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World War II

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tirana-2021x0327
Just this month, Kevin Barrett wrote about our cultural breakdown through the prism of Dostoevsky’s Demons. Also at Unz, Mike Whitney began his article about the Covid vaccines with a quotation from Milton’s Paradise Lost, “Which way I fly is hell; myself am hell; And in the lowest deep a lower deep, Still threat’ning to... Read More
struga-2020
This entire year, I’ve been a vagabond, but you, too, have been on a journey, away from just about everything you’ve known, into the vaguest of futures, and we’re just getting started. Steered by obscured hands, we’re whipped around blind bends, towards a reality we have no part in shaping. Yesterday, my friend Chuck Orloski... Read More
Tokyo, 2018
We landed in darkness. The last time I was in Narita was 18 years earlier. With a six-hour layover, I inexplicably didn’t leave the airport. “Can I possibly die without at least a glimpse of Japan?” I’d ask myself, cringing. Finally, I was there. My first impressions were the generous legroom on the train to... Read More
shutterstock_151138391
Ignorance is renewed with each newborn, and by the time any man figures out anything, he can almost feel the mortician leaning over his stiff face. Though all lessons are embalmed within history, few care to explore that infinite corpse. Lewis Mumford, “So far from being overwhelmed by the accumulations of history, the fact is... Read More
Linh Dinh
About Linh Dinh

Born in Vietnam in 1963, Linh Dinh came to the US in 1975, and has also lived in Italy and England. He is the author of two books of stories, Fake House (2000) and Blood and Soap (2004), five of poems, All Around What Empties Out (2003), American Tatts (2005), Borderless Bodies (2006), Jam Alerts (2007) and Some Kind of Cheese Orgy (2009), and a novel, Love Like Hate (2010). He has been anthologized in Best American Poetry 2000, 2004, 2007, Great American Prose Poems from Poe to the Present, Postmodern American Poetry: a Norton Anthology (vol. 2) and Hopeless: Barack Obama and the Politics of Illusion, among other places. He is also editor of Night, Again: Contemporary Fiction from Vietnam (1996) and The Deluge: New Vietnamese Poetry (2013), and translator of Night, Fish and Charlie Parker, the poetry of Phan Nhien Hao (2006). Blood and Soap was chosen by Village Voice as one of the best books of 2004. His writing has been translated into Italian, Spanish, French, Dutch, German, Portuguese, Japanese, Korean, Arabic, Icelandic and Finnish, and he has been invited to read in London, Cambridge, Brighton, Paris, Berlin, Reykjavik, Toronto and all over the US, and has also published widely in Vietnamese.