The Unz Review • An Alternative Media Selection
A Collection of Interesting, Important, and Controversial Perspectives Largely Excluded from the American Mainstream Media
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Charles Frend Archives
Charles Frend Archives
Charles Frend, Director • 9 Films
The Cruel Sea (1953)
by Charles Frend
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Published Reviews
  1. [+]
    Films (2 Reviews)
    Manny Farber
    From Here to Eternity (1953 Film), by Fred Zinnemann
    1. From Here to Eternity (1953 Film) by Fred Zinnemann
    2. The Cruel Sea (1953 Film) by Charles Frend
    The Nation, August 29, 1953, p. 178
  2. [+]
    The Screen: No Moaning at No Bars (3 Reviews)
    Philip T. Hartung
    The Cruel Sea (1953 Film), by Charles Frend
    1. The Cruel Sea (1953 Film) by Charles Frend
    2. The Sword and the Rose (1953 Film) by Ken Annakin
    3. Prowlers of the Everglades (1953 Film)
    Commonweal, August 28, 1953, p. 520
  3. [+]
    The Movies: Three Movies from Three Books (3 Reviews)
    Hollis Alpert
    The Cruel Sea (1953 Film), by Charles Frend
    1. The Cruel Sea (1953 Film) by Charles Frend
    2. I, the Jury (1953 Film) by Harry Essex
    3. The Master of Ballantrae (1953 Film) by William Keighley
    The Saturday Review, August 22, 1953, p. 26
  4. [+]
    Ideas on Film (12 Reviews)
    Cecile Starr
    The Cruel Sea (1953 Film), by Charles Frend
    1. The Cruel Sea (1953 Film) by Charles Frend
    2. The Promoter (1952 Film) by Ronald Neame
    3. The Story of Mandy (1953 Film) by Fred F. Sears and Alexander Mackendrick
    4. Wherever She Goes (1953 Film) by Michael Gordon#2
    5. The Magic Garden (1952 Film) by Donald Swanson
    6. Mahatma Gandhi: Twentieth Century Prophet (1953 Film) by Stanley Neal
    7. All the King's Men (1949 Film) by Robert Rossen
    8. The Young and the Damned (1951 Film) by Luis Bunuel
    9. Mexican Bus Ride (1952 Film) by Luis Bunuel
    10. Film Without a Name (1948 Film) by Rudolf Jugert
    11. Spice of Life (1948 Film) by Jean Dreville
    12. The Seven Deadly Sins (1953 Film) by Yves Allegret, Claude Autant-Lara, and Eduardo De Filippo, ...
    The Saturday Review, January 8, 1955, pp. 29-30