The Unz Review: An Alternative Media Selection
A Collection of Interesting, Important, and Controversial Perspectives Largely Excluded from the American Mainstream Media
 BlogviewPeter Lee Archive
Crouching Tiger, Leapin’ Lizards! the Great Wall Comes to America
🔊 Listen RSS
Email This Page to Someone

 Remember My Information


Bookmark Toggle AllToCAdd to LibraryRemove from Library • BShow CommentNext New CommentNext New ReplyRead More
ReplyAgree/Disagree/Etc. More... This Commenter This Thread Hide Thread Display All Comments
These buttons register your public Agreement, Disagreement, Thanks, LOL, or Troll with the selected comment. They are ONLY available to recent, frequent commenters who have saved their Name+Email using the 'Remember My Information' checkbox, and may also ONLY be used three times during any eight hour period.
Ignore Commenter Follow Commenter
Search Text Case Sensitive  Exact Words  Include Comments
List of Bookmarks

Here are embeds to my two most recent videos for Newsbud. They pair together nicely as they track the evolving stories on Pakistan/Afghanistan and North Korea. Trump may be sucking all the oxygen out of the mediasphere, but the usual suspects are still out there conducting the usual business of murder and mayhem.

The most recent video, While America Freaks Out, Asia Quietly Goes Crazy, also covers a couple stories that will achieve a higher profile in the news as the year goes on: Xinjiang and the Philippines.

In the earlier video, Asian States Play the Murder Card; Is the War Card Next? I have some fun in the closing bit with Asian monster movies in general—Pulgasari should be part of every kaiju fan’s cinematic vocabulary–and China’s The Great Wall in particular.

The Great Wall got slagged in the US as a piece of Chinese cinematic presumption. Hollywood blockbusters are America’s soft power secret sauce, and woe to any Communist interloper that tries to steal the recipe. Chinese audiences weren’t quite nuts about it either, to be frank.

The interesting backstory to TGW is that China, via Wanda Group, has already mastered the exhibition end of the equation. Wanda is the biggest deal in Chinese cinema, controlling about half the screens. It’s also embarked on an acquisition binge in the US, Europe, and Asia and expects to control 20% of global box office in a few years.

Wanda wants to be able to extort favorable distribution deals from the major studios (smart!) and its supremo, Wang Jianlin, has also expressed the desire to own a studio (nonononoNO!). Apparently, in our brave new world of content creation and distribution this is not the anti-trust red flag it used to be.

The Great Wall was Wang’s first big-ticket foray into content creation, via Legendary Pictures, a Hollywood production outfit Wanda acquired a couple years ago. Despite an anemic $36 million and change at the US box office, TGW pulled in $300 globally.

When one considers that maybe Wanda through its cinema operation was on both sides of that take in maybe one-third of the theaters (as opposed the share of receipts it gets as simply the content creator), I’m thinking The Great Wall maybe didn’t earn back all of its rumored $150 million production budget plus its apparently supersized promotional budget, but it’s not a gigantic debacle for Wang.

The movie itself: not as bad as people say, in my opinion. Of course, my expectations were low since LA hated the film, and my generous impulses were also shaped by the wonder of an $8 movie ticket, which is the price of admission on Tuesdays at Regal Cinemas flagship cinemas down at Staples Center/LA Live. By Grabthar’s hammer, what a savings!

Anyway, the movie. Warning: SPOILERS!

The movie’s debt to World War Z is pretty unambiguous. Well, Max Brooks, the guy who wrote World War Z apparently cooked up The Great Wall with Legendary’s ex-jefe (now canned) Thomas Tull, and got story credit. The basic theme of hordes threatening civilization is quite World War Z esque, and the visuals of monsters climbing the Great Wall during the main attack is, shall I say, embarrassingly similar to that zombie assault on the Israeli wall in WWZ.

For what it’s worth, I liked TGW better. I once described the World War Z book as a masturbation aid for Carl Bildt, with its narrative that only the US, Israel, and NATO allies, with a spiritual assist from the Queen of England, have the sack to save the world from zombies while authoritarian countries (China, Russia and so on) are deservedly annihilated.

Once this movie got into the hands of Zhang Yimou, I think he visualized it as a wuxia spectacle. Wuxia (martial hero movies) often involve badass bravos doing awesome sh*t in the riverlands, marshes, and mountains beyond the stultifying reach of Chinese state and society.

And in The Great World we are introduced into a wuxia environment of a secret martial order dedicated to garrisoning the Great Wall and, every sixty years, fighting off a herd of ravenous lizard monsters that basically just want to eat the world.

The Great Wall resists subtext, thereby frustrating cineastes, film buffs, and guys who post their opinions on the Internet. Don’t try looking for metaphors of the Mongol threat or the Russian menace, in my opinion. The monsters are there and the wall is there mainly so this band of brothers and sisters can do cool, crazy-heroic stuff together. And they do it pretty nicely, in my opinion.

I didn’t have too much of a “Matt Damon white savior” problem, especially in what film people call “the second act” i.e. after everybody’s introduced and it’s time to demonstrate character through action. Damon’s character is appealing, he meshes pretty well with the Chinese cast and, thankfully, there is no “older white guy getting it on with Asian ingénue” action between him and female lead Jing Tian.

I suspect, however, that nobody getting it on with Jing Tian i.e. Matt Damon diverting the narrative from thumping-hearts kids-in-peril romantic exploration and emotional fulfillment for Jing and the other main characters might have been part of the problem in the Chinese market.

My main difficulty with the film is the “third act” the “resolution” which I now call, in homage to the New Yorker’s David Denby (who first coined the phrase in describing the ending of the Edward Norton Hulk movie), “the CGI pukefest”.

Bowing to Hollywood’s need to up the stakes for the finale, The Great Wall leaves “The Great Wall” and shifts the action to Beijing.

The film’s most amusing, Chinese-y sequence occurs there, when the emperor is introduced to a captured lizard-monster by the usual crowd of sycophantic advisors. But otherwise, the vibe is “we’ve just spent 80 minutes at the Great Wall and got to know it and like it now why do we have to move to Beijing??” Well because, spoiler here, the lizards simply spent the entire second act tunneling through the Great Wall while mounting diversionary attacks, so all the cool heroic sacrifice stuff at the wall was useless bullsh*t.

So the gigantic lizard army is done in and the world saved by Matt Damon improvising doofus greenscreen crap at some rando location at the end. But it would have been just as big a drag if some Chinese actor had done it. The heroes and heroines of the borderlands should have been given the honor of ending the movie at the Great Wall with their mad skillz, courage, sacrifice, and devotion.

One last note: a fumbled grace note in the movie was the name given to the monsters: Tao Tei.

In Chinese, the name is spoken taotie, a kinda cool reference to the ubiquitous taotie monster masks incised on the most ancient of Chinese bronzes.

Nobody knows the origin of this iconography, so the movie is pretending it was a depiction of the real, fearsome lizard monsters that had ravaged northern China for millennia (you can see the taotie insignia on the forehead of the beast displayed to the emperor; it’s also glimpsed in this still, though not too clearly).

I guess tao tie was deemed too awkward for non-Chinese tongues, so it got simplified to tao tei. Well anyway. Almost pulled it off! Metaphor for the movie!

Maybe next time Zhang Yimou will insist on more creative control over the script and get a chance to achieve some emotional resonance in his supernatural wuxia story, the way Ang Lee did in Crouching Tiger Hidden Dragon.

Until then, a decent effort, and it certainly was striking to see a Chinese movie with the signature Hollywood credits that go on for 15 minutes of literally hundreds of people doing weird digital mega giga computer stuff that you can’t even figure out what it is.

The movie’s good enough to keep Wanda in the blockbuster business, and I expect they’ll find the right formula in some subsequent outing.

(Republished from China Matters by permission of author or representative)
Hide 20 CommentsLeave a Comment
Commenters to FollowEndorsed Only
Trim Comments?
  1. Watched this movie a couple of weeks ago and it was ok. You get what you expect – Matt Damon & the Chinese & this Mexican dude that is in every movie now fight the Zerg and win. You have some World War Z, some Starship Troopers, and some generic fantasy. All of that packed in a nice 100 min.

    Can recommend.

  2. fitzGetty says:

    In the local China poster, the would be star’s eye configuration was lengthened substantially laterally.
    Why was that, lads ?

  3. Joe Wong says:

    The author is stilling living in the world with a mindset belonging to the past, stalled in the old days of colonialism and constrained by the zero-sum cold war mentality, he is trolling staled cold war rhetoric like a broken record.

    The American has been waging reckless wars around the world in the name of heightened phantom threats, like phantom WMD in Iraq, fabricated genocide in Yugoslavia, Libya and Syria, … , the author is portraying American, the Empire of Chaos’, way of life onto others in order to make sense to his life, to the author if the Americans go freaking out due to their internal uncivilized ongoing Cold Civil War caused by the election of Donald Trump to the POTUS against the will of the deep state, others must go crazy too because nobody can live differently from the American otherwise it won’t fit his “American is the final form of civilization, American Exceptionalism, and American is the global hegemon” box of thinking and mentality.

    To the Radio Free Asia and the author Asia is always in chaos and lawlessness, if it is not they will create enough fake news to create Asia a crazy place like the freaking out USA.

    • Replies: @Daniel Chieh
  4. Anonymous [AKA "anonjanon"] says:

    Whatever else is said about Matt Damon, he is a great action actor. Jason Bourne is supreme because of Damon. Also great in Green Zone. Will see this movie because he is in it.

    • Replies: @Z-man
  5. Hard to defend civilization when Jing Tian is nearby. Gives you something to fight for, I guess.

  6. Randal says:

    The Great Wall got slagged in the US as a piece of Chinese cinematic presumption. Hollywood blockbusters are America’s soft power secret sauce, and woe to any Communist interloper that tries to steal the recipe. Chinese audiences weren’t quite nuts about it either, to be frank.

    The equivalent, in the mass propaganda “soft power” sphere, of the Liaoning.

  7. it is a movie 😛 in a fantasy genre to boot 😛 and the critics are talking shit about it as chinese presumption. ahahahaa

  8. Z-man says:

    The first three Bournes I saw and you’re right! But I won’t see the 4th until it comes to ‘free’ cable, lol!!
    Speaking of walls, I think Belgium should be dismembered, the Dutch part going to Holland, the French part to France and the small German enclave going to Germany. Brussels can be an open city, capital of a downsized, less bureaucratic/autocratic EU.

  9. Agent76 says:

    There is a new global reserve currency in the world few are aware of today. America today makes China look democratic.

    Oct 1, 2016 RISE OF CHINA – China’s Yuan / RMB Joins Elite Global Reserve Currency Club

    Currency’s entry into IMF basket a milestone in long march to international acceptance Renminbi joins U.S. dollar, euro, yen, and British pound in SDR basket Change represents important milestone for IMF, SDR, and China Move recognizes and reinforces China’s continuing reform progress.

  10. Matches my opinion on the film – my 9 yr old son and I enjoyed it, cast was good (esp the Chinese female lead and the novice Chinese soldier), but the last third was a let down after the wall is left behind. I enjoyed the “this isn’t actually a Hollywood movie!” feel.

  11. Events are probably describing the period when all of the Northern China was under the rule of Jurchen Jin dynasty. The wall was mostly built under Ming. I don’t like this kind of historical distortions. Cannot Chinese start filming historically true and basically more realistic pictures. Chinese history i interesting enough without all those monsters and flying kung fu dudes. I also do not fail to notice there is no Chinese champions in mixed martial art 😉

  12. Clyde says:

    Thanks for the review. I thought the movie was useless but now I think I will see it for the angry lizards and their hive queen and the slick action. And special effects CGI. Not joking. It should be in my local second run cheapo ticket movie theater in weeks.

  13. J1234 says:

    I liked The Great Wall. No deep message, no social justice and no interracial romance between Matt Damon and the Chinese chick. I saw it as a return to the great monster movies of the past. Best movie of it’s type I’ve seen in years.

  14. Anon • Disclaimer says:

    Lord of the Dings

  15. RobRich says: • Website

    Normandy, Mars…saving Matt Damon goes to China.

  16. Anon • Disclaimer says:

    China is near

  17. @Joe Wong

    What in God-Emperor’s name of non-sequitor is this crap response?

  18. Kathy says:

    I really liked this movie ! The plot was adequate, the acting, also. What was awesome was the whole visual aspect . The Chinese warriors and their complicated and beautiful techniqes for fighting the dragons were creative and colorful. I would have preferred dragons with wings, but I can see that would have changed everything.

    Anyway, it was a beautiful visual spectacle.

  19. fitzGetty says:

    And then there is KONG – with a bizarre, grating, affirmative action cast … the Chinese don’t like that at home, yet they pay for it here …

  20. Anonymous [AKA "packman"] says:

    Ithink the promo qualified as fake advertizing. Gave the impression they are fighting some kind of nomad tribemen. Turn out to be a darn lizard.

Current Commenter

Leave a Reply - Comments on articles more than two weeks old will be judged much more strictly on quality and tone

 Remember My InformationWhy?
 Email Replies to my Comment
Submitted comments have been licensed to The Unz Review and may be republished elsewhere at the sole discretion of the latter
Subscribe to This Comment Thread via RSS Subscribe to All Peter Lee Comments via RSS