA[Nick Fuentes]]></category>
		<category><![CDATA[Tucker Carlson]]></category>
		<category><![CDATA[White Americans]]></category>
		<category><![CDATA[White nationalism]]></category>
<guid  isPermaLink='false' >https://www.unz.com/?post_type=item&#038;p=501753</guid><description><![CDATA[Not every Merchant-Ivory film is a visually lush period drama based on novels by prestigious writers like E. M. Forster and Henry James, but the most memorable ones are, including The Europeans (1979), The Bostonians (1984), A Room with a View (1985), Maurice (1987), and Howards End (1992). Another in this vein is The Remains...]]></description><wfw:commentRss>https://www.unz.com/article/tuckers-interview-with-nick-fuentes/feed/</wfw:commentRss><slash:comments>106</slash:comments></item><item><title>The Bridge on the River Kwai, by Trevor Lynch</title><link>https://www.unz.com/tlynch/the-bridge-on-the-river-kwai/</link><comments>https://www.unz.com/tlynch/the-bridge-on-the-river-kwai/#comments</comments><pubDate>Fri, 18 Jun 2021 04:00:02 +0000</pubDate><dc:creator><![CDATA[Trevor Lynch]]></dc:creator>		<category><![CDATA[Foreign Policy]]></category>
		<category><![CDATA[History]]></category>
		<category><![CDATA[Ideology]]></category>
		<category><![CDATA[Anti-Semitism]]></category>
		<category><![CDATA[Conservative Movement]]></category>
		<category><![CDATA[Israel Lobby]]></category>
		<category><![CDATA[Israel/Palestine]]></category>
		<category><![CDATA[Jews]]></category>
		<category><![CDATA[NewTop]]></category>
		<category><![CDATA[Nick Fuentes]]></category>
		<category><![CDATA[Tucker Carlson]]></category>
		<category><![CDATA[White Americans]]></category>
		<category><![CDATA[White nationalism]]></category>
<guid  isPermaLink='false' >https://www.unz.com/?post_type=item&#038;p=501395</guid><description><![CDATA[David Lean’s The Bridge on the River Kwai (1957) is not just a great film, it is a nearly perfect one. Even better, it was recognized as such from the start by virtually everyone. The critics lionized it and continue to include it on their “best” lists. The movie business showered it with prizes. Bridge...]]></description><wfw:commentRss>https://www.unz.com/article/tuckers-interview-with-nick-fuentes/feed/</wfw:commentRss><slash:comments>165</slash:comments></item><item><title>Review: Lawrence of Arabia, by Trevor Lynch</title><link>https://www.unz.com/tlynch/review-lawrence-of-arabia/</link><comments>https://www.unz.com/tlynch/review-lawrence-of-arabia/#comments</comments><pubDate>Tue, 01 Jun 2021 04:00:04 +0000</pubDate><dc:creator><![CDATA[Trevor Lynch]]></dc:creator>		<category><![CDATA[Foreign Policy]]></category>
		<category><![CDATA[History]]></category>
		<category><![CDATA[Ideology]]></category>
		<category><![CDATA[Anti-Semitism]]></category>
		<category><![CDATA[Conservative Movement]]></category>
		<category><![CDATA[Israel Lobby]]></category>
		<category><![CDATA[Israel/Palestine]]></category>
		<category><![CDATA[Jews]]></category>
		<category><![CDATA[NewTop]]></category>
		<category><![CDATA[Nick Fuentes]]></category>
		<category><![CDATA[Tucker Carlson]]></category>
		<category><![CDATA[White Americans]]></category>
		<category><![CDATA[White nationalism]]></category>
<guid  isPermaLink='false' >https://www.unz.com/?post_type=item&#038;p=500780</guid><description><![CDATA[David Lean (1908–1991) directed sixteen movies, fully half of them classics, including three of the greatest films ever made: The Bridge on the River Kwai (1957), Doctor Zhivago (1965), and, greatest of them all, Lawrence of Arabia (1962). Lawrence of Arabia is repeatedly ranked as one of the finest films of all time, and when...]]></description><wfw:commentRss>https://www.unz.com/article/tuckers-interview-with-nick-fuentes/feed/</wfw:commentRss><slash:comments>260</slash:comments></item><item><title>Review: Conan the Barbarian, by Trevor Lynch</title><link>https://www.unz.com/tlynch/review-conan-the-barbarian/</link><comments>https://www.unz.com/tlynch/review-conan-the-barbarian/#comments</comments><pubDate>Tue, 18 May 2021 04:00:32 +0000</pubDate><dc:creator><![CDATA[Trevor Lynch]]></dc:creator>		<category><![CDATA[Foreign Policy]]></category>
		<category><![CDATA[History]]></category>
		<category><![CDATA[Ideology]]></category>
		<category><![CDATA[Anti-Semitism]]></category>
		<category><![CDATA[Conservative Movement]]></category>
		<category><![CDATA[Israel Lobby]]></category>
		<category><![CDATA[Israel/Palestine]]></category>
		<category><![CDATA[Jews]]></category>
		<category><![CDATA[NewTop]]></category>
		<category><![CDATA[Nick Fuentes]]></category>
		<category><![CDATA[Tucker Carlson]]></category>
		<category><![CDATA[White Americans]]></category>
		<category><![CDATA[White nationalism]]></category>
<guid  isPermaLink='false' >https://www.unz.com/?post_type=item&#038;p=500160</guid><description><![CDATA[Over the years, I caught bits and pieces of John Milius’ 1982 movie Conan the Barbarian—starring Arnold Schwarzenegger as the big lug himself—on cable TV. But I was never tempted to watch the whole film. I finally gave in when I started writing my series on Classics of Right-Wing Cinema, and friends urged me to...]]></description><wfw:commentRss>https://www.unz.com/article/tuckers-interview-with-nick-fuentes/feed/</wfw:commentRss><slash:comments>221</slash:comments></item><item><title>Review: Black Narcissus, by Trevor Lynch</title><link>https://www.unz.com/tlynch/review-black-narcissus/</link><comments>https://www.unz.com/tlynch/review-black-narcissus/#comments</comments><pubDate>Fri, 30 Apr 2021 04:00:21 +0000</pubDate><dc:creator><![CDATA[Trevor Lynch]]></dc:creator>		<category><![CDATA[Foreign Policy]]></category>
		<category><![CDATA[History]]></category>
		<category><![CDATA[Ideology]]></category>
		<category><![CDATA[Anti-Semitism]]></category>
		<category><![CDATA[Conservative Movement]]></category>
		<category><![CDATA[Israel Lobby]]></category>
		<category><![CDATA[Israel/Palestine]]></category>
		<category><![CDATA[Jews]]></category>
		<category><![CDATA[NewTop]]></category>
		<category><![CDATA[Nick Fuentes]]></category>
		<category><![CDATA[Tucker Carlson]]></category>
		<category><![CDATA[White Americans]]></category>
		<category><![CDATA[White nationalism]]></category>
<guid  isPermaLink='false' >https://www.unz.com/?post_type=item&#038;p=499384</guid><description><![CDATA[Michael Powell (1905–1990) is one of the tragic geniuses of film: a genius because he is one of the most visually dazzling directors in the history of cinema, tragic because he too often he wasted his talents on inferior scripts, most of them provided by his longtime collaborator, Emeric Pressburger, a Hungarian-Jewish refugee to whom...]]></description><wfw:commentRss>https://www.unz.com/article/tuckers-interview-with-nick-fuentes/feed/</wfw:commentRss><slash:comments>44</slash:comments></item><item><title>Review: The Searchers, by Trevor Lynch</title><link>https://www.unz.com/tlynch/review-the-searchers/</link><comments>https://www.unz.com/tlynch/review-the-searchers/#comments</comments><pubDate>Fri, 16 Apr 2021 04:00:57 +0000</pubDate><dc:creator><![CDATA[Trevor Lynch]]></dc:creator>		<category><![CDATA[Foreign Policy]]></category>
		<category><![CDATA[History]]></category>
		<category><![CDATA[Ideology]]></category>
		<category><![CDATA[Anti-Semitism]]></category>
		<category><![CDATA[Conservative Movement]]></category>
		<category><![CDATA[Israel Lobby]]></category>
		<category><![CDATA[Israel/Palestine]]></category>
		<category><![CDATA[Jews]]></category>
		<category><![CDATA[NewTop]]></category>
		<category><![CDATA[Nick Fuentes]]></category>
		<category><![CDATA[Tucker Carlson]]></category>
		<category><![CDATA[White Americans]]></category>
		<category><![CDATA[White nationalism]]></category>
<guid  isPermaLink='false' >https://www.unz.com/?post_type=item&#038;p=498781</guid><description><![CDATA[The Searchers (1956) has been acclaimed not just as one of John Ford’s greatest films, and not just as one of the greatest Westerns, but as one of the greatest films of all time. This praise is all the more surprising given that The Searchers is a profoundly illiberal and even “racist” movie, which means...]]></description><wfw:commentRss>https://www.unz.com/article/tuckers-interview-with-nick-fuentes/feed/</wfw:commentRss><slash:comments>155</slash:comments></item><item><title>Review: A Clockwork Orange, by Trevor Lynch</title><link>https://www.unz.com/tlynch/review-a-clockwork-orange/</link><comments>https://www.unz.com/tlynch/review-a-clockwork-orange/#comments</comments><pubDate>Thu, 01 Apr 2021 04:00:27 +0000</pubDate><dc:creator><![CDATA[Trevor Lynch]]></dc:creator>		<category><![CDATA[Foreign Policy]]></category>
		<category><![CDATA[History]]></category>
		<category><![CDATA[Ideology]]></category>
		<category><![CDATA[Anti-Semitism]]></category>
		<category><![CDATA[Conservative Movement]]></category>
		<category><![CDATA[Israel Lobby]]></category>
		<category><![CDATA[Israel/Palestine]]></category>
		<category><![CDATA[Jews]]></category>
		<category><![CDATA[NewTop]]></category>
		<category><![CDATA[Nick Fuentes]]></category>
		<category><![CDATA[Tucker Carlson]]></category>
		<category><![CDATA[White Americans]]></category>
		<category><![CDATA[White nationalism]]></category>
<guid  isPermaLink='false' >https://www.unz.com/?post_type=item&#038;p=498134</guid><description><![CDATA[For years now, readers have been urging me to review Stanley Kubrick’s A Clockwork Orange (1971), which adapts Anthony Burgess’ 1962 novel of the same name. I have resisted, because although A Clockwork Orange is often hailed as a classic, I thought it was dumb, distasteful, and highly overrated, so I didn’t want to watch...]]></description><wfw:commentRss>https://www.unz.com/article/tuckers-interview-with-nick-fuentes/feed/</wfw:commentRss><slash:comments>270</slash:comments></item><item><title>Review: The Man Who Shot Liberty Valance, by Trevor Lynch</title><link>https://www.unz.com/tlynch/review-the-man-who-shot-liberty-valance/</link><comments>https://www.unz.com/tlynch/review-the-man-who-shot-liberty-valance/#comments</comments><pubDate>Thu, 25 Mar 2021 04:00:00 +0000</pubDate><dc:creator><![CDATA[Trevor Lynch]]></dc:creator>		<category><![CDATA[Foreign Policy]]></category>
		<category><![CDATA[History]]></category>
		<category><![CDATA[Ideology]]></category>
		<category><![CDATA[Anti-Semitism]]></category>
		<category><![CDATA[Conservative Movement]]></category>
		<category><![CDATA[Israel Lobby]]></category>
		<category><![CDATA[Israel/Palestine]]></category>
		<category><![CDATA[Jews]]></category>
		<category><![CDATA[NewTop]]></category>
		<category><![CDATA[Nick Fuentes]]></category>
		<category><![CDATA[Tucker Carlson]]></category>
		<category><![CDATA[White Americans]]></category>
		<category><![CDATA[White nationalism]]></category>
<guid  isPermaLink='false' >https://www.unz.com/?post_type=item&#038;p=497866</guid><description><![CDATA[John Ford’s last great film The Man Who Shot Liberty Valance (1962) enjoys the status of a classic. I find it a deeply flawed, grating, and often ridiculous film that is nonetheless redeemed both by raising intellectually deep issues and by an emotionally powerful ending that seems to come out of nowhere. The stars of...]]></description><wfw:commentRss>https://www.unz.com/article/tuckers-interview-with-nick-fuentes/feed/</wfw:commentRss><slash:comments>130</slash:comments></item><item><title>Review: American History X, by Trevor Lynch</title><link>https://www.unz.com/tlynch/review-american-history-x/</link><comments>https://www.unz.com/tlynch/review-american-history-x/#comments</comments><pubDate>Mon, 22 Feb 2021 05:00:12 +0000</pubDate><dc:creator><![CDATA[Trevor Lynch]]></dc:creator>		<category><![CDATA[Foreign Policy]]></category>
		<category><![CDATA[History]]></category>
		<category><![CDATA[Ideology]]></category>
		<category><![CDATA[Anti-Semitism]]></category>
		<category><![CDATA[Conservative Movement]]></category>
		<category><![CDATA[Israel Lobby]]></category>
		<category><![CDATA[Israel/Palestine]]></category>
		<category><![CDATA[Jews]]></category>
		<category><![CDATA[NewTop]]></category>
		<category><![CDATA[Nick Fuentes]]></category>
		<category><![CDATA[Tucker Carlson]]></category>
		<category><![CDATA[White Americans]]></category>
		<category><![CDATA[White nationalism]]></category>
<guid  isPermaLink='false' >https://www.unz.com/?post_type=item&#038;p=496719</guid><description><![CDATA[Director Tony Kaye’s anti-skinhead morality tale American History X (1998) is proof that propaganda is far from an exact science. Just as Stanley Kubrick’s Full Metal Jacket caused a surge in Marine recruitment, American History X actually increases audience sympathies with neo-Nazi skinheads, despite its best efforts to present them as hateful hypocrites and losers....]]></description><wfw:commentRss>https://www.unz.com/article/tuckers-interview-with-nick-fuentes/feed/</wfw:commentRss><slash:comments>294</slash:comments></item><item><title>The Dirty Harry Sequels, by Trevor Lynch</title><link>https://www.unz.com/tlynch/the-dirty-harry-sequels/</link><comments>https://www.unz.com/tlynch/the-dirty-harry-sequels/#comments</comments><pubDate>Mon, 08 Feb 2021 05:00:57 +0000</pubDate><dc:creator><![CDATA[Trevor Lynch]]></dc:creator>		<category><![CDATA[Foreign Policy]]></category>
		<category><![CDATA[History]]></category>
		<category><![CDATA[Ideology]]></category>
		<category><![CDATA[Anti-Semitism]]></category>
		<category><![CDATA[Conservative Movement]]></category>
		<category><![CDATA[Israel Lobby]]></category>
		<category><![CDATA[Israel/Palestine]]></category>
		<category><![CDATA[Jews]]></category>
		<category><![CDATA[NewTop]]></category>
		<category><![CDATA[Nick Fuentes]]></category>
		<category><![CDATA[Tucker Carlson]]></category>
		<category><![CDATA[White Americans]]></category>
		<category><![CDATA[White nationalism]]></category>
<guid  isPermaLink='false' >https://www.unz.com/?post_type=item&#038;p=496223</guid><description><![CDATA[Dirty Harry (1971) is a compelling neo-noir thriller about San Francisco Police Inspector Harry Callahan (Clint Eastwood), who is increasingly forced to choose between liberal legal norms and bringing a sadistic serial killer known as Scorpio to justice. Once Harry kills Scorpio, the movie ends with him throwing away his badge, symbolizing a momentous decision....]]></description><wfw:commentRss>https://www.unz.com/article/tuckers-interview-with-nick-fuentes/feed/</wfw:commentRss><slash:comments>172</slash:comments></item><item><title>Review: Dirty Harry, by Trevor Lynch</title><link>https://www.unz.com/tlynch/review-dirty-harry/</link><comments>https://www.unz.com/tlynch/review-dirty-harry/#comments</comments><pubDate>Sat, 30 Jan 2021 05:00:20 +0000</pubDate><dc:creator><![CDATA[Trevor Lynch]]></dc:creator>		<category><![CDATA[Foreign Policy]]></category>
		<category><![CDATA[History]]></category>
		<category><![CDATA[Ideology]]></category>
		<category><![CDATA[Anti-Semitism]]></category>
		<category><![CDATA[Conservative Movement]]></category>
		<category><![CDATA[Israel Lobby]]></category>
		<category><![CDATA[Israel/Palestine]]></category>
		<category><![CDATA[Jews]]></category>
		<category><![CDATA[NewTop]]></category>
		<category><![CDATA[Nick Fuentes]]></category>
		<category><![CDATA[Tucker Carlson]]></category>
		<category><![CDATA[White Americans]]></category>
		<category><![CDATA[White nationalism]]></category>
<guid  isPermaLink='false' >https://www.unz.com/?post_type=item&#038;p=495944</guid><description><![CDATA[Dirty Harry (1971), directed by Don Siegel and starring Clint Eastwood as San Francisco Police Inspector Harry Callahan, is a classic of Right-wing cinema. Dirty Harry was hugely popular with moviegoers, spawning four sequels and a whole genre of films about tough cops whose hands are tied by the system and are forced to go...]]></description><wfw:commentRss>https://www.unz.com/article/tuckers-interview-with-nick-fuentes/feed/</wfw:commentRss><slash:comments>316</slash:comments></item><item><title>Review: The Elephant Man, by Trevor Lynch</title><link>https://www.unz.com/tlynch/review-the-elephant-man/</link><comments>https://www.unz.com/tlynch/review-the-elephant-man/#comments</comments><pubDate>Wed, 20 Jan 2021 05:00:29 +0000</pubDate><dc:creator><![CDATA[Trevor Lynch]]></dc:creator>		<category><![CDATA[Foreign Policy]]></category>
		<category><![CDATA[History]]></category>
		<category><![CDATA[Ideology]]></category>
		<category><![CDATA[Anti-Semitism]]></category>
		<category><![CDATA[Conservative Movement]]></category>
		<category><![CDATA[Israel Lobby]]></category>
		<category><![CDATA[Israel/Palestine]]></category>
		<category><![CDATA[Jews]]></category>
		<category><![CDATA[NewTop]]></category>
		<category><![CDATA[Nick Fuentes]]></category>
		<category><![CDATA[Tucker Carlson]]></category>
		<category><![CDATA[White Americans]]></category>
		<category><![CDATA[White nationalism]]></category>
<guid  isPermaLink='false' >https://www.unz.com/?post_type=item&#038;p=495511</guid><description><![CDATA[David Lynch’s second feature film, The Elephant Man (1980), is one of his finest works. In many ways, The Elephant Man is Lynch’s most conventional “Hollywood” film. (Dune too is a “Hollywood” film, but a failed one.) The cast of The Elephant Man is quite distinguished, including John Hurt, Anthony Hopkins, Sir John Gielgud, Dame...]]></description><wfw:commentRss>https://www.unz.com/article/tuckers-interview-with-nick-fuentes/feed/</wfw:commentRss><slash:comments>33</slash:comments></item></channel></rss>