In a recent article, “Smashing Culture,” I briefly described a scene in Philadelphia from 30+ years ago. Sitting in McGlinchey’s, I was drinking Rolling Rock. This trivia triggered a most curious yet telling response from a commenter, “Rolling Rock? – really? Were you listening to the Eagles too? Nice street cred attempt, but it’s either... Read More
To represent anything is to reduce and deform it, obviously, for even Leonardo’s Mona Lisa is but a stick figure compared to the witty, voluptuous and redolent broad, whose repartees, smiles, jokes and burps, from moment to moment, can only increase her charm and terror, and that’s why man never allowed himself to be engulfed... Read More
Born in Vietnam in 1963, Linh Dinh came to the US in 1975, and has also lived in Italy and England. He is the author of two books of stories, Fake House (2000) and Blood and Soap (2004), five of poems, All Around What Empties Out (2003), American Tatts (2005), Borderless Bodies (2006), Jam Alerts (2007) and Some Kind of Cheese Orgy (2009), and a novel, Love Like Hate (2010). He has been anthologized in Best American Poetry 2000, 2004, 2007, Great American Prose Poems from Poe to the Present, Postmodern American Poetry: a Norton Anthology (vol. 2) and Hopeless: Barack Obama and the Politics of Illusion, among other places. He is also editor of Night, Again: Contemporary Fiction from Vietnam (1996) and The Deluge: New Vietnamese Poetry (2013), and translator of Night, Fish and Charlie Parker, the poetry of Phan Nhien Hao (2006). Blood and Soap was chosen by Village Voice as one of the best books of 2004. His writing has been translated into Italian, Spanish, French, Dutch, German, Portuguese, Japanese, Korean, Arabic, Icelandic and Finnish, and he has been invited to read in London, Cambridge, Brighton, Paris, Berlin, Reykjavik, Toronto and all over the US, and has also published widely in Vietnamese.