The Unz Review • An Alternative Media Selection
A Collection of Interesting, Important, and Controversial Perspectives Largely Excluded from the American Mainstream Media
Kenji Mizoguchi Archives
Kenji Mizoguchi, Director • 13 Films
Ugetsu (1953)
Show MoreShow AllFinding...Find More
Email This Page to Someone

 Remember My Information



=>
Published Reviews
  1. [+]
    The Current Cinema (Review)
    The Potter's Saturday Night
    1. Ugetsu (1953 Film) by Kenji Mizoguchi
    The New Yorker, September 18, 1954, pp. 66-67
  2. Views & Reviews
    [+]
    Movies: Ghost and Flesh (2 Reviews)
    Ugetsu (1953 Film), by Kenji Mizoguchi
    1. Ugetsu (1953 Film) by Kenji Mizoguchi
    2. Bread, Love and Dreams (1953 Film) by Luigi Comencini
    The Reporter, October 21, 1954, p. 41
  3. [+]
    The Screen: Offbeat (3 Reviews)
    Ugetsu (1953 Film), by Kenji Mizoguchi
    1. Ugetsu (1953 Film) by Kenji Mizoguchi
    2. Cangaceiro (1953 Film) by Lima Barreto
    3. High and Dry (1954 Film) by Alexander Mackendrick
    Commonweal, September 17, 1954, p. 582
  4. [+]
    The Movies: A Domestic Film Festival (3 Reviews)
    Ugetsu (1953 Film), by Kenji Mizoguchi
    1. Ugetsu (1953 Film) by Kenji Mizoguchi
    2. Cangaceiro (1953 Film) by Lima Barreto
    3. One Summer of Happiness (1951 Film) by Arne Mattsson
    The Saturday Review, September 11, 1954, pp. 44-47
  5. [+]
    The Movies: Take Ten! (10 Reviews)
    Romeo and Juliet (1954 Film), by Renato Castellani
    1. Romeo and Juliet (1954 Film) by Renato Castellani
    2. On the Waterfront (1954 Film) by Elia Kazan
    3. Executive Suite (1954 Film) by Robert Wise
    4. Seven Brides for Seven Brothers (1954 Film) by Stanley Donen
    5. Carmen Jones (1954 Film) by Otto Preminger
    6. Walt Disney's True-Life Adventures: The Vanishing Prairie (1953 Film) by James Algar
    7. Gate of Hell (1953 Film) by Teinosuke Kinugasa
    8. Ugetsu (1953 Film) by Kenji Mizoguchi
    9. Beauties of the Night (1954 Film) by Rene Clair
    10. Bread, Love and Dreams (1953 Film) by Luigi Comencini
    The Saturday Review, January 1, 1955, p. 63