The Unz Review: An Alternative Media Selection
A Collection of Interesting, Important, and Controversial Perspectives Largely Excluded from the American Mainstream Media
Robert Aldrich Archives
Robert Aldrich, Director • 34 Items / 4 Books, 28 Films, 1 Article, 1 Review
Twilight's Last Gleaming (1977)
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Published Reviews
  1. [+]
    Twilight Sheds No New Light (Review)
    Twilight's Last Gleaming (1977 Film), by Robert Aldrich
    1. Twilight's Last Gleaming (1977 Film) by Robert Aldrich
    In These Times, March 30, 1977, p. 22
  2. [+]
    On Films: Getting On (3 Reviews)
    The Late Show (1977 Film), by Robert Benton
    1. The Late Show (1977 Film) by Robert Benton
    2. F for Fake (1973 Film) by Orson Welles
    3. Twilight's Last Gleaming (1977 Film) by Robert Aldrich
    The New Republic, March 12, 1977, p. 24
  3. Arts & Letters
    [+]
    Movies (3 Reviews)
    Slap Shot; Thieves; The Sentinel; Twilight's Last Gleaming
    1. Slap Shot (1977 Film) by George Roy Hill
    2. The Sentinel (1977 Film) by Michael Winner
    3. Twilight's Last Gleaming (1977 Film) by Robert Aldrich
    Reason, May 1977, p. 45
  4. [+]
    Films: Black Tati (6 Reviews)
    Car Wash (1976 Film), by Michael Schultz
    1. Car Wash (1976 Film) by Michael Schultz
    2. Bound for Glory (1976 Film) by Hal Ashby
    3. Twilight's Last Gleaming (1977 Film) by Robert Aldrich
    4. The Prince and the Pauper (1977 Film) by Richard Fleischer
    5. La Cecilia (1975 Film) by Jean-Louis Comolli
    6. Echoes of a Summer (1976 Film) by Don Taylor
    The New Statesman, June 3, 1977, p. 757
  5. The Arts
    [+]
    A Precious Burst of Hemingway (6 Reviews)
    Islands in the Stream (1977 Film), by Franklin J. Schaffner
    1. Islands in the Stream (1977 Film) by Franklin J. Schaffner
    2. Welcome to L.A. (1976 Film) by Alan Rudolph
    3. The Late Show (1977 Film) by Robert Benton
    4. Twilight's Last Gleaming (1977 Film) by Robert Aldrich
    5. The Sentinel (1977 Film) by Michael Winner
    6. Mohammed: Messenger of God (1976 Film) by Moustapha Akkad
    The Saturday Review, March 19, 1977, pp. 40-41