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Terrence Rafferty Archives
Terrence Rafferty • 222 Items / 1 Book, 9 Articles, 212 Reviews
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  1. Books & the Arts
    [+]
    Ambassadorial Fiction (Review)
    The Real Life of Alejandro Mayta, by Mario Vargas Llosa
    1. The Real Life of Alejandro Mayta by Mario Vargas Llosa
    The Nation, March 29, 1986, p. 461
  2. Books
    [+]
    Advertisements for Themselves (2 Reviews)
    The Rules of Attraction, by Bret Easton Ellis
    1. The Rules of Attraction by Bret Easton Ellis
    2. A Cannibal in Manhattan by Tama Janowitz
    The New Yorker, October 26, 1987, pp. 142-148
  3. Books
    [+]
    The Man Who Knew Too Much (Review)
    The Bonfire of the Vanities, by Tom Wolfe
    1. The Bonfire of the Vanities by Tom Wolfe
    The New Yorker, February 1, 1988, pp. 88-94
  4. Books
    [+]
    Fear and Trembling (Review)
    Found in the Street, by Patricia Highsmith
    1. Found in the Street by Patricia Highsmith
    The New Yorker, January 4, 1988, pp. 74-78
  5. Books
    [+]
    Beeg (2 Reviews)
    The Icarus Agenda, by Robert Ludlum
    1. The Icarus Agenda by Robert Ludlum
    2. Rock Star by Jackie Collins
    The New Yorker, June 20, 1988, pp. 90-91
  6. Books
    [+]
    Articles of Faith (Review)
    Myself With Others, by Carlos Fuentes
    1. Myself With Others by Carlos Fuentes
    The New Yorker, May 16, 1988, pp. 110-117
  7. Books
    [+]
    Metamorphosis (Review)
    Life With a Star, by Jiri Weil
    1. Life With a Star by Jiri Weil
    The New Yorker, October 2, 1989, pp. 115-118
  8. [+]
    Books: A Final Door (Review)
    Answered Prayers, by Truman Capote
    1. Answered Prayers by Truman Capote
    The New Yorker, September 21, 1987, pp. 113-119
  9. [+]
    Books: A Fresh Start (Review)
    The High Road, by Edna O'Brien
    1. The High Road by Edna O'Brien
    The New Yorker, January 30, 1989, pp. 92-98
  10. [+]
    Books: Coming of Age (3 Reviews)
    The Twenty-Seventh City, by Jonathan Franzen
    1. The Twenty-Seventh City by Jonathan Franzen
    2. The Player by Michael Tolkin
    3. Home Movie by Ellen Akins
    The New Yorker, December 19, 1988, pp. 101-108
  11. [+]
    Books: Explorers (Review)
    Cahiers du Cinema, Vol. I, by Jim Hillier
    1. Cahiers du Cinema, Vol. I by Jim Hillier
    The New Yorker, September 30, 1985, pp. 113-118
  12. [+]
    Books: Hearts and Minds (Review)
    More Die of Heartbreak, by Saul Bellow
    1. More Die of Heartbreak by Saul Bellow
    The New Yorker, July 20, 1987, pp. 89-90
  13. [+]
    Books: Long Lost (Review)
    Vineland, by Thomas Pynchon
    1. Vineland by Thomas Pynchon
    The New Yorker, February 19, 1990, pp. 108-111
  14. [+]
    Books: Satisfaction (Review)
    The World of Jeeves, by P.G. Wodehouse
    1. The World of Jeeves by P.G. Wodehouse
    The New Yorker, May 22, 1989, pp. 94-102
  15. [+]
    Books: Self-Watcher (Review)
    Libra, by Don DeLillo
    1. Libra by Don DeLillo
    The New Yorker, September 26, 1988, pp. 108-114
  16. [+]
    Books: Shw-Devil (Review)
    The Hearts and Lives of Men, by Fay Weldon
    1. The Hearts and Lives of Men by Fay Weldon
    The New Yorker, August 1, 1988, pp. 66-70
  17. The Critics
    [+]
    Books: Soul Man (Review)
    You Send Me, by Daniel J. Wolff, S.R. Crain, Clifton White, and G. David Tenenbaum, ...
    1. You Send Me by Daniel J. Wolff, S.R. Crain, Clifton White, and G. David Tenenbaum, ...
    The New Yorker, April 10, 1995, pp. 100-102
  18. [+]
    Books: The Last Fiction Show (2 Reviews)
    The Thanatos Syndrome, by Walker Percy
    1. The Thanatos Syndrome by Walker Percy
    2. Texasville by Larry McMurtry
    The New Yorker, June 15, 1987, pp. 91-98
  19. [+]
    Books: The Lessons of the Master (Review)
    The Remains of the Day, by Kazuo Ishiguro
    1. The Remains of the Day by Kazuo Ishiguro
    The New Yorker, January 15, 1990, pp. 102-106
  20. [+]
    Books: Worlds Apart (Review)
    Billy Bathgate, by E.L. Doctorow
    1. Billy Bathgate by E.L. Doctorow
    The New Yorker, March 27, 1989, pp. 112-113
  21. [+]
    Cinema (2 Reviews)
    American Gothic
    1. Little Women (1994 Film) by Gillian Armstrong
    2. Legends of the Fall (1994 Film) by Edward Zwick
    The New Yorker, January 9, 1995, pp. 83-84
  22. A Critic at Large ("The Rules of the Game")
    The New Yorker, June 25, 1990, pp. 80-94
  23. [+]
    The Current Cinema (3 Reviews)
    All Sizes
    1. Alice (1988 Film) by Jan Svankmajer
    2. Die Hard (1988 Film) by John McTiernan
    3. Midnight Run (1988 Film) by Martin Brest
    The New Yorker, August 8, 1988, pp. 77-79
  24. [+]
    The Current Cinema (2 Reviews)
    Family Business
    1. Married to the Mob (1988 Film) by Jonathan Demme
    2. Tucker - The Man and His Dream (1988 Film) by Francis Ford Coppola
    The New Yorker, August 22, 1988, pp. 61-63
  25. [+]
    The Current Cinema (2 Reviews)
    Back to the Drawing Board
    1. Who Framed Roger Rabbit? (1988 Film) by Robert Zemeckis
    2. A Handful of Dust (1988 Film) by Charles Sturridge
    The New Yorker, July 11, 1988, pp. 74-76
  26. [+]
    The Current Cinema (2 Reviews)
    Afterglow
    1. Boyfriends and Girlfriends (1988 Film) by Eric Rohmer
    2. A Fish Called Wanda (1988 Film) by Charles Crichton
    The New Yorker, July 25, 1988, pp. 76-78
  27. [+]
    The Current Cinema (Review)
    Secret Sharers
    1. Dead Ringers (1988 Film) by David Cronenberg
    The New Yorker, October 3, 1988, pp. 92-94
  28. [+]
    The Current Cinema (2 Reviews)
    True Detective
    1. The Thin Blue Line (1988 Film) by Errol Morris
    2. The Last Temptation of Christ (1988 Film) by Martin Scorsese
    The New Yorker, September 5, 1988, pp. 76-79
  29. [+]
    The Current Cinema (2 Reviews)
    Imposter
    1. Moon Over Parador (1988 Film) by Paul Mazursky
    2. Running on Empty (1988 Film) by Sidney Lumet
    The New Yorker, September 19, 1988, pp. 86-91
  30. [+]
    The Current Cinema (3 Reviews)
    Lies, Lies, and More Lies
    1. Sex, Lies, and Videotape (1989 Film) by Steven Soderbergh
    2. When Harry Met Sally (1989 Film) by Rob Reiner
    3. Parenthood (1989 Film) by Ron Howard
    The New Yorker, August 7, 1989, pp. 73-75
  31. [+]
    The Current Cinema (Review)
    Open and Shut
    1. Do the Right Thing (1989 Film) by Spike Lee
    The New Yorker, July 24, 1989, pp. 78-81
  32. [+]
    The Current Cinema (6 Reviews)
    Dead in the Water
    1. Carnival of Souls (1962 Film) by Herk Harvey
    2. Distant Voices, Still Lives (1989 Film) by Terence Davies
    3. The Little Thief (1989 Film) by Claude Miller
    4. The Abyss (1989 Film) by James Cameron
    5. Cookie (1989 Film) by Susan Seidelman
    6. Shirley Valentine (1989 Film) by Lewis Gilbert
    The New Yorker, September 4, 1989, pp. 88-90
  33. [+]
    The Current Cinema (2 Reviews)
    Redeemed
    1. Sea of Love (1989 Film) by Harold Becker
    2. The Big Picture (1989 Film) by Christopher Guest
    The New Yorker, September 18, 1989, pp. 100-104
  34. [+]
    The Current Cinema (Review)
    One Thing After Another
    1. Cry-Baby (1990 Film) by John Waters
    The New Yorker, April 9, 1990, pp. 86-88
  35. [+]
    The Current Cinema (2 Reviews)
    Depraved Indifference
    1. Miami Blues (1990 Film) by George Armitage
    2. Henry: Portrait of a Serial Killer (1986 Film) by John McNaughton
    The New Yorker, April 23, 1990, pp. 90-91
  36. [+]
    The Current Cinema (2 Reviews)
    No Kind of Story
    1. Mo' Better Blues (1990 Film) by Spike Lee
    2. Presumed Innocent (1990 Film) by Alan J. Pakula
    The New Yorker, August 13, 1990, pp. 82-84
  37. [+]
    The Current Cinema (3 Reviews)
    End of the Road
    1. Wild at Heart (1990 Film) by David Lynch
    2. Ariel (1988 Film) by Aki Kaurismaki
    3. Young Guns II (1990 Film) by Geoff Murphy
    The New Yorker, August 27, 1990, pp. 90-93
  38. [+]
    The Current Cinema (Review)
    Middle of the Road
    1. Mr. and Mrs. Bridge (1990 Film) by James Ivory
    The New Yorker, December 3, 1990, pp. 170-173
  39. [+]
    The Current Cinema (Review)
    Hiroshima Story
    1. Black Rain (1989 Film) by Shohei Imamura
    The New Yorker, February 26, 1990, pp. 106-107
  40. [+]
    The Current Cinema (2 Reviews)
    Gremlinology
    1. Gremlins 2: The New Batch (1990 Film) by Joe Dante
    2. Dick Tracy (1990 Film) by Warren Beatty
    The New Yorker, July 2, 1990, pp. 54-56
  41. [+]
    The Current Cinema (2 Reviews)
    Picnic on the Grass
    1. May Fools (1990 Film) by Louis Malle
    2. Days of Thunder (1990 Film) by Tony Scott
    The New Yorker, July 16, 1990, pp. 73-75
  42. [+]
    The Current Cinema (3 Reviews)
    Survivor
    1. Quick Change (1990 Film) by Howard Franklin and Bill Murray
    2. The Freshman (1990 Film) by Andrew Bergman
    3. Ghost (1990 Film) by Jerry Zucker
    The New Yorker, July 30, 1990, pp. 78-80
  43. [+]
    The Current Cinema (Review)
    Salesmanship
    1. Cadillac Man (1989 Film) by Roger Donaldson
    The New Yorker, June 4, 1990, pp. 90-92
  44. [+]
    The Current Cinema (2 Reviews)
    Terminated
    1. Back to the Future Part III (1990 Film) by Robert Zemeckis
    2. Total Recall (1990 Film) by Paul Verhoeven
    The New Yorker, June 18, 1990, pp. 91-92
  45. [+]
    The Current Cinema (2 Reviews)
    Expeditions
    1. Mountains of the Moon (1990 Film) by Bob Rafelson
    2. Where the Heart Is (1990 Film) by John Boorman
    The New Yorker, March 12, 1990, pp. 71-73
  46. [+]
    The Current Cinema (2 Reviews)
    Out of This World
    1. For All Mankind (1989 Film) by Al Reinert
    2. Joe Versus the Volcano (1990 Film) by John Patrick Shanley
    The New Yorker, March 26, 1990, pp. 79-82
  47. [+]
    The Current Cinema (2 Reviews)
    Conspicuous Consumer
    1. The Cook, the Thief, His Wife and Her Lover (1990 Film) by Peter Greenaway
    2. Tie Me Up! Tie Me Down! (1990 Film) by Pedro Almodovar
    The New Yorker, May 7, 1990, pp. 88-91
  48. [+]
    The Current Cinema (Review)
    The Plague
    1. Longtime Companion (1989 Film) by Norman Rene
    The New Yorker, May 21, 1990, pp. 71-72
  49. [+]
    The Current Cinema (2 Reviews)
    Earthly Pleasures
    1. L'Atalante (1934 Film) by Jean Vigo
    2. To Sleep with Anger (1990 Film) by Charles Burnett
    The New Yorker, November 5, 1990, pp. 138-141
  50. [+]
    The Current Cinema (Review)
    Duplicity
    1. Henry and June (1990 Film) by Philip Kaufman
    The New Yorker, October 8, 1990, pp. 98-101
  51. [+]
    The Current Cinema (2 Reviews)
    High and Low
    1. Dreams (1990 Film) by Akira Kurosawa and Ishiro Honda
    2. Darkman (1990 Film) by Sam Raimi
    The New Yorker, September 10, 1990, pp. 101-103
  52. [+]
    The Current Cinema (2 Reviews)
    Colonial and Gothic
    1. Mister Johnson (1991 Film) by Bruce Beresford
    2. The Comfort of Strangers (1991 Film) by Paul Schrader
    The New Yorker, April 8, 1991, pp. 82-84
  53. [+]
    The Current Cinema (2 Reviews)
    Settling Accounts
    1. Defending Your Life (1991 Film) by Albert Brooks
    2. The Object of Beauty (1991 Film) by Michael Lindsay-Hogg
    The New Yorker, April 22, 1991, pp. 93-95
  54. [+]
    The Current Cinema (Review)
    Flatlands
    1. Trust (1991 Film) by Hal Hartley
    The New Yorker, August 12, 1991, pp. 70-72
  55. [+]
    The Current Cinema (Review)
    Dubliners
    1. The Commitments (1991 Film) by Alan Parker
    The New Yorker, August 26, 1991, pp. 68-70
  56. [+]
    The Current Cinema (2 Reviews)
    Song of Herself
    1. For the Boys (1991 Film) by Mark Rydell
    2. At Play in the Fields of the Lord (1991 Film) by Hector Babenco
    The New Yorker, December 16, 1991, pp. 117-119
  57. [+]
    The Current Cinema (2 Reviews)
    Fear of Flying
    1. Hook (1991 Film) by Steven Spielberg
    2. Bugsy (1991 Film) by Barry Levinson
    The New Yorker, December 30, 1991, pp. 80-83
  58. [+]
    The Current Cinema (2 Reviews)
    Moth and Flame
    1. The Silence of the Lambs (1991 Film) by Jonathan Demme
    2. Rosencrantz and Guildenstern Are Dead (1990 Film) by Tom Stoppard
    The New Yorker, February 25, 1991, pp. 87-89
  59. [+]
    The Current Cinema (Review)
    Full Stop
    1. The Vanishing (1993 Film) by George Sluizer
    The New Yorker, January 28, 1991, pp. 78-79
  60. [+]
    The Current Cinema (2 Reviews)
    Divided Self
    1. Europa, Europa (1990 Film) by Agnieszka Holland
    2. Robin Hood: Prince of Thieves (1991 Film) by Kevin Reynolds
    The New Yorker, July 1, 1991, pp. 81-83
  61. [+]
    The Current Cinema (Review)
    Improvisations
    1. The Miracle (1990 Film) by Neil Jordan
    The New Yorker, July 15, 1991, pp. 60-62
  62. [+]
    The Current Cinema (2 Reviews)
    4 1/2
    1. The Naked Gun 2 1/2: The Smell of Fear (1991 Film) by David Zucker
    2. Terminator 2: Judgment Day (1991 Film) by James Cameron
    The New Yorker, July 29, 1991, pp. 60-62
  63. [+]
    The Current Cinema (2 Reviews)
    Outlaw Princesses
    1. Thelma and Louise (1991 Film) by Ridley Scott
    2. An Angel at My Table (1990 Film) by Jane Campion
    The New Yorker, June 3, 1991, pp. 86-88
  64. [+]
    The Current Cinema (2 Reviews)
    Skin Deep
    1. Jungle Fever (1991 Film) by Spike Lee
    2. City Slickers (1991 Film) by Ron Underwood
    The New Yorker, June 17, 1991, pp. 99-101
  65. [+]
    The Current Cinema (Review)
    Stoned Again
    1. The Doors (1991 Film) by Oliver Stone
    The New Yorker, March 11, 1991, pp. 81-82
  66. [+]
    The Current Cinema (2 Reviews)
    Realness
    1. Paris Is Burning (1990 Film) by Jennie Livingston
    2. Open Doors! (1991 Film) by Gianni Amelio
    The New Yorker, March 25, 1991, pp. 72-74
  67. [+]
    The Current Cinema (2 Reviews)
    Romantic
    1. Truly, Madly, Deeply (1991 Film) by Anthony Minghella
    2. Impromptu (1991 Film) by James Lapine
    The New Yorker, May 6, 1991, pp. 82-85
  68. [+]
    The Current Cinema (2 Reviews)
    Grotesques
    1. The Ballad of the Sad Cafe (1991 Film) by Simon Callow
    2. Eating: A Very Serious Comedy About Women and Food (1990 Film) by Henry Jaglom
    The New Yorker, May 20, 1991, pp. 99-100
  69. [+]
    The Current Cinema (Review)
    Under One Roof
    1. Life Is Sweet (1991 Film) by Mike Leigh
    The New Yorker, November 4, 1991, pp. 101-105
  70. [+]
    The Current Cinema (2 Reviews)
    True Believers
    1. Black Robe (1991 Film) by Bruce Beresford
    2. Homicide (1991 Film) by David Mamet
    The New Yorker, November 18, 1991, pp. 120-123
  71. [+]
    The Current Cinema (2 Reviews)
    Street Theatre
    1. My Own Private Idaho (1991 Film) by Gus Van Sant
    2. Lily Tomlin: The Search for Signs of Intelligent Life in the Universe (1991 Film) by John Bailey
    The New Yorker, October 7, 1991, pp. 100-102
  72. [+]
    The Current Cinema (Review)
    Boundless Love
    1. Frankie and Johnny (1991 Film) by Garry Marshall
    The New Yorker, October 21, 1991, pp. 125-128
  73. [+]
    The Current Cinema (2 Reviews)
    Showoffs
    1. Barton Fink (1991 Film) by Joel Coen and Ethan Coen
    2. Dead Again (1991 Film) by Kenneth Branagh
    The New Yorker, September 9, 1991, pp. 76-78
  74. [+]
    The Current Cinema (Review)
    Ten Guys
    1. Sex, Drugs, Rock and Roll (1991 Film) by John McNaughton
    The New Yorker, September 23, 1991, pp. 93-95
  75. [+]
    The Current Cinema (2 Reviews)
    Boys' Games
    1. White Men Can't Jump (1992 Film) by Ron Shelton
    2. Basic Instinct (1992 Film) by Paul Verhoeven
    The New Yorker, April 6, 1992, pp. 80-82
  76. [+]
    The Current Cinema (Review)
    Killer
    1. The Player (1992 Film) by Robert Altman
    The New Yorker, April 20, 1992, p. 81
  77. [+]
    The Current Cinema (2 Reviews)
    The Enemy Within
    1. Scent of a Woman (1992 Film) by Martin Brest
    2. Hoffa (1992 Film) by Danny DeVito
    The New Yorker, December 28, 1992, pp. 198-202
  78. [+]
    The Current Cinema (3 Reviews)
    Unnatural Acts
    1. Naked Lunch (1991 Film) by David Cronenberg
    2. Let Him Have It (1991 Film) by Peter Medak
    3. High Heels (1991 Film) by Pedro Almodovar
    The New Yorker, February 10, 1992, pp. 81-84
  79. The Current Cinema
    Shocks to the System~Mike Leigh
    The New Yorker, February 24, 1992, pp. 79-81
  80. [+]
    The Current Cinema (Review)
    Smoke and Mirrors
    1. JFK (1991 Film) by Oliver Stone
    The New Yorker, January 13, 1992, pp. 73-75
  81. [+]
    The Current Cinema (Review)
    Fixed Orbits
    1. The Prince of Tides (1991 Film) by Barbra Streisand
    The New Yorker, January 27, 1992, pp. 60-63
  82. [+]
    The Current Cinema (4 Reviews)
    True Stories
    1. Incident at Oglala (1992 Film) by Michael Apted
    2. The Restless Conscience (1992 Film) by Hava Kohav Beller
    3. Cousin Bobby (1992 Film) by Jonathan Demme
    4. Alien 3 (1992 Film) by David Fincher
    The New Yorker, June 1, 1992, pp. 59-61
  83. [+]
    The Current Cinema (Review)
    To the Rescue
    1. Patriot Games (1992 Film) by Phillip Noyce
    The New Yorker, June 15, 1992, p. 86
  84. [+]
    The Current Cinema (Review)
    Masked Ball
    1. Batman Returns (1992 Film) by Tim Burton
    The New Yorker, June 29, 1992, p. 71
  85. [+]
    The Current Cinema (2 Reviews)
    My, My
    1. This Is My Life (1992 Film) by Nora Ephron
    2. Hear My Song (1992 Film) by Peter Chelsom
    The New Yorker, March 9, 1992, pp. 82-84
  86. [+]
    The Current Cinema (Review)
    No Man's Land
    1. American Dream (1991 Film) by Barbara Kopple
    The New Yorker, March 23, 1992, pp. 88-90
  87. [+]
    The Current Cinema (Review)
    Yes, But
    1. Howards End (1992 Film) by James Ivory
    The New Yorker, May 4, 1992, pp. 74-75
  88. [+]
    The Current Cinema (2 Reviews)
    Legacy
    1. The Stranger (1992 Film) by Satyajit Ray
    2. Night on Earth (1991 Film) by Jim Jarmusch
    The New Yorker, May 18, 1992, pp. 79-80
  89. The Critics
    [+]
    The Current Cinema (2 Reviews)
    Marriages from Hell
    1. My New Gun (1992 Film) by Stacy Cochran
    2. Waterland (1992 Film) by Stephen Gyllenhaal
    The New Yorker, November 2, 1992, pp. 98-100
  90. [+]
    The Current Cinema (Review)
    Knight in Armor
    1. The Crying Game (1992 Film) by Neil Jordan
    The New Yorker, November 16, 1992, pp. 127-129
  91. [+]
    The Current Cinema (2 Reviews)
    Still Life
    1. Malcolm X (1992 Film) by Spike Lee
    2. Bram Stoker's Dracula (1992 Film) by Francis Ford Coppola
    The New Yorker, November 30, 1992, pp. 160-162
  92. The Critics
    [+]
    The Current Cinema (2 Reviews)
    Brave Acts
    1. The Last of the Mohicans (1992 Film) by Michael Mann
    2. Hero (1992 Film) by Stephen Frears
    The New Yorker, October 5, 1992, pp. 160-161
  93. [+]
    The Current Cinema (3 Reviews)
    Men Overboard
    1. Reservoir Dogs (1992 Film) by Quentin Tarantino
    2. Night and the City (1992 Film) by Irwin Winkler
    3. A River Runs Through It (1992 Film) by Robert Redford
    The New Yorker, October 19, 1992, pp. 105-108
  94. [+]
    The Current Cinema (Review)
    This Land Is His Land
    1. Bob Roberts (1992 Film) by Tim Robbins
    The New Yorker, September 7, 1992, pp. 84-85
  95. [+]
    The Current Cinema (Review)
    Getting Old
    1. Husbands and Wives (1992 Film) by Woody Allen
    The New Yorker, September 21, 1992, pp. 102-104
  96. [+]
    The Current Cinema (2 Reviews)
    Multiple Exposure
    1. Visions of Light: The Art of Cinematography (1993 Film) by Arnold Glassman, Todd McCarthy, and Stuart Samuels, ...
    2. Jack the Bear (1993 Film) by Marshall Herskovitz
    The New Yorker, April 5, 1993, pp. 101-103
  97. [+]
    The Current Cinema (2 Reviews)
    Monsters
    1. Wide Sargasso Sea (1993 Film) by John Duigan
    2. This Boy's Life (1993 Film) by Michael Caton-Jones
    The New Yorker, April 19, 1993, pp. 110-112
  98. [+]
    The Current Cinema (Review)
    A Dog's Life
    1. Bohemian Life (1993 Film) by Aki Kaurismaki
    The New Yorker, August 9, 1993, pp. 93-94
  99. [+]
    The Current Cinema (Review)
    The Usual Suspects
    1. Manhattan Murder Mystery (1993 Film) by Woody Allen
    The New Yorker, August 23, 1993, pp. 163-164
  100. The Critics
    [+]
    The Current Cinema (Review)
    Running Wild
    1. A Perfect World (1993 Film) by Clint Eastwood
    The New Yorker, December 6, 1993, pp. 135-136
  101. The Critics
    [+]
    The Current Cinema (Review)
    A Man of Transactions
    1. Schindler's List (1993 Film) by Steven Spielberg
    The New Yorker, December 20, 1993, pp. 129-134
  102. The Critics
    [+]
    The Current Cinema (2 Reviews)
    Horrors
    1. Matinee (1993 Film) by Joe Dante
    2. Peter's Friends (1992 Film) by Kenneth Branagh
    The New Yorker, February 8, 1993, pp. 102-103
  103. The Critics
    [+]
    The Current Cinema (2 Reviews)
    Have Guitar, Will Travel
    1. El Mariachi (1992 Film) by Robert Rodriguez
    2. Groundhog Day (1993 Film) by Harold Ramis
    The New Yorker, February 22, 1993, pp. 169-171
  104. [+]
    The Current Cinema (Review)
    Force of Nature
    1. Lorenzo's Oil (1993 Film) by George Miller
    The New Yorker, January 11, 1993, pp. 101-103
  105. [+]
    The Current Cinema (2 Reviews)
    Baser Instincts
    1. Body of Evidence (1993 Film) by Uli Edel
    2. Damage (1992 Film) by Louis Malle
    The New Yorker, January 25, 1993, pp. 95-97
  106. [+]
    The Current Cinema (Review)
    The Nick of Time
    1. In the Line of Fire (1993 Film) by Wolfgang Petersen
    The New Yorker, July 12, 1993, pp. 93-94
  107. [+]
    The Current Cinema (Review)
    City of Demons
    1. Rising Sun (1993 Film) by Philip Kaufman
    The New Yorker, July 26, 1993, pp. 79-81
  108. [+]
    The Current Cinema (2 Reviews)
    Born Under a Bad Sign
    1. American Heart (1992 Film) by Martin Bell
    2. Orlando (1992 Film) by Sally Potter
    The New Yorker, June 14, 1993, pp. 94-97
  109. [+]
    The Current Cinema (2 Reviews)
    Predators
    1. Jurassic Park (1993 Film) by Steven Spielberg
    2. What's Love Got to Do with It? (1993 Film) by Brian Gibson
    The New Yorker, June 28, 1993, pp. 96-98
  110. The Critics
    [+]
    The Current Cinema (2 Reviews)
    Slow Burn
    1. Falling Down (1993 Film) by Joel Schumacher
    2. Amos and Andrew (1993 Film) by E. Max Frye
    The New Yorker, March 8, 1993, pp. 98-100
  111. [+]
    The Current Cinema (2 Reviews)
    Tunnel Vision
    1. Just Another Girl on the I.R.T. (1992 Film) by Leslie Harris
    2. Rich in Love (1993 Film) by Bruce Beresford
    The New Yorker, March 22, 1993, pp. 102-105
  112. [+]
    The Current Cinema (Review)
    Bad Blood
    1. The Dark Half (1993 Film) by George A. Romero
    The New Yorker, May 3, 1993, pp. 105-107
  113. [+]
    The Current Cinema (Review)
    Accept No Substitutes
    1. Dave (1993 Film) by Ivan Reitman
    The New Yorker, May 17, 1993, pp. 101-103
  114. [+]
    The Current Cinema (Review)
    The Battle of Little Rock
    1. The War Room (1993 Film) by D.A. Pennebaker and Chris Hegedus
    The New Yorker, November 8, 1993, pp. 124-126
  115. [+]
    The Current Cinema (2 Reviews)
    Dying Breed
    1. Carlito's Way (1993 Film) by Brian De Palma
    2. My Life (1993 Film) by Bruce Joel Rubin
    The New Yorker, November 22, 1993, pp. 117-120
  116. [+]
    The Current Cinema (2 Reviews)
    Blind Faith
    1. Farewell My Concubine (1993 Film) by Kaige Chen
    2. M. Butterfly (1993 Film) by David Cronenberg
    The New Yorker, October 11, 1993, pp. 121-123
  117. [+]
    The Current Cinema (Review)
    After the Crash
    1. Fearless (1993 Film) by Peter Weir
    The New Yorker, October 25, 1993, pp. 120-122
  118. [+]
    The Current Cinema (Review)
    Carverville
    1. Short Cuts (1993 Film) by Robert Altman
    The New Yorker, September 27, 1993, pp. 98-100
  119. [+]
    The Current Cinema (2 Reviews)
    Looking for Love
    1. A Tale of Winter (1994 Film) by Eric Rohmer
    2. Bitter Moon (1992 Film) by Roman Polanski
    The New Yorker, April 11, 1994, pp. 96-98
  120. [+]
    The Current Cinema (2 Reviews)
    John, Paul, George, Pete, and Stu
    1. Backbeat (1994 Film) by Iain Softley
    2. Sunday's Children (1993 Film) by Daniel Bergman
    The New Yorker, April 25, 1994, pp. 107-110
  121. [+]
    The Current Cinema (Review)
    Amazing Odds
    1. It Could Happen to You (1994 Film) by Andrew Bergman
    The New Yorker, August 1, 1994, pp. 74-76
  122. [+]
    The Current Cinema (2 Reviews)
    Repeat Performances
    1. Clear and Present Danger (1994 Film) by Phillip Noyce
    2. Barcelona (1994 Film) by Whit Stillman
    The New Yorker, August 15, 1994, pp. 75-77
  123. [+]
    The Current Cinema (Review)
    The Old Timer's Game
    1. Cobb (1994 Film) by Ron Shelton
    The New Yorker, December 5, 1994, pp. 130-134
  124. The Critics
    [+]
    The Current Cinema (Review)
    Bad Blood
    1. Fiorile (1993 Film) by Paolo Taviani and Vittorio Taviani
    The New Yorker, February 7, 1994, pp. 86-89
  125. [+]
    The Current Cinema (Review)
    Take the Money and Run
    1. The Getaway (1994 Film) by Roger Donaldson
    The New Yorker, February 21, 1994, pp. 110-111
  126. [+]
    The Current Cinema (Review)
    True West
    1. Geronimo: An American Legend (1993 Film) by Walter Hill
    The New Yorker, January 10, 1994, pp. 81-83
  127. The Critics
    [+]
    The Current Cinema (Review)
    Convictions
    1. In the Name of the Father (1993 Film) by Jim Sheridan
    The New Yorker, January 24, 1994, pp. 88-90
  128. [+]
    The Current Cinema (2 Reviews)
    Mystery Men
    1. Wyatt Earp (1994 Film) by Lawrence Kasdan
    2. The Shadow (1994 Film) by Russell Mulcahy
    The New Yorker, July 18, 1994, pp. 72-74
  129. [+]
    The Current Cinema (2 Reviews)
    Dead Souls
    1. The Boys of St. Vincent (1992 Film) by John N. Smith
    2. Maverick (1994 Film) by Richard Donner
    The New Yorker, June 6, 1994, pp. 90-92
  130. [+]
    The Current Cinema (2 Reviews)
    No Pussycat
    1. The Lion King (1994 Film) by Rob Minkoff and Roger Allers
    2. White (Three Colors Trilogy) (1994 Film) by Krzysztof Kieslowski
    The New Yorker, June 20, 1994, pp. 86-89
  131. [+]
    The Current Cinema (Review)
    Brand X
    1. Reality Bites (1994 Film) by Ben Stiller
    The New Yorker, March 7, 1994, pp. 88-90
  132. [+]
    The Current Cinema (2 Reviews)
    Getting the Story
    1. The Paper (1994 Film) by Ron Howard
    2. The Wonderful, Horrible Life of Leni Riefenstahl (1993 Film) by Ray Muller
    The New Yorker, March 28, 1994, pp. 105-108
  133. [+]
    The Current Cinema (2 Reviews)
    Doing Time
    1. No Escape (1994 Film) by Martin Campbell
    2. Bad Girls (1994 Film) by Jonathan Kaplan
    The New Yorker, May 9, 1994, pp. 97-99
  134. [+]
    The Current Cinema (2 Reviews)
    Superhero
    1. The Crow (1994 Film) by Alex Proyas
    2. Crooklyn (1994 Film) by Spike Lee
    The New Yorker, May 23, 1994, pp. 93-95
  135. [+]
    The Current Cinema (2 Reviews)
    Blood Lust
    1. Interview with the Vampire (1994 Film) by Neil Jordan
    2. Heavenly Creatures (1994 Film) by Peter Jackson
    The New Yorker, November 21, 1994, pp. 128-131
  136. [+]
    The Current Cinema (2 Reviews)
    Mad Love
    1. Blue Sky (1991 Film) by Tony Richardson
    2. Ed Wood (1994 Film) by Ted Newsom
    The New Yorker, October 3, 1994, pp. 109-111
  137. [+]
    The Current Cinema (Review)
    Great Expectations
    1. Hoop Dreams (1994 Film) by Steve James
    The New Yorker, October 17, 1994, pp. 113-115
  138. The Critics
    [+]
    The Current Cinema (2 Reviews)
    Plays on Film
    1. Vanya on 42nd Steet (1994 Film) by Louis Malle
    2. The Browning Version (1994 Film) by Mike Figgis
    The New Yorker, October 31, 1994, pp. 105-107
  139. [+]
    The Current Cinema (2 Reviews)
    Helter Skelter
    1. Natural Born Killers (1994 Film) by Oliver Stone
    2. Color of Night (1994 Film) by Richard Rush
    The New Yorker, September 5, 1994, pp. 106-107
  140. The Critics
    [+]
    The Current Cinema (Review)
    Quizlings
    1. Quiz Show (1994 Film) by Robert Redford
    The New Yorker, September 19, 1994, pp. 102-104
  141. [+]
    The Current Cinema (2 Reviews)
    Under a Cloud
    1. Dolores Claiborne (1994 Film) by Taylor Hackford
    2. Martha and I (1991 Film) by Jiri Weiss
    The New Yorker, April 3, 1995, p. 93
  142. [+]
    The Current Cinema (2 Reviews)
    Fugitives
    1. Rob Roy (1995 Film) by Michael Caton-Jones
    2. Amateur (1994 Film) by Hal Hartley
    The New Yorker, April 17, 1995, pp. 109-110
  143. [+]
    The Current Cinema (2 Reviews)
    Lost At Sea
    1. Waterworld (1995 Film) by Kevin Reynolds and Kevin Costner
    2. The Net (1995 Film) by Irwin Winkler
    The New Yorker, August 7, 1995, pp. 83-85
  144. [+]
    The Current Cinema (2 Reviews)
    Uncommon Women
    1. Beyond Rangoon (1994 Film) by John Boorman
    2. Dangerous Minds (1995 Film) by John N. Smith
    The New Yorker, August 21, 1995, pp. 132-135
  145. [+]
    The Current Cinema (2 Reviews)
    Larger Than Life
    1. Wild Bill (1995 Film) by Walter Hill
    2. Casino (1995 Film) by Martin Scorsese
    The New Yorker, December 4, 1995, pp. 115-118
  146. [+]
    The Current Cinema (2 Reviews)
    Fidelity and Infidelity
    1. Sense and Sensibility (1995 Film) by Ang Lee
    2. Othello (1995 Film) by Oliver Parker
    The New Yorker, December 18, 1995, pp. 124-127
  147. [+]
    The Current Cinema (2 Reviews)
    Double Godard
    1. Germany Year 90 Nine Zero (1991 Film) by Jean-Luc Godard
    2. JLG by JLG (1995 Film) by Jean-Luc Godard
    The New Yorker, February 6, 1995, pp. 92-95
  148. [+]
    The Current Cinema (2 Reviews)
    Flying Blind
    1. Apollo 13 (1995 Film) by Ron Howard
    2. Batman Forever (1995 Film) by Joel Schumacher
    The New Yorker, July 10, 1995, pp. 79-80
  149. [+]
    The Current Cinema (2 Reviews)
    Growing Pains
    1. Kids (1995 Film) by Larry Clark
    2. Wild Reeds (1994 Film) by Andre Techine
    The New Yorker, July 31, 1995, pp. 80-82
  150. [+]
    The Current Cinema (2 Reviews)
    Man in the Middle
    1. The Glass Shield (1994 Film) by Charles Burnett
    2. Johnny Mnemonic (1995 Film) by Robert Longo
    The New Yorker, June 12, 1995, pp. 109-111
  151. [+]
    The Current Cinema (Review)
    Artist of Death
    1. The Wild Bunch (1969 Film) by Sam Peckinpah
    The New Yorker, March 6, 1995, pp. 127-129
  152. [+]
    The Current Cinema (2 Reviews)
    The Enemy Within
    1. Outbreak (1995 Film) by Wolfgang Petersen
    2. I am Cuba (1995 Film) by Mikheil Kalatozishvili
    The New Yorker, March 20, 1995, pp. 105-107
  153. [+]
    The Current Cinema (2 Reviews)
    Mr. Unnatural
    1. Crumb (1994 Film) by Terry Zwigoff
    2. Kiss of Death (1995 Film) by Barbet Schroeder
    The New Yorker, May 1, 1995, p. 91
  154. [+]
    The Current Cinema (2 Reviews)
    Going Under
    1. Crimson Tide (1995 Film) by Tony Scott
    2. The Englishman Who Went Up a Hill But Came Down a Mountain (1995 Film) by Christopher Monger
    The New Yorker, May 15, 1995, pp. 94-95
  155. [+]
    The Current Cinema (2 Reviews)
    The Avengers
    1. Die Hard with a Vengeance (1995 Film) by John McTiernan
    2. A Little Princess (1995 Film) by Alfonso Cuaron
    The New Yorker, May 29, 1995, pp. 91-93
  156. [+]
    The Current Cinema (Review)
    Closing Time
    1. Leaving Las Vegas (1995 Film) by Mike Figgis
    The New Yorker, November 6, 1995, pp. 176-178
  157. [+]
    The Current Cinema (Review)
    Lover-In-Chief
    1. The American President (1995 Film) by Rob Reiner
    The New Yorker, November 20, 1995, pp. 116-120
  158. [+]
    The Current Cinema (Review)
    Black Eye
    1. Devil in a Blue Dress (1995 Film) by Carl Franklin
    The New Yorker, October 2, 1995, pp. 104-105
  159. [+]
    The Current Cinema (2 Reviews)
    Players
    1. Get Shorty (1995 Film) by Barry Sonnenfeld
    2. Blue in the Face (1995 Film) by Paul Auster and Wayne Wang
    The New Yorker, October 23, 1995, pp. 96-99
  160. [+]
    The Current Cinema (2 Reviews)
    Pet Sounds
    1. Babe (1995 Film) by Chris Noonan
    2. Brian Wilson: I Just Wasn't Made for These Times (1995 Film) by Don Was
    The New Yorker, September 4, 1995, pp. 99-101
  161. [+]
    The Current Cinema (2 Reviews)
    Sisters and Brothers
    1. Diabolique (1996 Film) by Jeremiah S. Chechik
    2. A Family Thing (1995 Film) by Richard Pearce
    The New Yorker, April 1, 1996, pp. 102-103
  162. [+]
    The Current Cinema (2 Reviews)
    The Past Recaptured
    1. The Umbrellas of Cherbourg (1964 Film) by Jacques Demy
    2. Flirting with Disaster (1996 Film) by David O. Russell
    The New Yorker, April 15, 1996, pp. 96-98
  163. [+]
    The Current Cinema (Review)
    Winning Shots
    1. Tin Cup (1996 Film) by Ron Shelton
    The New Yorker, August 12, 1996, pp. 78-79
  164. [+]
    The Current Cinema (2 Reviews)
    Playing With Fire
    1. Shine (1996 Film) by Scott Hicks
    2. The Crucible (1996 Film) by Nicholas Hytner
    The New Yorker, December 2, 1996, pp. 116-117
  165. [+]
    The Current Cinema (2 Reviews)
    Lost in the Stars
    1. Mars Attacks! (1996 Film) by Tim Burton
    2. Jerry Maguire (1996 Film) by Cameron Crowe
    The New Yorker, December 16, 1996, pp. 116-119
  166. [+]
    The Current Cinema (2 Reviews)
    Wet and Wild
    1. White Squall (1996 Film) by Ridley Scott
    2. From Dusk Till Dawn (1996 Film) by Robert Rodriguez
    The New Yorker, February 5, 1996, pp. 75-77
  167. [+]
    The Current Cinema (2 Reviews)
    Pulp Fission
    1. The Broken Arrow (1950 Film) by Delmer Daves
    2. City Hall (1996 Film) by Harold Becker
    The New Yorker, February 19, 1996, pp. 97-99
  168. The Critics
    [+]
    The Current Cinema (Review)
    Amazing Grace~Sean Penn
    1. Dead Man Walking (1995 Film) by Tim Robbins
    The New Yorker, January 8, 1996, pp. 68-72
  169. [+]
    The Current Cinema (2 Reviews)
    Time Out of Joint
    1. Twelve Monkeys (1996 Film) by Terry Gilliam
    2. Richard III (1995 Film) by Richard Loncraine
    The New Yorker, January 22, 1996, pp. 84-86
  170. [+]
    The Current Cinema (2 Reviews)
    Long, Hot Summer
    1. A Time to Kill (1996 Film) by Joel Schumacher
    2. Multiplicity (1996 Film) by Harold Ramis
    The New Yorker, July 29, 1996, pp. 75-77
  171. [+]
    The Current Cinema (Review)
    The Illusionist
    1. Mission: Impossible (1996 Film) by Brian De Palma
    The New Yorker, June 3, 1996, pp. 85-87
  172. [+]
    The Current Cinema (2 Reviews)
    Winners and Losers
    1. The Rock (1996 Film) by Michael Bay
    2. Heavy (1995 Film) by James Mangold
    The New Yorker, June 17, 1996, pp. 101-103
  173. [+]
    The Current Cinema (2 Reviews)
    Seeing Straight
    1. The Birdcage (1996 Film) by Mike Nichols
    2. From the Journals of Jean Seberg (1996 Film) by Mark Rappaport
    The New Yorker, March 18, 1996, pp. 109-112
  174. [+]
    The Current Cinema (2 Reviews)
    Idees Fixes
    1. Cold Comfort Farm (1995 Film) by John Schlesinger
    2. I Shot Andy Warhol (1996 Film) by Mary Harron
    The New Yorker, May 13, 1996, pp. 99-101
  175. [+]
    The Current Cinema (2 Reviews)
    Born to Lose
    1. Boys (1996 Film) by Stacy Cochran
    2. Welcome to the Dollhouse (1995 Film) by Todd Solondz
    The New Yorker, May 27, 1996, pp. 133-134
  176. [+]
    The Current Cinema (2 Reviews)
    Truth or Consequences
    1. Sleepers (1996 Film) by Barry Levinson
    2. Mother Night (1996 Film) by Keith Gordon
    The New Yorker, November 4, 1996, pp. 117-120
  177. [+]
    The Current Cinema (2 Reviews)
    Mad Love
    1. Breaking the Waves (1996 Film) by Lars von Trier
    2. Vertigo (1958 Film) by Alfred Hitchcock
    The New Yorker, November 18, 1996, pp. 123-126
  178. [+]
    The Current Cinema (2 Reviews)
    The Freshmen
    1. Infinity (1996 Film) by Matthew Broderick
    2. That Thing You Do! (1996 Film) by Tom Hanks
    The New Yorker, October 7, 1996, pp. 97-99
  179. [+]
    The Current Cinema (2 Reviews)
    Small Potatoes
    1. She's the One (1996 Film) by Edward Burns
    2. The Spitfire Grill (1996 Film) by Lee David Zlotoff
    The New Yorker, September 9, 1996, pp. 93-94
  180. [+]
    The Current Cinema (2 Reviews)
    Feast and Famine
    1. Big Night (1996 Film) by Campbell Scott and Stanley Tucci
    2. Last Man Standing (1996 Film) by Walter Hill
    The New Yorker, September 23, 1996, pp. 100-103
  181. [+]
    The Current Cinema (2 Reviews)
    The Awful Truth
    1. The Devil's Own (1997 Film) by Alan J. Pakula
    2. Chasing Amy (1997 Film) by Kevin Patrick Smith
    The New Yorker, April 7, 1997, pp. 96-97
  182. [+]
    The Current Cinema (2 Reviews)
    Cold-Blooded
    1. Anaconda (1997 Film) by Luis Llosa
    2. Grosse Pointe Blank (1997 Film) by George Armitage
    The New Yorker, April 21, 1997, pp. 96-97
  183. [+]
    The Current Cinema (Review)
    Marking Time
    1. Career Girls (1997 Film) by Mike Leigh
    The New Yorker, August 11, 1997, pp. 83-84
  184. [+]
    The Current Cinema (2 Reviews)
    Social Studies
    1. Nightjohn: Words Are Freedom (1996 Film) by Charles Burnett
    2. Suburbia (1997 Film) by Richard Linklater
    The New Yorker, February 10, 1997, pp. 84-85
  185. [+]
    The Current Cinema (2 Reviews)
    Solid Flesh
    1. Hamlet (1996 Film) by Kenneth Branagh
    2. The People vs. Larry Flynt (1996 Film) by Milos Forman
    The New Yorker, January 13, 1997, pp. 80-81
  186. [+]
    The Current Cinema (2 Reviews)
    Different Worlds
    1. The Whole Wide World (1996 Film) by Dan Ireland
    2. Some Mother's Son (1996 Film) by Terry George
    The New Yorker, January 27, 1997, pp. 82-83
  187. [+]
    The Current Cinema (Review)
    Self-Reflections
    1. Face/Off (1997 Film) by John Woo
    The New Yorker, July 14, 1997, pp. 84-85
  188. [+]
    The Current Cinema (2 Reviews)
    Hail to the Chief
    1. Air Force One (1997 Film) by Wolfgang Petersen
    2. Star Maps (1997 Film) by Miguel Arteta
    The New Yorker, July 28, 1997, pp. 77-78
  189. [+]
    The Current Cinema (2 Reviews)
    Child's Play
    1. Jurassic Park (1993 Film) by Steven Spielberg
    2. Rough Magic (1995 Film) by Clare Peploe
    The New Yorker, June 2, 1997, pp. 91-92
  190. [+]
    The Current Cinema (2 Reviews)
    Celestial Navigation
    1. My Best Friend's Wedding (1997 Film) by P.J. Hogan
    2. Ulee's Gold (1997 Film) by Victor Nunez
    The New Yorker, June 16, 1997, pp. 107-108
  191. [+]
    The Current Cinema (2 Reviews)
    Mistaken Identity
    1. Lost Highway (1997 Film) by David Lynch
    2. Smilla's Sense of Snow (1997 Film) by Bille August
    The New Yorker, March 10, 1997, pp. 98-99
  192. [+]
    The Current Cinema (2 Reviews)
    Manhunts
    1. City of Industry (1997 Film) by John Irvin
    2. The Daytrippers (1995 Film) by Greg Mottola
    The New Yorker, March 24, 1997, pp. 84-85
  193. [+]
    The Current Cinema (2 Reviews)
    Family Feuds
    1. Fathers' Day (1997 Film) by Ivan Reitman
    2. The Designated Mourner (1997 Film) by David Hare
    The New Yorker, May 19, 1997, pp. 96-97
  194. [+]
    The Current Cinema: Dead End (Review)
    Menace II Society (1993 Film), by Albert Hughes and Allen Hughes
    1. Menace II Society (1993 Film) by Albert Hughes and Allen Hughes
    The New Yorker, May 31, 1993, pp. 160-162
  195. Evelyn's Album
    Alfred Hitchcock's Mystery Magazine, June 1983, pp. 28-39
  196. [+]
    Films (Review)
    The Mosquito Coast (1986 Film), by Peter Weir
    1. The Mosquito Coast (1986 Film) by Peter Weir
    The Nation, December 13, 1986, pp. 683-688
  197. [+]
    Films (Review)
    Sid and Nancy (1986 Film), by Alex Cox
    1. Sid and Nancy (1986 Film) by Alex Cox
    The Nation, November 1, 1986, pp. 463-472
  198. [+]
    Films (Review)
    Blue Velvet (1986 Film), by David Lynch
    1. Blue Velvet (1986 Film) by David Lynch
    The Nation, October 18, 1986, pp. 383-384
  199. [+]
    Films (Review)
    The Color of Money (1986 Film), by Martin Scorsese
    1. The Color of Money (1986 Film) by Martin Scorsese
    The Nation, October 25, 1986, pp. 418-424
  200. [+]
    Films (Review)
    Full Metal Jacket (1987 Film), by Stanley Kubrick
    1. Full Metal Jacket (1987 Film) by Stanley Kubrick
    The Nation, August 1, 1987, p. 98
  201. [+]
    Films (Review)
    Sammy and Rosie Get Laid (1987 Film), by Stephen Frears
    1. Sammy and Rosie Get Laid (1987 Film) by Stephen Frears
    The Nation, November 21, 1987, pp. 606-612
  202. [+]
    Films (Review)
    Someone to Watch Over Me (1987 Film), by Ridley Scott
    1. Someone to Watch Over Me (1987 Film) by Ridley Scott
    The Nation, October 24, 1987, p. 461
  203. [+]
    Films (Review)
    Wish You Were Here (1987 Film), by David Leland
    1. Wish You Were Here (1987 Film) by David Leland
    The Nation, September 12, 1987, pp. 246-252
  204. [+]
    Films (Review)
    Housekeeping (1987 Film), by Bill Forsyth
    1. Housekeeping (1987 Film) by Bill Forsyth
    The Nation, January 16, 1988, pp. 66-72
  205. Books & the Arts
    [+]
    Glory-Bound Boys (Review)
    Handling Sin, by Michael Malone
    1. Handling Sin by Michael Malone
    The Nation, June 21, 1986, pp. 860-861
  206. Books & the Arts
    [+]
    Gunsmoke and Voodoo (Review)
    Captain Maximus, by Barry Hannah
    1. Captain Maximus by Barry Hannah
    The Nation, June 1, 1985, pp. 677-678
  207. [+]
    Hanging in There (Review)
    Midair, by Frank Conroy
    1. Midair by Frank Conroy
    The Nation, January 11, 1986, pp. 23-24
  208. [+]
    I Do This, I Do That (Review)
    Transactions in a Foreign Currency, by Deborah Eisenberg
    1. Transactions in a Foreign Currency by Deborah Eisenberg
    The Nation, May 10, 1986, pp. 664-665
  209. Books & the Arts
    The Imperial Theme
    Granta
    The Nation, September 14, 1985, pp. 211-212
  210. [+]
    Movies: Been There and Back (Review)
    Trouble in Mind (1986 Film), by Alan Rudolph
    1. Trouble in Mind (1986 Film) by Alan Rudolph
    The Atlantic Monthly, May 1986, pp. 89-90
  211. [+]
    Movies: Forsyth's Travels (Review)
    Comfort and Joy (1984 Film), by Bill Forsyth
    1. Comfort and Joy (1984 Film) by Bill Forsyth
    The Atlantic Monthly, November 1984, pp. 132-133
  212. [+]
    Movies: Mysterious Harmonies (2 Reviews)
    Padre Padrone (1977 Film), by Paolo Taviani and Vittorio Taviani
    1. Padre Padrone (1977 Film) by Paolo Taviani and Vittorio Taviani
    2. Chaos (1985 Film) by Paolo Taviani and Vittorio Taviani
    The Atlantic Monthly, November 1985, pp. 128-130
  213. [+]
    Movies: Rooms With Views (Review)
    The Home and the World (1985 Film), by Satyajit Ray
    1. The Home and the World (1985 Film) by Satyajit Ray
    The Atlantic Monthly, April 1985, pp. 132-133
  214. Movies: Twin Cinema
    The animated art of the Brothers Quay
    The Atlantic Monthly, June 1987, pp. 74-77
  215. The Critics
    [+]
    No Quite Camelot (2 Reviews)
    Love Field (1991 Film), by Jonathan Kaplan
    1. Love Field (1991 Film) by Jonathan Kaplan
    2. The Bodyguard (1992 Film) by Mick Jackson
    The New Yorker, December 14, 1992, pp. 121-122
  216. Our Holiday Lists
    The Nation, December 27, 1986, pp. 748-752
  217. Pop Culture: A Star Is Generated
    The Atlantic Monthly, November 1986, pp. 130-132
  218. Books & the Arts
    [+]
    Postmodern Maladies (2 Reviews)
    Carpenter's Gothic, by William Gaddis
    1. Carpenter's Gothic by William Gaddis
    2. Adventures in the Alaskan Skin Trade by John Hawkes
    The Nation, November 16, 1985, pp. 496-497
  219. Scrapbook: The Thrill of the Chase
    The New Yorker, November 29, 1993, pp. 117-119
  220. Showcase: Truffaut's Twin
    The New Yorker, December 12, 1994, pp. 90-93
  221. The Thing Happens (1993)
    Ten Years of Writing About the Movies
    1 Review
  222. Books & the Arts
    [+]
    Watching the Detectives (2 Reviews)
    Suspects, by David Thomson
    1. Suspects by David Thomson
    2. Flaubert's Parrot by Julian Barnes
    The Nation, July 6, 1985, p. 21
  223. No Items Found