
Bob Fosse’s 1972 film Cabaret is supposed to be propaganda for Weimar decadence and against Nazi brutality. But the film utterly fails as propaganda insofar as it changes no minds. In fact, Cabaret is more akin to a diagnostic tool—like inkblot tests or gestalt images—for distinguishing between fundamentally different human types: people who love beauty...
Read MorePastClassics
Analyzing the History of a Controversial Movement
The Shaping Event of Our Modern World
The Surprising Elements of Talmudic Judaism
How America was neoconned into World War IV
Teach your children well.