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The Great Replacement Comes to Marvel. Out with the Normal White Men, In with the Gays and Black, Bisexual Women
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Iron Man is dead. Captain America is all but dead, having traveled back in time to live his life out in the America he remembered. Those unhappy events occurred in Avengers Endgame, the film in which Woke Hollywood killed off and retired the two white men—top heroes in the Marvel Cinematic Universe (MCU). And more wokeness is coming, as the producers and directors of these obscenely profitable blockbusters fashion a new non-white, non-male, non-heterosexual MCU. The normal white man will be exiled. Who better than a black bisexual woman or “married” homosexual man, after all, to save the universe!

For Marvel fans to understand what’s coming, they must also understand that Disney will soon have complete control of the MCU, sans Spiderman. Disney and Sony have ended their sui generis partnership to make five films about the webslinger, with Sony retaining total control and Spidey swinging out of the MCU, apparently for good. [A Tangled Contractual Web: Why Sony’s Spider-Man Is Leaving the Marvel Cinematic Universe, by Keith Noonan, The Motley Fool, August 26, 2019]

That will leave the movie franchise safely in the hands of people of color and those who partake of the Love That Dare Not Speak Its Name. [Marvel’s next films will bring diversity, onscreen and off, APNews.com, July 22, 2019] The heterosexual white man no longer saves the world. He’s an anachronism, a throwback to white-bread world of George Reeves and Noel Neill. The MCU cannot be left out of the The Great Replacement. Whites men will still show up, of course. But the new emphasis will be women, homosexuals, and, of course, people of color.

Starting with them, just how important will nonwhites and women, or nonwhite women be? Trinh Tran, a Vietnamese immigrant and an executive producer with Marvel Studios, says they’ll be “instrumental.”

Tran spoke with Inverse shortly after San Diego Comic-Con to discuss Phase 4, the next set of MCU films that begins with the release of Black Widow on May 1. [Marvel Producer on Phase Four’s Diversity: “This Is the World We Live In,” by Eric Francisco, August 5 2019]

Said Tran:

Female representation, the diversity of it all, is very important because this is the world we live in. There’s so many different people out there and in order for us to relate to them, we have to make movies that are different. We can’t always be about one race or gender. That’s not the way to connect with the world.

I’m looking forward to Black Widow getting her own movie next year, [Asian superhero] Shang-Chi getting his due. This is the first step to more diverse characters and franchises. I am hoping for more down the line. We have so many characters in the Marvel Universe, it’s a matter of picking which one makes sense to the MCU. In thinking about the future of the MCU and how all those characters are gonna connect, diversity is crucial in our future.

I think we’re heading towards the right direction. Ten years ago when we started making these movies, you probably don’t see much of that.

So an immigrant Asian woman thinks we’re heading in the right direction by turning a once-great film series into a polychromatic, multicult mess. You don’t say.

Anyway, we didn’t see much of that a decade ago, and no one much objected, as box office receipts showed. The inaugural MCU film was Iron Man. The Incredible Hulk followed, then Thor, which introduced the world to the God of Thunder. Captain America showed up in 2011. Then came The Avengers in 2012, when the all-white team of superheroes saved the world from an alliance between Loki, Thor’s angry, jealous brother, and an extraterrestrial race called the Chitauri.

Yet browning the series won’t be enough. The new “diverse” MCU will impart this lesson: The lesbian as a fat, ugly dyke, the homosexual as a swishing pansy, are hateful stereotypes.

Thus will Love and Thunder, release date November 5, 2021, feature “LGBTQ” favorite Tessa Thompson as Valkryie. Valkyrie, who appeared in Ragnarok (2017), will be the “king” of Asgard, home of the Norse gods, having taken the mantle from Thor himself at the close of Endgame (2019).

Disney’s Asgard is a multicultural utopia that conscripts Norse mythology to serve racial, cultural and sexual revolution, and so the home of the gods must have a black, bisexual “king,” who in turn must have a queen, as Marvel Studios chieftain Kevin Feige confirmed to io9:

[T]he Marvel Cinematic Universe will get its first LGBTQ superhero in Thor: Love and Thunder. And yes, it’s Tessa Thompson’s Valkyrie.

Speaking to io9 in the wake of Marvel Studios’ barnstorming San Diego Comic-Con panel, Kevin Feige confirmed, as Thompson herself teased during Love and Thunder’s unveiling, that Valkyrie will be involved in an LGBTQ storyline as Asgard’s new ruler seeks out a Queen to rule alongside her.

“The answer is yes,” Feige said of Valkyrie having an LGBTQ storyline. “How that impacts the story remains to be seen with that level of representation you’ll see across our films, not in just Thor 4.”

“As new king, she needs to find her queen,” Thompson had said to fans in Hall H during Marvel’s panel. “That will be her first order of business. She has some ideas. Keep you posted.”

[It’s Official: Valkyrie Will Be the MCU’s First LGBTQ Hero, by James Whitbrook, Gizmodo.com, July 20, 2019]

In keeping with the addition of a “queer superhero” and the feminization of the MCU, Thor will relinquish his hammer in Love and Thunder to his lady God, played by MCU veteran Natalie Portman, who appeared in the original and its sequel , The Dark World. [Natalie Portman will bring the hammer as a female Thor in ‘Love and Thunder,’ by Erin Davis and Brandon Griggs, CNN, July 21, 2019]

Nor will Valkyrie, again, be alone, at least as the “LGBTQ” side of the series goes. Marvel’s next big installment, scheduled for release in November 6, 2020, The Eternals, will ad a superhero who’s just a little light in the loafers. Feige confirmed that at the D23 Expo last month. “He’s married, he’s got a family, and that is just part of who he is,” the Hollywood bigwig disclosed. [Marvel’s The Eternals confirms openly gay character: ‘He’s married, he’s got a family,, by Nick Ramono, Entertainment.com, August 26, 2019]

Not to be omitted from this mix is the religion of peace. On the soon-to-be launched Disney+ streaming service, the MCU will have a Muslim-American super heroine: Ms. Marvel. Following the character of a Muslim teenager in New Jersey, the show will be yet another attack on the MCU’s white male superheroes:

The latest incarnation, and the one the show will be focusing on, is a teenager named Kamala Khan. Khan broke ground by becoming Marvel’s first Muslim character to lead her own comics title. Her identity as a Pakistani-American living in a religious family in New Jersey whilst trying to find her own way has been a major focus of the stories. Her powers have been described as polymorphous, meaning she has the ability to stretch and change her shape.

[‘Ms. Marvel’ Series in the Works for Disney+ (Exclusive), by Borys Kit, Hollywood Reporter, August 23, 2019]

So here’s the precis on openly subversive MCU:

Robert Downey Jr.’s Iron Man, again, dies in the final moments of Endgame.

Endgame sent Chris Evans’ Captain America back in time to be with love Peggy Carter, then, depicted him in the present as an old man, giving his shield to The Falcon, meaning Captain America is now black, which follows the comic-book storyline of 2014.

And with the end of the Sony-Disney Spiderman pact, a third white character is gone.

And so The Great Replacement has finally come to the MCU.

Here’s the main question for Disney: Will primarily white fanboys for these films stay away from theaters, as they did with Star Wars: The Last Jedi?

My Spidey-sense is tingling.

I say yes.

Paul Kersey[Email him] is the author of the blog SBPDL, and has published the books Opiate of America: College Football in Black and White and Second City Confidential: The Black Experience in Chicagoland. His latest book is The Tragic City: Birmingham 1963-2013.

(Republished from VDare by permission of author or representative)
 
• Category: Arts/Letters, Ideology • Tags: Movies, Political Correctness 
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  1. Full speed ahead, lefties, and damn the torpedoes!

  2. If you are a straight white man and you still consume and pay for this garbage, then you deserve everything that is coming your way.

    • Agree: brandybranch
  3. The whole Marvel franchise was created by Jew Stanley Lieber, aka “Stan Lee”, presumably an attempt to sound more Anglo. It suggests that white America doesn’t have much culture of its own to celebrate if they are mourning the loss of something that was created by a Jew/Jews in the first place.

    The concept of comic book heroes is about as Jewish as it gets, I would have thought white Americans would have wanted to strive towards higher art forms than that but apparently not.

    • Troll: Chris Mallory, TWS
    • Replies: @Hoyos
    , @DrTorch
    , @Gene Su
  4. Realist says:

    Sadly many whites will still patronize Marvel.

    • Replies: @Ragno
  5. In an ironic twist (or not) the White Hero has been unpersoned by a multiverse no longer worth saving.

    • Replies: @Twodees Partain
  6. 95Theses says:

    While The Great Replacement is surely in evidence everywhere, it is truly a sad state of affairs when comic books/comic book characters (which are marketed principally toward children) must yield to the forces of Multiculturalism–Diversity.

    Trinh Tran claims that “This is the world we live in”, but the truth is that the world is what you make. Or maybe better, the world is what they make it (no triple parentheses needed).

    *****

    The Great Replacement has likewise swamped popular culture in the unnatural promotion of minorities and women to roles they would not ascend to were it based on merit alone. I pretty much watch the local early morning news programs with the sound turned down just to observe how the face of broadcast news has radically changed from around the time I was growing up.

    In tandem with those changes (and as a direct consequence) “the news” has become completely unserious. White male news anchors and reporters are in short supply, while Blacks and women dominate the landscape.

    And commercials? Bruh-ther! The clueless White beta-male is now the standard for all White men, miscegenation is rife, women have assumed every traditional male role, children are ever tutoring their parents (especially the dad), and criminals are regularly depicted as the evil White male. The template is so overused it’s practically a cliché.

  7. Astalnar says: • Website

    There is already Alt-Hero, Flying Sparks and other comics available as an alternative. Yet no one talks about it in the mainstream. Why not? Because then the conservatives would have to admit that it’s actually possible to do something about the situation, and not just whine about it.

    • Replies: @Glaivester
  8. Franz says:

    Will primarily white fanboys for these films stay away from theaters, as they did with Star Wars: The Last Jedi?… I say yes.

    I second that.

    They should have been happy with a token poofter and left well enough alone.

    They always got to drown the lads in sewage, and “Last Jedi” showed that the lads have a limit and know how to swim.

    Screw Marvel, Stan Lieboshitski, and the whole stinkin’ mess.

    As Roy Batty’s last line in Bladerunner says: Time to die.

  9. FALPhil says:

    This is why there is Rule Number 1: Build your own platforms.

    • Replies: @95Theses
  10. If you are a comic book reader, there are alternatives out there that could use your support – AltHero is one such major work and a previous commentor mentioned Flying Sparks. Arkhaven and Dark Legion provide a multitude of stories in the format without the anti-civilizational agenda.

    Politics is downstream from culture and comics are culture. Support what you’d like to see. Consider it an investment in your future.

  11. Hoyos says:
    @England patriot

    The old comics celebrated American culture and freedoms, had a strong moral heart, frequently overt Christianity, and valorized America and assimilation. At one point Marvel even published illustrated versions of Christian classics like CS Lewis’ the Screwtape Letters and Pilgrims Progress.

    Regarding higher art forms there’s always been a place for folk tales and folk songs alongside high literature and classical music. In many ways comics are one of the great American mythologies.

    Just going “but, but, TEH JOOZ” doesn’t really cut it. Stan Lee was American and so were his heroes. This is what happens when you confuse race, culture, and the individual person, you become this mirror image identitarian where you don’t look at the facts but just focus on who is saying it.

  12. Glaivester says: • Website
    @Astalnar

    Alt Hero is also in the process of creating a film, Rebel’s Run.

  13. Stop consuming the garbage produced by the usual suspects.

  14. 95Theses says:
    @FALPhil

    Several new aliases with no recent commenting history. Curious. Now the question is, whose bidding are they doing?

    The cuckservative cop-out “Build your own platform” has turned into “build your own web hosting,” “build your own servers,” and “build your own banking system.”

    Will this end with “build your own country”?

    — James Kirkpatrick

    https://vdare.com/articles/thanks-to-tech-totalitarians-u-s-already-has-a-china-style-social-credit-system
    http://www.unz.com/article/thanks-to-tech-totalitarians-u-s-already-has-a-china-style-social-credit-system

  15. Saturn Girl alone was more empowered that these … creatures.

  16. Worldwide, deep down, most people expect a White man to do the right thing and help others if able to.

    Worldwide, deep down, most people expect a Black man to do the wrong thing and prey on others if able to.

    A White superhero is more believable.

  17. Several new aliases with no recent commenting history. Curious. Now the question is, whose bidding are they doing?

    The Vox Popoli blog (voxday.blogspot.com; for some reason I can’t get an embedded link to work) linked to and commented on this article; that’s certainly where the references to AltHero came from.

  18. Technomad says:

    There are other comics publishers out there. And the superheroes are not the only thing Marvel does. Their Star Wars comics, particularly the ones following the adventures of Darth Vader after losing the Death Star, and his sidekick, the amoral archaeologist Doctor Aphra, are well worth looking at (yes, even though Dr. Aphra is a lesbian.)

    “Reimagining” superheroes generally ends in tears and a return to status quo. ISTR at one time they tried replacing Peter Parker as Spider-Man with a Hispanic kid. I haven’t heard about that in quite a while.

    Even if Marvel goes away, that’s not the end of the world. The old dies, the new arises.

  19. DrTorch says:
    @England patriot

    Batman wasn’t.

    Superman was.

    Flash had two main creators, one jewish, one not.

    Captain Marvel outsold Superman.

    So it’s about 50-50.

    • Replies: @Mr. Anon
  20. Corvinus says:

    It’s not that big of a deal, considering that the younger crowd generally enjoys the new branding. It’s about the current marketplace. Of course, the Vox Day’s of the world have a conniption fit over such matters. Interestingly enough, his own “superhero” is a female slinging guns rather than nursing (white) kids, along with an Indian (feather, not dot) sidekick.

    Snicker-snack.

    “Several new aliases with no recent commenting history. Curious. Now the question is, whose bidding are they doing?”

    Shills for Vox Day.

    • Replies: @Rex Little
  21. @Corvinus

    It’s not that big of a deal, considering that the younger crowd generally enjoys the new branding. It’s about the current marketplace.

    Is it really? Time, and box office numbers, will tell. Vox Day often quotes statistics which show the market rejecting the new diversity comic books, but I haven’t done any fact checking on those.

    Let’s not forget that the superhero ranks have almost never consisted exclusively of white men. Wonder Woman has been around almost as long as Superman. Luke Cage debuted in 1972, as did a black Green Lantern. LGBTQ heroes, though, are a new thing as far as I know. So is a Muslim hero; for that matter, the only other one I can remember who was overtly religious in any way was the X-Men’s Nightcrawler.

  22. JoannF says:

    As almost all of the ‘Creatives” taking part in this enterprise, including the company administrators, are either gay or Jewish, in a word more or less of the paranoid-schizophrenic persuasion, they may really believe that we either live in such a world or are creating it.
    Can it be created ?
    I hear that these ‘new comics’ are not really being bought by people on the street, but being paid for and distributed by leftist goy functionaries in public libraries mostly.
    That is their remaining backbone, a very didactic one…
    In some jobs, diverse people naturally concentrate.

    The important question is, CAN human sexuality be formed by didactic fanaticism ?
    There’s still no entirely conclusive science that proves that homosexuality is epi-genetic.
    Maybe comic/movie “lefty” didactics can prove or disprove that point, obviously the LGBT diaspora is smelling morning air and hoping to become a majority by didactic efforts, which would fit right in with people like Barbara Spectres’s and the Rothschild’s desire to “end the white race.”
    It has stopped procreating anyway, so why not go fully counter-biological (I almost wrote “pervert” – well that’s what the term means). We need to end biology.

    Also, will people accept that women are now the super-athletes (when in reality, even in women’s sports, it’s men who say they are women, who win all the contests), that Blacks are the geniuses ?
    It’s a very interesting experiment that will show how mighty human delusionism really is.
    Can it entirely replace reality, in the minds of our fellow primates ?
    Will it make them love the psychopathic alphas who rule them even more ?

    You have to understand that one of the most important, the most quoted “human right” is the right to delude yourself, to believe in some wild shit that keeps reality straight outside your brain.
    Just make something up ! It’s what our species is best at. It’s essential.
    It’s called Religious Freedom.
    It defines what “human intelligence” really is. It’s hardwired.
    Let that sink in.

  23. Anon7 says:

    How much of the replacement of white males with PoC has to do with wokeness (trying to do social engineering on America) and how much has to do with appealing to an international audience which is mostly PoC? Multinational media corporations have to go where the mass audience is, after all.

    • Replies: @Mr. Anon
  24. Ragno says:
    @Realist

    Not really – have you taken a look at their monthly sales charts? Sales have steadily plummeted over the last decade, pretty much in conjunction with the Woke idiocy/phenomenon- in 1990 there were close to 10,000 direct-sales outlets (aka ‘comic book shops’)……it’s now teetering just above 3,000, and that doesn’t factor in the # of shops converting to whatever pop-culture junk items they can still sell, like video games and Pokemon cards.

    The entire business is currently on deathwatch because, not only is the total # of venues shrinking to a crisis point (once the number drops under 2000, no comic book – no matter how popular – can hope to break even), but the new owners of the big comic companies (Disney and AT&T), looking as always to trim fat and cut costs, are leaning towards shutting down the publishing arms of DC and Marvel Comics. (The movies make plenty of $, the comics don’t make any, so why piss away good money when there’s no causality between the two?)

  25. “Yet browning the series won’t be enough. The new “diverse” MCU will impart this lesson: The lesbian as a fat, ugly dyke, the homosexual as a swishing pansy, are hateful stereotypes.”
    And they are…
    “Following the character of a Muslim teenager in New Jersey, the show will be yet another attack on the MCU’s white male superheroes:”
    How? She is separate from all this.
    It’s amazing you ignore Ant-Man, Hawkeye, Hulk, Doctor Strange, Thor, Star-Lord, the Fantastic Four and several of the Xmen are coming…

  26. Gene Su says:
    @England patriot

    The whole Marvel franchise was created by Jew Stanley Lieber, aka “Stan Lee”, presumably an attempt to sound more Anglo. It suggests that white America doesn’t have much culture of its own to celebrate if they are mourning the loss of something that was created by a Jew/Jews in the first place.

    I don’t care for the unthinking antisemitism in your comment but I want to point out something that Paul Kersey deeply missed.

    I don’t think Marvel’s leftist shift began in the 2010’s but in 1960’s, when leftist Jew Stan Lee took over the helm. This can be seen most in his flagship character, Spiderman. Jeff Tucker did a political critique of him when Spiderman 3 came out. The hero is a working class proletariat who, despite being a good student and intelligent, can’t get ahead. He works for a newspaper magnate who pays him pennies for top rate photos. His main nemesis, the Green Goblin, is a crony capitalist who uses his wealth to make weapons to eliminate his industrial rivals to accumulate more wealth. Many other Spiderman villains fit into this formula: lots of gadgets and wealth.

    This is in deep contrast to DC Comics Batman, who is a wealthy industrialist himself and see his crime fighting activities as another version of philanthropy. Most of his enemies are street thugs, the sort of people that conservatives warn us about.

    • Replies: @Rex Little
  27. @Gene Su

    I don’t think Marvel’s leftist shift began in the 2010’s but in 1960’s, when leftist Jew Stan Lee took over the helm. This can be seen most in his flagship character, Spiderman.

    I think you’re cherry-picking to some extent. Before Spiderman, Lee created the Fantastic Four. Their leader, Reed Richards, had a lot more in common with Bruce Wayne than with Peter Parker. That Spiderman became more popular than FF says more about the audience than about Lee or Marvel.

    • Replies: @Gene Su
  28. Mr. Anon says:
    @DrTorch

    Batman wasn’t.

    Superman was.

    Batman was created by Robert Kahn and Milton Finger.

    Was.

  29. Mr. Anon says:

    White men shouldn’t be interested in comic-books. Grown men shouldn’t be interested in comic books. They are puerile drivel. It doesn’t matter that they are turning to s**t. They were always s**t. A completely synthetic mythology created by resentful outsiders. I can understand why people who liked them as kids feel betrayed. You perceive it as having something taken away from you. But, remember, they were never really yours anyways.

  30. Mr. Anon says:
    @Anon7

    How much of the replacement of white males with PoC has to do with wokeness (trying to do social engineering on America) and how much has to do with appealing to an international audience which is mostly PoC? Multinational media corporations have to go where the mass audience is, after all.

    My understanding is that the big audience for these movies, outside of America, is in Asia.

    I don’t think there is a lot of demand in China for stories about black, lesbian “norse” heroes.

    This is social engineering, pure and simple.

  31. Gene Su says:
    @Rex Little

    Maybe I am cherry picking. Speaking of which, how much influence did Stan Lee have on Iron Man/

    • Replies: @Rex Little
  32. Their SJW-type comic books are basically all complete flops – if they implement the same switch in their movies, they are going to flop too.

  33. @Gene Su

    how much influence did Stan Lee have on Iron Man/

    Quite a bit, apparently. From Wikipedia:

    Iron Man’s Marvel Comics premiere in Tales of Suspense #39 (cover dated March 1963) was a collaboration among editor and story-plotter Stan Lee, scripter Larry Lieber, story-artist Don Heck, and cover-artist and character-designer Jack Kirby.[4] In 1963, Lee had been toying with the idea of a businessman superhero.[5] He wanted to create the “quintessential capitalist”, a character that would go against the spirit of the times and Marvel’s readership.[6] Lee said,

    I think I gave myself a dare. It was the height of the Cold War. The readers, the young readers, if there was one thing they hated, it was war, it was the military … So I got a hero who represented that to the hundredth degree. He was a weapons manufacturer, he was providing weapons for the Army, he was rich, he was an industrialist … I thought it would be fun to take the kind of character that nobody would like, none of our readers would like, and shove him down their throats and make them like him … And he became very popular.[7]

    The quote from Lee comes from a 2008 interview, and his memory of 1963 is very different from mine (I turned 14 that year). I recall it as being very much like the 1950s. Anti-war, anti-capitalism, the counterculture. . . those didn’t get much traction until around 1967. Regardless, it seems clear Lee originated the idea of Iron Man, regardless of how many of the details were filled in by others.

  34. Robert Dunn says: • Website

    Disney did this to ‘A Wrinkle In Time’ back in 2018 as well. Result? No one went to see it, critics hated it and it bombed. Is this what Disney wants? Perhaps now would be a good time to sell Disney stock if you have any. Put it on Sony and Spidey Man! For thousands of years Japan has been the least politically correct country in Asia! For me, I’m going to miss Iron Man, Captain America, and Thor. Hulk is green so I guess that’s OK even though he now knows how to control himself as we learned in Endgame. I just wonder who’ll be buying Disney once it’s cheap enough to purchase after all is said and done?

    • Replies: @jsigur
  35. vasil says:

    i dont care japanese manga is unironically 100x times better
    better art ,much more original, pro or at least neutral to europeans …….

  36. SFG says:

    As other commenters have detailed, most of the original comic book characters were created by Jews, both Marvel and DC. The exception is probably William Moulton Marston’s Wonder Woman, which had prominent femdom and BDSM elements (really–look it up!).

    Thing is, Batman and Superman were made before the 60s, so they still fought for truth, justice, and the American Way. Even the ones made in the 60s still had to appeal to kids across America as it existed then, so they have an all-American feel to them–Spider-Man is a working-class smart kid, Reed Richards a brilliant inventor, and so on. They tended to be liberal-but-not-leftist in that era–Professor X fought the evil Magneto, and was supposed to be MLK fighting Malcolm X, more or less.

    The characters drifted left with Marvel. I suspect they’ll be as ‘woke’ as they can be without losing an audience–Thor seems to have become a white guy again, and Spider-Man as well.

    • Replies: @Twodees Partain
  37. To be honest, a reboot of Spider-Man as an Asian American would be rather reasonable. A bookish, frail, science genius who gets bullied by the inner city spawn and is a photographer as well fits an Asian stereotype. Instead of Peter Parker, Peter Park?

  38. Smith says:

    Comics were jewish attempts to replace western heroes such as Hercules and Thor with men in tight who don’t kill their enemies.

    It’s an attempt to infantile men.

  39. jsigur says:

    The Jews are also rewriting early 20th century history by having women constantly challenging men on how they do business.
    In Peaky Blinders- the Irish thugs who star include their wives and girlfriends in their group meetings where they map out immediate plans. The girls nit pic every idea the men have and the men just tolerate it for the most part. . I think this is likely an evolution to change the patriarchy into a matriarchy with the Jews using tv programming to brainwash the youth especially on the coming new way.

    Funny, in a recent episode they had these white Russians from 1920ish era in England made them out to be satanic in some sort of secret society like behavior. OF course the goy don’t notice it as we are really spoiling these guys into thinking they can do or say anything and we won’t bat an eye.

    These shows offer non-stop violence, most scenes usually have the men guzzling whiskey and smoking while they talk and of course the Jew controlled checks and balances while blaming all sorts of problems we the ppl are causing, will never mention the TV environment is painting a depraved existence daily for the stars we watch

  40. jsigur says:
    @Robert Dunn

    the agenda of the New World Order takes presidence over making money, this is why they all continue forcing male like females as stars in these shows. They control dissent and can paint it anyway they want. They have so much money, they can take a hit if necessary

    The patriarchy must dissolve into a matriarchy and white Europe and America must turn brown or they won’t survive (Gee she never explained why we wouldn’t survive, funny that!)

  41. @Sick of Orcs

    Bingo. As ridiculous as the comics to film franchise is, the current push to recreate the characters is even worse. Huge box office failures will follow, I’m guessing.

  42. @SFG

    “Even the ones made in the 60s still had to appeal to kids across America as it existed then”

    Good point. That the film franchise targets those same kids, now supposedly grown up, is in itself a commentary on American adults these days.

  43. Richard P says:

    The solution is simple. Ditch your TV and boycott Hollywood. While you’re at it, quit watching collegiate and professional sports as both are nothing more than modern day bread and circuses — and a platform for Marxist indoctrination.

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