David Wnendt’s 2015 film Look Who’s Back (Er ist wieder da) is based on Timur Vermes’ 2012 novel of the same name about Adolf Hitler being mysteriously transported to modern Berlin and becoming a viral media sensation. Look Who’s Back is a fascinating and funny film, but its intended message is hard to fathom. Is... Read More
Bob Fosse’s 1972 film Cabaret is supposed to be propaganda for Weimar decadence and against Nazi brutality. But the film utterly fails as propaganda insofar as it changes no minds. In fact, Cabaret is more akin to a diagnostic tool—like inkblot tests or gestalt images—for distinguishing between fundamentally different human types: people who love beauty... Read More
How America was neoconned into World War IV
The “war hero” candidate buried information about POWs left behind in Vietnam.
Our Reigning Political Puppets, Dancing to Invisible Strings