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Though Flannery O’Connor didn’t live long, she left us some of the best stories ever written. It’s impossible to overpraise “A Good Man Is Hard to Find,” “The Life You Save May Be Your Own,” “The Displaced Person,” “The Artificial Nigger,” “Good Country People,” “Everything That Rises Must Converge” and “Revelation.” O’Connor’s liberal usage of... Read More
Felix Giordano at Friendly Lounge in Philadelphia, 2016
On June 4th, Common Dreams’ lead story is titled, “‘This Isn’t Going Away’: Defying Curfews and Police Brutality in Relentless Push for Justice, Uprising Over Killing of George Floyd Keeps Growing.” The same day, I received a mass email from Jee Leong Koh, a Singaporean poet living in Harlem. In an 800-word statement about the... Read More
[the below will be translated into Farsi and published at this website] The Iranian people would like to know how would you interpret Floyd’s death: an isolated case of officers mistreating criminals or a sign of systematic anti-black racism? -As we can clearly see in the film, Floyd was murdered, for an officer knelt on... Read More
Trotsky\
Alexis de Tocqueville wrote in 1835, “Among the ancients, the slave belonged to the same race as his master, and often he was superior to him in education and enlightenment. Freedom alone separated them; freedom once granted, they easily intermingled. The ancients therefore had a very simple means of delivering themselves from slavery and its... Read More
Scotty\
Southerner Fred Reed writes about Yankee hypocrisy, “You’ve heard about white flight. In nearly about every city in the North, white people streak for the suburbs so’s not to be near black people, and then they talk about how bad Southerners are for doing the same thing […] Fact is, you can see more social,... Read More
Street Scene Near Temple University, 2016
Over three days last week, at least 150 blacks attacked whites at random around TempleUniversity. Victims were surrounded, punched and kicked. Wallets and phones were stolen. Rocks were thrown at passing cars. When cops showed up, one was knocked from her bike and a police horse was even punched twice in the muzzle. Most of... Read More
Detroit Gas Station, 2011
I had spent four days in Ann Arbor, Dexter and Chelsea. This stay allowed me to experience a whiter and more Norman Rockwell Michigan. On two previous trips, I was confined to mostly black and car wrecked Detroit. Flying out from DetroitAirport, I bought two National coneys and, boy, were they sad. Hotdogs, chili, onion,... Read More
a katz / Shutterstock.com
A hundred-and-fifty-one years after the abolition of slavery, America has a half white, half black president, a black Nobelist in literature, whites who attribute not just every form but instance of black dysfunction to white racism, blacks who demand reparations, the mainstreaming of innumerable black slang terms, including “diss,” a new phrase “negro fatigue” and... Read More
Philly Jesus and Black Israelites, 2016
Philly is blessed with a generous allotment of public space at its very center. On any day of the week, weather permitting, there are throngs of people at LovePark, DillworthPark and near the Clothespin. Around this 45-foot-tall sculpture by Claes Oldenburg, I’ve seen an assortment of petty hustlers selling everything from loosies to oddball T-shirts,... Read More
Linh Dinh
About Linh Dinh

Born in Vietnam in 1963, Linh Dinh came to the US in 1975, and has also lived in Italy and England. He is the author of two books of stories, Fake House (2000) and Blood and Soap (2004), five of poems, All Around What Empties Out (2003), American Tatts (2005), Borderless Bodies (2006), Jam Alerts (2007) and Some Kind of Cheese Orgy (2009), and a novel, Love Like Hate (2010). He has been anthologized in Best American Poetry 2000, 2004, 2007, Great American Prose Poems from Poe to the Present, Postmodern American Poetry: a Norton Anthology (vol. 2) and Hopeless: Barack Obama and the Politics of Illusion, among other places. He is also editor of Night, Again: Contemporary Fiction from Vietnam (1996) and The Deluge: New Vietnamese Poetry (2013), and translator of Night, Fish and Charlie Parker, the poetry of Phan Nhien Hao (2006). Blood and Soap was chosen by Village Voice as one of the best books of 2004. His writing has been translated into Italian, Spanish, French, Dutch, German, Portuguese, Japanese, Korean, Arabic, Icelandic and Finnish, and he has been invited to read in London, Cambridge, Brighton, Paris, Berlin, Reykjavik, Toronto and all over the US, and has also published widely in Vietnamese.