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A Collection of Interesting, Important, and Controversial Perspectives Largely Excluded from the American Mainstream Media
John McCarten Archives
John McCarten • 323 Items / 12 Articles, 311 Reviews
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  1. [+]
    The Current Cinema (2 Reviews)
    Texas, Perhaps
    1. Incendiary Blonde (1945 Film) by George Marshall
    2. Christmas in Connecticut (1945 Film) by Peter Godfrey
    The New Yorker, August 4, 1945, p. 51
  2. [+]
    The Current Cinema (2 Reviews)
    Brief Masterwork
    1. The Battle of San Pietro (1945 Film) by John Huston
    2. The Great John L. (1945 Film) by Frank Tuttle
    The New Yorker, July 21, 1945, p. 43
  3. [+]
    The Current Cinema (4 Reviews)
    Cooper on Horseback
    1. Along Came Jones (1945 Film) by Stuart Heisler
    2. The Fleet That Came to Stay (1945 Film) by Budd Boetticher
    3. Anchors Aweigh (1945 Film) by George Sidney
    4. Within These Walls (1945 Film) by H. Bruce Humberstone
    The New Yorker, July 28, 1945, p. 47
  4. [+]
    The Current Cinema (4 Reviews)
    Fast Company for Miss Bacall
    1. Confidential Agent (1945 Film) by Herman Shumlin
    2. The Spanish Main (1945 Film) by Frank Borzage
    3. This Love of Ours (1945 Film) by William Dieterle
    4. And Then There Were None (1945 Film) by Rene Clair
    The New Yorker, November 10, 1945, pp. 51-55
  5. [+]
    The Current Cinema (4 Reviews)
    Ectoplasm and Plenty of Cain
    1. Mildred Pierce (1945 Film) by Michael Curtiz
    2. Blithe Spirit (1945 Film) by David Lean
    3. The Story of G.I. Joe (1945 Film) by William A. Wellman
    4. Her Highness and the Bellboy (1945 Film) by Richard Thorpe
    The New Yorker, October 6, 1945, pp. 95-96
  6. [+]
    The Current Cinema (Review)
    The Ivory Towers
    1. Weekend at the Waldorf (1945 Film) by Robert Z. Leonard
    The New Yorker, October 13, 1945, p. 74
  7. [+]
    The Current Cinema (2 Reviews)
    Looking Backward
    1. Love on the Dole (1941 Film) by John Baxter
    2. Shady Lady (1945 Film) by George Waggner
    The New Yorker, October 20, 1945, pp. 79-87
  8. [+]
    The Current Cinema (2 Reviews)
    With Constance in Paris
    1. Paris Underground (1945 Film) by Gregory Ratoff
    2. Guest Wife (1945 Film) by Sam Wood
    The New Yorker, October 27, 1945, pp. 78-79
  9. [+]
    The Current Cinema (4 Reviews)
    Invasion
    1. The True Glory (1945 Film) by Garson Kanin
    2. Duffy's Tavern (1945 Film) by Hal Walker
    3. Our Vines Have Tender Grapes (1945 Film) by Roy Rowland
    4. State Fair (1945 Film) by Walter Lang
    The New Yorker, September 15, 1945, pp. 64-65
  10. [+]
    The Current Cinema (Review)
    Full Ride
    1. Lady on a Train (1945 Film) by Charles David
    The New Yorker, September 22, 1945, p. 69
  11. [+]
    The Current Cinema (2 Reviews)
    Cloak, Dagger, and J. Edgar Hoover
    1. The House on 92nd Street (1945 Film) by Henry Hathaway
    2. The Fall of Berlin (1945 Film) by Yuli Raizman and Yelizaveta Svilova
    The New Yorker, September 29, 1945, pp. 52-53
  12. [+]
    The Current Cinema (3 Reviews)
    Songs, No Witty Patter
    1. Night and Day (1946 Film) by Michael Curtiz
    2. Centennial Summer (1946 Film) by Otto Preminger
    3. Breakfast in Hollywood (1946 Film) by Harold D. Schuster
    The New Yorker, July 27, 1946, pp. 56-57
  13. [+]
    The Current Cinema (3 Reviews)
    From Ziegfeld in Heaven
    1. Ziegfeld Follies (1946 Film) by Lemuel Ayers, Roy Del Ruth, Robert Lewis, and Eugene Loring, ...
    2. Kitty (1946 Film) by Mitchell Leisen
    3. Whistle Stop (1946 Film) by Leonide Moguy
    The New Yorker, March 30, 1946, p. 45
  14. [+]
    The Current Cinema (3 Reviews)
    Quite a Bit of Bette
    1. A Stolen Life (1946 Film) by Curtis Bernhardt
    2. Her Kind of Man (1946 Film) by Frederick De Cordova
    3. Bedlam (1946 Film) by Mark Robson
    The New Yorker, May 4, 1946, pp. 68-69
  15. [+]
    The Current Cinema (3 Reviews)
    Not Very Charming People
    1. The Postman Always Rings Twice (1946 Film) by Tay Garnett
    2. So Goes My Love (1946 Film) by Frank Ryan
    3. Days and Nights (1945 Film) by Aleksander Stolper
    The New Yorker, May 11, 1946, pp. 56-58
  16. [+]
    The Current Cinema (2 Reviews)
    Give Our Child a Name
    1. To Each His Own (1946 Film) by Mitchell Leisen
    2. The Dark Corner (1946 Film) by Henry Hathaway
    The New Yorker, May 25, 1946, pp. 70-75
  17. [+]
    The Current Cinema (2 Reviews)
    Man of Decision
    1. The Turning Point (1946 Film) by Fridrikh Ermler
    2. Lady Luck (1946 Film) by Edwin L. Marin
    The New Yorker, November 9, 1946, pp. 102-103
  18. [+]
    The Current Cinema (5 Reviews)
    Bon Noel-Noel
    1. A Cage of Nightingales (1945 Film) by Jean Dreville
    2. The Two Mrs. Carrolls (1947 Film) by Peter Godfrey
    3. The Farmer's Daughter (1947 Film) by H.C. Potter
    4. Johnny O'Clock (1947 Film) by Robert Rossen
    5. Carnival in Costa Rica (1947 Film) by Gregory Ratoff
    The New Yorker, April 5, 1947, pp. 76-85
  19. [+]
    The Current Cinema (2 Reviews)
    Fair Enough
    1. The Bachelor and the Bobby-Soxer (1947 Film) by Irving Reis
    2. I Wonder Who's Kissing Her Now (1947 Film) by Lloyd Bacon
    The New Yorker, August 2, 1947, pp. 47-51
  20. [+]
    The Current Cinema (3 Reviews)
    Torch from France
    1. Star Without Light (1946 Film) by Marcel Blistene
    2. Green for Danger (1946 Film) by Sidney Gilliat
    3. She Returned at Dawn (1938 Film) by Henri Decoin
    The New Yorker, August 9, 1947, p. 45
  21. [+]
    The Current Cinema (2 Reviews)
    Mitty and Medicos
    1. The Secret Life of Walter Mitty (1947 Film) by Norman Z. McLeod
    2. Welcome Stranger (1947 Film) by Elliott Nugent
    The New Yorker, August 16, 1947, pp. 52-53
  22. [+]
    The Current Cinema (4 Reviews)
    Florida, Montgomery, and No Bacall
    1. The Yearling (1946 Film) by Clarence Brown
    2. Lady in the Lake (1947 Film) by Robert Montgomery
    3. Dead Reckoning (1947 Film) by John Cromwell
    4. Her Sister's Secret (1946 Film) by Edgar G. Ulmer
    The New Yorker, February 1, 1947, pp. 64-65
  23. [+]
    The Current Cinema (2 Reviews)
    Fair Dinkum
    1. The Overlanders (1946 Film) by Harry Watt
    2. The Secret Heart (1946 Film) by Robert Z. Leonard
    The New Yorker, January 4, 1947, p. 56
  24. [+]
    The Current Cinema (4 Reviews)
    Mostly Spooks
    1. Stairway to Heaven (1946 Film) by Michael Powell and Emeric Pressburger
    2. Queen for a Night (1943 Film) by Weyler Hildebrand
    3. The Time, the Place and the Girl (1946 Film) by David Butler
    4. The Return of Monte Cristo (1946 Film) by Henry Levin
    The New Yorker, January 11, 1947, p. 61
  25. [+]
    The Current Cinema (3 Reviews)
    Malraux at Last
    1. Man's Hope (1945 Film) by Andre Malraux and Boris Peskine
    2. The Stone Flower (1946 Film) by Aleksandr Ptushko
    3. Love Laughs at Andy Hardy (1947 Film) by Willis Goldbeck
    The New Yorker, January 18, 1947, pp. 78-81
  26. [+]
    The Current Cinema (4 Reviews)
    "Blast!"
    1. The Ghost and Mrs. Muir (1947 Film) by Joseph L. Mankiewicz
    2. Repeat Performance (1947 Film) by Alfred L. Werker
    3. The Unfaithful (1947 Film) by Vincent Sherman
    4. Ivy (1947 Film) by Sam Wood
    The New Yorker, July 5, 1947, pp. 37-42
  27. [+]
    The Current Cinema (3 Reviews)
    Pearl and Paganini
    1. The Perils of Pauline (1947 Film) by George Marshall
    2. The Magic Bow (1946 Film) by Bernard Knowles
    3. Moss Rose (1947 Film) by Gregory Ratoff
    The New Yorker, July 12, 1947, p. 55
  28. [+]
    The Current Cinema (3 Reviews)
    Anti-Semitism and Advertising
    1. Crossfire (1947 Film) by Edward Dmytryk
    2. The Hucksters (1947 Film) by Jack Conway
    3. Brute Force (1947 Film) by Jules Dassin
    The New Yorker, July 19, 1947, pp. 42-44
  29. [+]
    The Current Cinema (4 Reviews)
    Lovelorn Dobbin
    1. They Won't Believe Me (1947 Film) by Irving Pichel
    2. We Lived Through Buchenwald (1947 Film)
    3. Cry Wolf (1947 Film) by Peter Godfrey
    4. Slave Girl (1947 Film) by Charles Lamont
    The New Yorker, July 26, 1947, pp. 50-52
  30. [+]
    The Current Cinema (3 Reviews)
    Pass the Insulin
    1. Possessed (1947 Film) by Curtis Bernhardt
    2. Dishonored Lady (1947 Film) by Robert Stevenson
    3. The Fabulous Dorseys (1947 Film) by Alfred E. Green
    The New Yorker, June 7, 1947, pp. 97-98
  31. [+]
    The Current Cinema (2 Reviews)
    Doctor, Doctor, Will I Die?
    1. A Lady Surrenders (1944 Film) by Leslie Arliss
    2. Fiesta (1947 Film) by Richard Thorpe
    The New Yorker, June 28, 1947, pp. 44-45
  32. [+]
    The Current Cinema (4 Reviews)
    Fun with de Maupassant
    1. Angel and Sinner (1945 Film) by Christian-Jaque
    2. Before Him All Rome Trembled (1946 Film) by Carmine Gallone
    3. Song of Scheherazade (1947 Film) by Walter Reisch
    4. Mr. District Attorney (1947 Film) by Robert B. Sinclair
    The New Yorker, March 8, 1947, pp. 87-89
  33. [+]
    The Current Cinema (5 Reviews)
    Slow Start for Sergei
    1. Ivan the Terrible, Part I (1946 Film) by Sergei M. Eisenstein
    2. Boomerang! (1947 Film) by Elia Kazan
    3. The Years Between (1946 Film) by Compton Bennett
    4. Pursued (1947 Film) by Raoul Walsh
    5. Blaze of Noon (1947 Film) by John Farrow
    The New Yorker, March 15, 1947, pp. 54-65
  34. [+]
    The Current Cinema (Review)
    Quaint, Quaint Brooklyn
    1. It Happened in Brooklyn (1947 Film) by Richard Whorf
    The New Yorker, March 22, 1947, pp. 78-79
  35. [+]
    The Current Cinema (3 Reviews)
    Disney with No Improvements
    1. Fun and Fancy Free (1947 Film) by Jack Kinney, William Morgan, and Hamilton Luske
    2. The Foxes of Harrow (1947 Film) by John M. Stahl
    3. Desert Fury (1947 Film) by Lewis Allen
    The New Yorker, October 4, 1947, pp. 77-86
  36. [+]
    The Current Cinema (4 Reviews)
    Two Way, Way Down
    1. Song of Love (1947 Film) by Clarence Brown
    2. The Unconquered (1947 Film) by Cecil B. DeMille
    3. The Spirit of West Point (1947 Film) by Ralph Murphy
    4. The Unsuspected (1947 Film) by Michael Curtiz
    The New Yorker, October 11, 1947, pp. 60-61
  37. [+]
    The Current Cinema (5 Reviews)
    Come In, Mr. Lang
    1. The Razor's Edge (1946 Film) by Edmund Goulding
    2. Ride the Pink Horse (1947 Film) by Robert Montgomery
    3. Hungry Hill (1947 Film) by Brian Desmond Hurst
    4. Magic Town (1947 Film) by William A. Wellman
    5. Variety Girl (1947 Film) by George Marshall
    The New Yorker, October 18, 1947, pp. 104-106
  38. [+]
    The Current Cinema (3 Reviews)
    Fill Them Up Again
    1. Green Dolphin Street (1947 Film) by Victor Saville
    2. Forever Amber (1947 Film) by Otto Preminger and John M. Stahl
    3. The Swordsman (1947 Film) by Joseph H. Lewis
    The New Yorker, October 25, 1947, pp. 110-113
  39. [+]
    The Current Cinema (3 Reviews)
    Feathered Fun
    1. The Tawny Pipit (1944 Film) by Bernard Miles and Charles Saunders
    2. Dark Passage (1947 Film) by Delmer Daves
    3. The Devil's Envoys (1942 Film) by Marcel Carne
    The New Yorker, September 13, 1947, pp. 98-101
  40. [+]
    The Current Cinema (3 Reviews)
    Hughes' Burlesque
    1. The Outlaw (1943 Film) by Howard Hughes and Howard Hawks
    2. Down to Earth (1947 Film) by Alexander Hall
    3. The Romance of Rosy Ridge (1947 Film) by Roy Rowland
    The New Yorker, September 20, 1947, p. 48
  41. [+]
    The Current Cinema (3 Reviews)
    New-Day Enoch
    1. Desire Me (1947 Film) by Jack Conway, George Cukor, Mervyn LeRoy, and Victor Saville, ...
    2. The Long Night (1947 Film) by Anatole Litvak
    3. Singapore (1947 Film) by John Brahm
    The New Yorker, September 27, 1947, pp. 93-94
  42. [+]
    The Current Cinema (6 Reviews)
    The Disinherited
    1. The Search (1948 Film) by Fred Zinnemann
    2. Mr. Blandings Builds His Dream House (1948 Film) by H.C. Potter
    3. All My Sons (1948 Film) by Irving Reis
    4. B.F.'s Daughter (1948 Film) by Robert Z. Leonard
    5. Angelina (1948 Film) by Luigi Zampa
    6. Mr. Orchid (1948 Film) by Rene Clement
    The New Yorker, April 3, 1948, pp. 54-67
  43. [+]
    The Current Cinema (Review)
    The Metaphysical Davises
    1. Winter Meeting (1948 Film) by Bretaigne Windust
    The New Yorker, April 17, 1948, pp. 78-79
  44. [+]
    The Current Cinema (4 Reviews)
    Im Westen Nichts Neues
    1. Arch of Triumph (1948 Film) by Lewis Milestone
    2. Antoine and Antoinette (1947 Film) by Jacques Becker
    3. The October Man (1948 Film) by Roy Ward Baker
    4. Scudda-Hoo! Scudda-Hay! (1948 Film) by F. Hugh Herbert
    The New Yorker, April 24, 1948, pp. 55-56
  45. [+]
    The Current Cinema (3 Reviews)
    Anything for a Laugh
    1. Miss Tatlock's Millions (1948 Film) by Richard Haydn
    2. When My Baby Smiles at Me (1948 Film) by Walter Lang
    3. Blanche Fury (1948 Film) by Marc Allegret
    The New Yorker, December 4, 1948, pp. 155-156
  46. [+]
    The Current Cinema (5 Reviews)
    Myshkin's Woes
    1. The Idiot (1946 Film) by Georges Lampin
    2. A Woman's Vengeance (1948 Film) by Zoltan Korda
    3. A Miracle Can Happen (1948 Film) by Leslie Fenton, King Vidor, John Huston, and George Stevens, ...
    4. A Lover's Return (1946 Film) by Christian-Jaque
    5. You Were Meant for Me (1948 Film) by Lloyd Bacon
    The New Yorker, February 7, 1948, pp. 56-57
  47. [+]
    The Current Cinema (2 Reviews)
    Old-Timer
    1. Fanny (1932 Film) by Marcel Pagnol
    2. Voyage Surprise (1947 Film) by Pierre Prevert
    The New Yorker, February 14, 1948, pp. 57-62
  48. [+]
    The Current Cinema (3 Reviews)
    Douse the Pipes
    1. To the Ends of the Earth (1948 Film) by Robert Stevenson
    2. Three Daring Daughters (1948 Film) by Fred M. Wilcox
    3. The Raven (1943 Film) by Henri-Georges Clouzot
    The New Yorker, February 21, 1948, pp. 66-74
  49. [+]
    The Current Cinema (6 Reviews)
    Steinbeck and a Pseudo-Documentary
    1. The Pearl (1947 Film) by Emilio Fernandez
    2. Call Northside 777 (1948 Film) by Henry Hathaway
    3. A Double Life (1947 Film) by George Cukor
    4. Sleep, My Love (1948 Film) by Douglas Sirk
    5. Road to Rio (1947 Film) by Norman Z. McLeod
    6. Jassy (1948 Film) by Bernard Knowles
    The New Yorker, February 28, 1948, pp. 56-62
  50. [+]
    The Current Cinema (4 Reviews)
    Great Fun from France
    1. Volpone (1941 Film) by Maurice Tourneur and Jacques de Baroncelli
    2. Where There's Life (1948 Film) by Sidney Lanfield
    3. High Wall (1948 Film) by Curtis Bernhardt
    4. My Wild Irish Rose (1947 Film) by David Butler
    The New Yorker, January 3, 1948, p. 59
  51. [+]
    The Current Cinema (3 Reviews)
    Murder by Selznick
    1. The Paradine Case (1947 Film) by Alfred Hitchcock
    2. The Senator Was Indiscreet (1948 Film) by George S. Kaufman
    3. The Voice of the Turtle (1947 Film) by Irving Rapper
    The New Yorker, January 10, 1948, pp. 60-61
  52. [+]
    The Current Cinema (2 Reviews)
    Tristan in a Model A
    1. The Eternal Return (1948 Film) by Jean Delannoy
    2. Women in the Night (1948 Film) by William Rowland
    The New Yorker, January 17, 1948, pp. 54-55
  53. [+]
    The Current Cinema (3 Reviews)
    All That Glitters
    1. The Treasure of the Sierra Madre (1948 Film) by John Huston
    2. An Ideal Husband (1947 Film) by Alexander Korda
    3. The Secret Beyond the Door (1948 Film) by Fritz Lang
    The New Yorker, January 24, 1948, pp. 68-70
  54. [+]
    The Current Cinema (3 Reviews)
    Woe and Weak Laughter
    1. Blind Desire (1945 Film) by Jean Delannoy
    2. Hazard (1948 Film) by George Marshall
    3. The Bride Goes Wild (1948 Film) by Norman Taurog
    The New Yorker, June 12, 1948, pp. 78-79
  55. [+]
    The Current Cinema (3 Reviews)
    Orson in Bell-Bottomed Trousers
    1. The Lady from Shanghai (1948 Film) by Orson Welles
    2. Green Grass of Wyoming (1948 Film) by Louis King
    3. Bad Sister (1947 Film) by Bernard Knowles
    The New Yorker, June 19, 1948, pp. 46-61
  56. [+]
    The Current Cinema (3 Reviews)
    In Old Vienna Again
    1. The Emperor Waltz (1948 Film) by Billy Wilder
    2. Dream Girl (1948 Film) by Mitchell Leisen
    3. Nais (1945 Film) by Raymond Leboursier
    The New Yorker, June 26, 1948, pp. 55-63
  57. [+]
    The Current Cinema (4 Reviews)
    Crime, Foreign and Domestic
    1. The Naked City (1948 Film) by Jules Dassin
    2. Jenny Lamour (1947 Film) by Henri-Georges Clouzot
    3. The Sign of the Ram (1948 Film) by John Sturges
    4. Black Bart (1948 Film) by George Sherman
    The New Yorker, March 13, 1948, pp. 58-59
  58. [+]
    The Current Cinema (4 Reviews)
    Melanchony Dane
    1. Day of Wrath (1943 Film) by Carl Theodor Dreyer
    2. State of the Union (1948 Film) by Frank Capra
    3. The Big Clock (1948 Film) by John Farrow
    4. Not Guilty (1947 Film) by Henri Decoin
    The New Yorker, May 1, 1948, pp. 66-67
  59. [+]
    The Current Cinema (5 Reviews)
    Island Uproar
    1. The Brothers (1947 Film) by David MacDonald
    2. Anna Karenina (1948 Film) by Julien Duvivier
    3. Homecoming (1948 Film) by Mervyn LeRoy
    4. The Constant Nymph (1943 Film) by Edmund Goulding
    5. Who Killed Santa Claus? (1941 Film) by Christian-Jaque
    The New Yorker, May 8, 1948, pp. 75-77
  60. [+]
    The Current Cinema (3 Reviews)
    Mixed Bag
    1. Marius (1931 Film) by Alexander Korda and Marcel Pagnol
    2. Dear Murderer (1947 Film) by Arthur Crabtree
    3. The Woman in White (1948 Film) by Peter Godfrey
    The New Yorker, May 15, 1948, pp. 86-87
  61. [+]
    The Current Cinema (2 Reviews)
    Onward with Darryl
    1. The Iron Curtain (1948 Film) by William A. Wellman
    2. Will It Happen Again? (1948 Film) by Dwain Esper
    The New Yorker, May 22, 1948, p. 95
  62. [+]
    The Current Cinema (3 Reviews)
    Last and Best
    1. Cesar (1936 Film) by Marcel Pagnol
    2. June Bride (1948 Film) by Bretaigne Windust
    3. One Touch of Venus (1948 Film) by William A. Seiter and Gregory La Cava
    The New Yorker, November 6, 1948, pp. 102-103
  63. [+]
    The Current Cinema (4 Reviews)
    Good Case Work
    1. The Snake Pit (1948 Film) by Anatole Litvak
    2. Joan of Arc (1948 Film) by Victor Fleming
    3. Unfaithfully Yours (1948 Film) by Preston Sturges
    4. You Gotta Stay Happy (1948 Film) by H.C. Potter
    The New Yorker, November 13, 1948, pp. 117-119
  64. [+]
    The Current Cinema (3 Reviews)
    Old Familiar English Faces
    1. Dulcimer Street (1948 Film) by Sidney Gilliat
    2. Road House (1948 Film) by Jean Negulesco
    3. Blood on the Moon (1948 Film) by Robert Wise
    The New Yorker, November 20, 1948, p. 91
  65. [+]
    The Current Cinema (2 Reviews)
    Guitry with a Heavy Hand
    1. Mlle. Desiree (1942 Film) by Sacha Guitry
    2. The Kissing Bandit (1948 Film) by Laszlo Benedek
    The New Yorker, November 27, 1948, pp. 89-92
  66. [+]
    The Current Cinema (3 Reviews)
    Three Tries, Three Errors
    1. Back Streets of Paris (1946 Film) by Marcel Blistene
    2. Julia Misbehaves (1948 Film) by Jack Conway
    3. Isn't It Romantic? (1948 Film) by Norman Z. McLeod
    The New Yorker, October 16, 1948, pp. 115-118
  67. [+]
    The Current Cinema (4 Reviews)
    Dancers and Gangsters
    1. The Red Shoes (1948 Film) by Emeric Pressburger and Michael Powell
    2. Tragic Hunt (1947 Film) by Giuseppe De Santis
    3. Night Has a Thousand Eyes (1948 Film) by John Farrow
    4. Apartment for Peggy (1948 Film) by George Seaton
    The New Yorker, October 23, 1948, pp. 91-99
  68. [+]
    The Current Cinema (2 Reviews)
    High-Grade Kelly, Low-Grade Kaye
    1. The Three Musketeers (1948 Film) by George Sidney
    2. A Song Is Born (1948 Film) by Howard Hawks
    The New Yorker, October 30, 1948, pp. 82-83
  69. [+]
    The Current Cinema (2 Reviews)
    Sounding Brass
    1. Good Sam (1948 Film) by Leo McCarey
    2. La Symphonie Pastorale (1946 Film) by Jean Delannoy
    The New Yorker, September 25, 1948, pp. 104-105
  70. [+]
    The Current Cinema (3 Reviews)
    The Boy Who Cried Wolf
    1. The Window (1949 Film) by Ted Tetzlaff
    2. In the Good Old Summertime (1949 Film) by Robert Z. Leonard and Buster Keaton
    3. Rope of Sand (1949 Film) by William Dieterle
    The New Yorker, August 13, 1949, pp. 61-66
  71. [+]
    The Current Cinema (2 Reviews)
    Who Are We For, Anyhow?
    1. The Red Danube (1949 Film) by George Sidney
    2. Loves of Colette (1947 Film) by Jean Faurez
    The New Yorker, December 17, 1949, pp. 100-102
  72. [+]
    The Current Cinema (3 Reviews)
    Bogart Foils the Dragon
    1. Tokyo Joe (1949 Film) by Stuart Heisler
    2. Everybody Does It (1949 Film) by Edmund Goulding
    3. Passport to Pimlico (1949 Film) by Henry Cornelius
    The New Yorker, November 5, 1949, pp. 105-109
  73. [+]
    The Current Cinema (3 Reviews)
    Darryl in the Dear Old Southland
    1. Pinky (1949 Film) by Elia Kazan and John Ford
    2. That Midnight Kiss (1949 Film) by Norman Taurog
    3. The Peddler and the Lady (1943 Film) by Mario Bonnard
    The New Yorker, October 1, 1949, pp. 46-54
  74. [+]
    The Current Cinema (2 Reviews)
    Henry James, and the Navy Aloft
    1. The Heiress (1949 Film) by William Wyler
    2. Task Force (1949 Film) by Delmer Daves
    The New Yorker, October 8, 1949, p. 90
  75. [+]
    The Current Cinema (3 Reviews)
    Raimu, Posthumously
    1. Strangers in the House (1942 Film) by Henri Decoin
    2. The Black Book (1949 Film) by Anthony Mann
    3. Under the Sun of Rome (1948 Film) by Renato Castellani
    The New Yorker, October 15, 1949, pp. 116-117
  76. [+]
    The Current Cinema (2 Reviews)
    Bad, Bad Bette
    1. Beyond the Forest (1949 Film) by King Vidor
    2. The Adventures of Ichabod and Mr. Toad (1949 Film) by James Algar, Jack Kinney, and Clyde Geronimi
    The New Yorker, October 29, 1949, p. 87
  77. [+]
    The Current Cinema (2 Reviews)
    The Sun Is Alfred's Undoing
    1. Under Capricorn (1949 Film) by Alfred Hitchcock
    2. White Heat (1949 Film) by Raoul Walsh
    The New Yorker, September 10, 1949, p. 55
  78. [+]
    The Current Cinema (2 Reviews)
    A Fine View of the Old Sod
    1. Saints and Sinners (1949 Film) by Leslie Arliss
    2. Somewhere in Europe (1947 Film) by Geza von Radvanyi
    The New Yorker, September 17, 1949, pp. 64-69
  79. [+]
    The Current Cinema (Review)
    Rossellini with an Umlaut
    1. Germany Year Zero (1948 Film) by Roberto Rossellini
    The New Yorker, September 24, 1949, pp. 54-57
  80. [+]
    The Current Cinema (3 Reviews)
    A Spot of Guinness
    1. A Run for Your Money (1949 Film) by Charles Frend
    2. Love Happy (1950 Film) by David Miller and Leo McCarey
    3. The Damned Don't Cry (1950 Film) by Vincent Sherman
    The New Yorker, April 15, 1950, pp. 100-104
  81. [+]
    The Current Cinema (3 Reviews)
    Easy Canter
    1. Broadway Bill (1934 Film) by Frank Capra
    2. Escape Into Dreams (1948 Film) by Pietro Francisci
    3. The Reformer and the Redhead (1950 Film) by Melvin Frank and Norman Panama
    The New Yorker, April 22, 1950, p. 105
  82. [+]
    The Current Cinema (Review)
    Off We Go
    1. The Big Lift (1950 Film) by George Seaton
    The New Yorker, April 29, 1950, p. 91
  83. [+]
    The Current Cinema (2 Reviews)
    Still Lively
    1. All Quiet on the Western Front (1930 Film) by Lewis Milestone
    2. Underworld Story (1950 Film) by Cyril Endfield
    The New Yorker, August 5, 1950, p. 37
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    A Mausoleum for Mama
    1. Edge of Doom (1950 Film) by Mark Robson
    2. Kiss Tomorrow Goodbye (1950 Film) by Gordon Douglas
    The New Yorker, August 12, 1950, pp. 42-43
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    Handsome Prize
    1. The Jackpot (1950 Film) by Walter Lang
    2. Let's Dance (1950 Film) by Norman Z. McLeod
    3. Never a Dull Moment (1950 Film) by George Marshall
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    Renoir, Pagnol, Rossellini
    1. Ways of Love (1949 Film) by Roberto Rossellini
    2. Seven Days to Noon (1950 Film) by John Boulting and Roy Boulting
    3. Kim (1950 Film) by Victor Saville
    The New Yorker, December 16, 1950, pp. 143-146
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    Two from Broadway
    1. Harvey (1950 Film) by Henry Koster
    2. Born Yesterday (1950 Film) by George Cukor
    3. For Heaven's Sake (1950 Film) by George Seaton
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    Orson's Cauldron
    1. Macbeth (1950 Film) by Orson Welles
    2. Mr. Music (1950 Film) by Richard Haydn
    The New Yorker, December 30, 1950, p. 51
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    Lively Message
    1. The Lawless (1950 Film) by Joseph Losey
    2. Wagonmaster (1950 Film) by John Ford
    3. Fifty Years Before Your Eyes (1950 Film) by Robert Youngson
    4. The Secret Fury (1950 Film) by Mel Ferrer
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    Nearer, My God, to Thee
    1. The Next Voice You Hear... (1950 Film) by William A. Wellman
    2. The White Tower (1950 Film) by Ted Tetzlaff
    3. Destination Moon (1950 Film) by Irving Pichel
    The New Yorker, July 8, 1950, pp. 65-68
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    Doctor, Doctor, Will I Die?
    1. Crisis (1950 Film) by Richard Brooks
    2. Where the Sidewalk Ends (1950 Film) by Otto Preminger
    3. The Flame and the Arrow (1950 Film) by Jacques Tourneur
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    Casualties
    1. The Men (1950 Film) by Fred Zinnemann
    2. Winchester '73 (1950 Film) by Anthony Mann
    The New Yorker, July 22, 1950, p. 45
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    A Little Tarnish on the Touch
    1. Our Very Own (1950 Film) by David Miller
    2. 711 Ocean Drive~~Seven Eleven Ocean Drive (1950 Film) by Joseph M. Newman
    3. The Duchess of Idaho (1950 Film) by Robert Z. Leonard
    The New Yorker, July 29, 1950, p. 61
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    Let Right Be Done
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    2. The Big Hangover (1950 Film) by Norman Krasna
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    The New Yorker, June 10, 1950, p. 75
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    2. Night and the City (1950 Film) by Jules Dassin
    3. Kind Hearts and Coronets (1949 Film) by Robert Hamer
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    Cigars, Cigarettes, and Cooper
    1. Bright Leaf (1950 Film) by Michael Curtiz
    2. The Gunfighter (1950 Film) by Henry King
    3. With These Hands (1950 Film) by Jack Arnold
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    Loose on the Sicilian Prairie
    1. Mafia (1949 Film) by Pietro Germi
    2. A Royal Affair (1949 Film) by Marc-Gilbert Sauvajon
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    And They're Off!
    1. Under My Skin (1950 Film) by Jean Negulesco
    2. Black Hand (1950 Film) by Richard Thorpe
    3. A Woman of Distinction (1950 Film) by Edward Buzzell
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    Get Out Those Handkerchiefs
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    2. Border Street (1950 Film) by Aleksander Ford
    3. D.O.A. (1949 Film) by Rudolph Mate
    4. Wabash Avenue (1950 Film) by Henry Koster
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    Only a Bird
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    Everything but Ethel Merman
    1. Annie Get Your Gun (1950 Film) by George Sidney, Charles Walters, and Busby Berkeley, ...
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    1. A Ticket to Tomahawk (1950 Film) by Richard Sale
    2. In a Lonely Place (1950 Film) by Nicholas Ray
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    2. State Secret (1950 Film) by Sidney Gilliat
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    Mostly Miss Todd
    1. Madeleine (1950 Film) by David Lean
    2. The Black Rose (1950 Film) by Henry Hathaway
    3. Summer Stock (1950 Film) by Charles Walters
    4. Fancy Pants (1950 Film) by George Marshall
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    Soviet Wildlife, Native Homicide
    1. Secrets of Nature (1950 Film) by Israel M. Berman, Boris Dolin, and Aleksandr Zguridi, ...
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    Boys and Girls Together
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    2. Bitter Rice (1949 Film) by Giuseppe De Santis
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    4. The Sleeping City (1950 Film) by George Sherman
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    2. Two Tickets to Broadway (1951 Film) by James V. Kern
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    4. The Strange Door (1951 Film) by Joseph Pevney
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    3. Call Me Mister (1951 Film) by Lloyd Bacon
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  119. [+]
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    2. Detective Story (1951 Film) by William Wyler
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    4. Laughter in Paradise (1951 Film) by Mario Zampi
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    2. The Well (1951 Film) by Leo C. Popkin and Russell Rouse
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    As They Were
    1. New Faces (1954 Film) by Harry Horner and John Beal
    2. Top Banana (1954 Film) by Alfred E. Green
    3. Riot in Cell Block 11 (1954 Film) by Don Siegel
    4. The Long, Long Trailer (1954 Film) by Vincente Minnelli
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    Montana, Here We Go
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    The New Yorker, March 13, 1954, pp. 124-125
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    2. Rhapsody (1954 Film) by Charles Vidor
    The New Yorker, March 20, 1954, pp. 118-119
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    The Land of Nod
    1. Night People (1954 Film) by Nunnally Johnson
    2. La Ronde (1951 Film) by Roger Vadim
    3. Beauties of the Night (1954 Film) by Rene Clair
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    Angry Behemoths
    1. Elephant Walk (1954 Film) by William Dieterle
    2. Casanova's Big Night (1954 Film) by Norman Z. McLeod
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    Babe in the Woods
    1. River of No Return (1954 Film) by Otto Preminger and Jean Negulesco
    2. The Flame and the Flesh (1954 Film) by Richard Brooks
    3. Angels One Five (1952 Film) by George More O'Ferrall
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    Arms and the Merchants
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    2. Executive Suite (1954 Film) by Robert Wise
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    2. Dirty Hands (1951 Film) by Fernand Rivers and Simone Berriau
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  184. [+]
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    1. Carmen Jones (1954 Film) by Otto Preminger
    The New Yorker, November 6, 1954, pp. 181-182
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    Minor Mysteries
    1. The Detective (1954 Film) by Robert Hamer
    2. Black Widow (1954 Film) by Nunnally Johnson
    The New Yorker, November 13, 1954, pp. 210-211
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    Pfffui
    1. Phffft! (1954 Film) by Mark Robson
    2. Desperate Decision (1952 Film) by Yves Allegret
    3. Crest of the Wave (1954 Film) by John Boulting and Roy Boulting
    The New Yorker, November 20, 1954, pp. 74-75
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    African Dilemma
    1. The Heart of the Matter (1953 Film) by George More O'Ferrall
    2. Desiree (1954 Film) by Henry Koster
    The New Yorker, November 27, 1954, pp. 172-183
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    The Chauffeur's Daughter
    1. Sabrina (1954 Film) by Billy Wilder
    2. Bread, Love and Dreams (1953 Film) by Luigi Comencini
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  189. [+]
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    On Again, Off Again
    1. The Barefoot Contessa (1954 Film) by Joseph L. Mankiewicz
    The New Yorker, October 9, 1954, pp. 64-113
  190. [+]
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    Rueful Roue
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    2. Suddenly (1954 Film) by Lewis Allen
    The New Yorker, October 16, 1954, p. 87
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    Boy, Girl, and General
    1. A Star Is Born (1954 Film) by George Cukor
    2. White Christmas (1954 Film) by Michael Curtiz
    The New Yorker, October 23, 1954, p. 145
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    The Children's Hour
    1. The Little Kidnappers (1953 Film) by Philip Leacock
    2. High and Dry (1954 Film) by Alexander Mackendrick
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    The New Yorker, September 18, 1954, pp. 66-67
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    1. Brigadoon (1954 Film) by Vincente Minnelli
    2. Rogue Cop (1954 Film) by Roy Rowland
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    Gallic Fling
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    2. The Intruder (1954 Film) by Guy Hamilton
    The New Yorker, February 5, 1955, p. 97
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    Desert Mystery
    1. Bad Day at Black Rock (1954 Film) by John Sturges
    2. Battle Cry (1955 Film) by Raoul Walsh
    3. The Racers (1955 Film) by Henry Hathaway
    The New Yorker, February 12, 1955, pp. 79-81
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    When Shamrocks Last by the Hudson Grew
    1. The Long Gray Line (1955 Film) by John Ford
    2. Cinerama Holiday (1955 Film) by Robert L. Bendick and Philippe de Lacy
    3. Underwater! (1955 Film) by John Sturges
    The New Yorker, February 19, 1955, pp. 106-109
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    Explosive Journey
    1. The Wages of Fear (1953 Film) by Henri-Georges Clouzot
    2. Doctor in the House (1954 Film) by Ralph Thomas
    The New Yorker, February 26, 1955, p. 97
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    Japanese Passion, English Satire
    1. Gate of Hell (1953 Film) by Teinosuke Kinugasa
    2. Animal Farm (1954 Film) by Joy Batchelor and John Halas
    The New Yorker, January 8, 1955, p. 70
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    In Old Jerusalem
    1. The Silver Chalice (1954 Film) by Victor Saville
    2. Vera Cruz (1954 Film) by Robert Aldrich
    The New Yorker, January 15, 1955, pp. 66-67
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    Poor Old Man
    1. Umberto D. (1952 Film) by Vittorio De Sica
    2. The View from Pompey's Head (1955 Film) by Philip Dunne
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    Sacerdotal Southpaw
    1. The Left Hand of God (1955 Film) by Edward Dmytryk
    2. My Sister Eileen (1955 Film) by Richard Quine
    3. To Hell and Back (1955 Film) by Jesse Hibbs
    The New Yorker, October 1, 1955, pp. 74-106
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    Happy Warrior
    1. Private's Progress (1956 Film) by John Boulting
    2. The Phantom Horse (1955 Film) by Koji Shima
    The New Yorker, August 4, 1956, pp. 58-59
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    Barry with Ballads
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    2. The Doctors (1955 Film) by Ralph Habib
    The New Yorker, August 18, 1956, pp. 58-59
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    Hand Me My Sword and My Saddle
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    The New Yorker, January 28, 1956, p. 75
  206. [+]
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    Mechanized Disney, Fettered Fernandel
    1. The Great Locomotive Chase (1956 Film) by Francis D. Lyon
    2. The Wild Oat (1953 Film) by Henri Verneuil
    The New Yorker, July 7, 1956, pp. 63-64
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    Up from Television
    1. The Fastest Gun Alive (1956 Film) by Russell Rouse
    2. Foreign Intrigue (1956 Film) by Sheldon Reynolds
    3. Simon and Laura (1955 Film) by Muriel Box
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    1. Bhowani Junction (1956 Film) by George Cukor
    2. Invitation to the Dance (1956 Film) by Gene Kelly
    The New Yorker, June 2, 1956, pp. 130-131
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    The Music So Sweet
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    2. The Ladykillers (1955 Film) by Alexander Mackendrick
    The New Yorker, March 3, 1956, p. 63
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    Troubled Livestock
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    The New Yorker, March 10, 1956, pp. 66-67
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    Regal Rascality
    1. Richard III (1955 Film) by Laurence Olivier
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    The New Yorker, March 17, 1956, pp. 76-77
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    The New Yorker, March 24, 1956, pp. 126-127
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    3. Touch and Go (1955 Film) by Michael Truman
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    2. While the City Sleeps (1956 Film) by Fritz Lang
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    1. The Solid Gold Cadillac (1956 Film) by Richard Quine
    2. The Miracle of Marcelino (1955 Film) by Ladislao Vajda
    3. Vitelloni (1953 Film) by Federico Fellini
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    1. The Silent World (1956 Film) by Jacques-Yves Cousteau and Louis Malle
    2. The Grand Maneuver (1955 Film) by Rene Clair
    3. The Best Things in Life Are Free (1956 Film) by Michael Curtiz
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    2. Wee Geordie (1955 Film) by Frank Launder
    The New Yorker, October 20, 1956, pp. 178-179
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    1. Around the World in 80 Days (1956 Film) by Michael Anderson
    2. The Snow Was Black (1952 Film) by Luis Saslavsky
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    2. Attack! (1956 Film) by Robert Aldrich
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    1. Twelve Angry Men (1957 Film) by Sidney Lumet
    2. Above Us the Waves (1956 Film) by Ralph Thomas
    3. Tears for Simon (1956 Film) by Guy Green
    4. Abandon Ship! (1957 Film) by Richard Sale
    5. Boy on a Dolphin (1957 Film) by Jean Negulesco
    The New Yorker, April 27, 1957, pp. 62-63
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    1. The Light Across the Street (1957 Film) by Georges Lacombe
    2. Passionate Summer (1956 Film) by Charles Brabant
    3. Value for Money (1955 Film) by Ken Annakin
    4. Out of the Clouds (1955 Film) by Basil Dearden
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    1. Sayonara (1957 Film) by Joshua Logan
    The New Yorker, December 14, 1957, pp. 84-86
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    1. Wild Is the Wind (1957 Film) by George Cukor
    2. Peyton Place (1957 Film) by Mark Robson
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    The New Yorker, December 28, 1957, pp. 48-57
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    1. Edge of the City (1957 Film) by Martin Ritt
    2. The Iron Petticoat (1957 Film) by Ralph Thomas
    3. Top Secret Affair (1957 Film) by H.C. Potter
    4. The Wings of Eagles (1957 Film) by John Ford
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    The New Yorker, February 16, 1957, p. 119
  229. [+]
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    2. Battle Hymn (1957 Film) by Douglas Sirk
    The New Yorker, February 23, 1957, p. 97
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    1. The Great Man (1957 Film) by Jose Ferrer
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    The New Yorker, January 12, 1957, pp. 72-73
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    1. Tempest in the Flesh (1954 Film) by Ralph Habib
    2. The Barretts of Wimpole Street (1957 Film) by Sidney Franklin
    3. Written on the Wind (1956 Film) by Douglas Sirk
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  233. [+]
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    The New Yorker, July 27, 1957, pp. 67-68
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    2. Torero! (1956 Film) by Carlos Velo
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    2. Gunfight at the O.K. Corral (1957 Film) by John Sturges
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    3. The D.I. (1957 Film) by Jack Webb
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    The New Yorker, June 29, 1957, pp. 68-69
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    The New Yorker, March 16, 1957, pp. 82-97
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    2. Three Brave Men (1957 Film) by Philip Dunne
    3. The Red Balloon (1956 Film) by Albert Lamorisse
    4. The Lost Continent (1954 Film) by Enrico Gras, Giorgio Moser, and Leonardo Bonzi
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    2. The Little Hut (1957 Film) by Mark Robson
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    3. Raising a Riot (1955 Film) by Wendy Toye
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    2. Don't Go Near the Water (1957 Film) by Charles Walters
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    2. Baby and the Battleship (1956 Film) by Jay Lewis
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    2. Saddle the Wind (1958 Film) by Robert Parrish
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    2. St. Louis Blues (1958 Film) by Allen Reisner
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    2. From the Earth to the Moon (1958 Film) by Byron Haskin
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    2. Pepote (1956 Film) by Ladislao Vajda
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    2. Merry Andrew (1958 Film) by Michael Kidd
    3. Teacher's Pet (1958 Film) by George Seaton
    The New Yorker, March 29, 1958, pp. 105-106
  276. [+]
    The Current Cinema (3 Reviews)
    Growing Pain
    1. Marjorie Morningstar (1957 Film) by Irving Rapper
    2. Stage Struck (1958 Film) by Sidney Lumet
    3. Night Ambush (1958 Film) by Michael Powell and Emeric Pressburger
    The New Yorker, May 3, 1958, pp. 60-89
  277. [+]
    The Current Cinema (2 Reviews)
    One for the Road
    1. Too Much, Too Soon (1958 Film) by Art Napoleon
    2. Paris Holiday (1958 Film) by Gerd Oswald
    The New Yorker, May 17, 1958, pp. 91-113
  278. [+]
    The Current Cinema (2 Reviews)
    Colette with Music
    1. Gigi (1958 Film) by Vincente Minnelli and Charles Walters
    2. Cry Terror! (1958 Film) by Andrew L. Stone
    The New Yorker, May 24, 1958, pp. 73-78
  279. [+]
    The Current Cinema (Review)
    Poor Joe Is Dead
    1. Ten North Frederick (1958 Film) by Philip Dunne
    The New Yorker, May 31, 1958, pp. 59-61
  280. [+]
    The Current Cinema (2 Reviews)
    Old Lovable
    1. The Last Hurrah (1958 Film) by John Ford
    2. Pather Panchali (1955 Film) by Satyajit Ray
    The New Yorker, November 1, 1958, pp. 170-171
  281. [+]
    The Current Cinema (3 Reviews)
    Marine Life
    1. In Love and War (1958 Film) by Philip Dunne
    2. Pot-Bouille (1958 Film) by Julien Duvivier
    3. Dreaming Lips (1953 Film) by Josef von Baky
    The New Yorker, November 8, 1958, pp. 182-183
  282. [+]
    The Current Cinema (2 Reviews)
    Home Is Where You Hang Your Psychosis
    1. Home Before Dark (1958 Film) by Mervyn LeRoy
    2. My Uncle, Mr. Hulot (1958 Film) by Jacques Tati
    The New Yorker, November 15, 1958, pp. 147-196
  283. [+]
    The Current Cinema (2 Reviews)
    The Artist as an Old Dog
    1. The Horse's Mouth (1958 Film) by Ronald Neame
    2. Houseboat (1958 Film) by Melville Shavelson
    The New Yorker, November 22, 1958, pp. 137-174
  284. [+]
    The Current Cinema (2 Reviews)
    Cloak but No Dagger
    1. Orders to Kill (1958 Film) by Anthony Asquith
    2. I Want to Live! (1958 Film) by Robert Wise
    The New Yorker, November 29, 1958, pp. 108-132
  285. [+]
    The Current Cinema (2 Reviews)
    Fine Friends
    1. Damn Yankees (1958 Film) by Stanley Donen and George Abbott
    2. The Defiant Ones (1958 Film) by Stanley Kramer
    The New Yorker, October 4, 1958, pp. 158-159
  286. [+]
    The Current Cinema (3 Reviews)
    What's All the Shootin' For?
    1. The Big Country (1958 Film) by William Wyler
    2. No Time for Sergeants (1958 Film) by Mervyn LeRoy
    3. The Barbarian and the Geisha (1958 Film) by John Huston
    The New Yorker, October 11, 1958, pp. 93-95
  287. [+]
    The Current Cinema (2 Reviews)
    Fish Story
    1. The Old Man and the Sea (1958 Film) by John Sturges, Fred Zinnemann, and Henry King
    2. Inspector Maigret (1958 Film) by Jean Delannoy
    The New Yorker, October 18, 1958, pp. 154-156
  288. [+]
    The Current Cinema (2 Reviews)
    Behemoths' Buddy
    1. The Roots of Heaven (1958 Film) by John Huston
    2. The Seventh Seal (1957 Film) by Ingmar Bergman
    The New Yorker, October 25, 1958, pp. 192-193
  289. [+]
    The Current Cinema (2 Reviews)
    Kaye in Flight
    1. Me and the Colonel (1958 Film) by Peter Glenville
    2. The Hunters (1958 Film) by Dick Powell
    The New Yorker, September 6, 1958, pp. 92-93
  290. [+]
    The Current Cinema (2 Reviews)
    How to Keep 'em Down on the Farm
    1. The Naked Earth (1958 Film) by Vincent Sherman
    2. Lucky Jim (1957 Film) by John Boulting
    The New Yorker, September 13, 1958, pp. 76-78
  291. [+]
    The Current Cinema (2 Reviews)
    Rescue
    1. Dunkirk (1958 Film) by Leslie Norman
    2. Wind Across the Everglades (1958 Film) by Nicholas Ray
    The New Yorker, September 20, 1958, pp. 84-90
  292. [+]
    The Current Cinema (2 Reviews)
    Cotton-Belt Bedlam
    1. Cat on a Hot Tin Roof (1958 Film) by Richard Brooks
    2. Hot Spell (1958 Film) by Daniel Mann
    The New Yorker, September 27, 1958, pp. 163-164
  293. [+]
    The Current Cinema (2 Reviews)
    Usurer's Darling
    1. The Mistress (1953 Film) by Shiro Toyoda
    2. The Last Blitzkrieg (1959 Film) by Arthur Dreifuss
    The New Yorker, February 14, 1959, pp. 113-114
  294. [+]
    The Current Cinema (3 Reviews)
    Man's Inhumanity to Man
    1. He Who Must Die (1957 Film) by Jules Dassin
    2. The Buccaneer (1958 Film) by Anthony Quinn
    3. Rally 'Round the Flag, Boys! (1958 Film) by Leo McCarey
    The New Yorker, January 10, 1959, pp. 110-111
  295. [+]
    The Current Cinema (3 Reviews)
    Man in Icy Motion
    1. Nine Lives (1957 Film) by Arne Skouen
    2. Mad Little Island (1957 Film) by Michael Relph
    3. Bell, Book and Candle (1958 Film) by Richard Quine
    The New Yorker, January 17, 1959, pp. 83-84
  296. [+]
    The Current Cinema (Review)
    Anna Again
    1. Anna Lucasta (1958 Film) by Arnold Laven
    The New Yorker, January 24, 1959, pp. 111-112
  297. [+]
    The Current Cinema (2 Reviews)
    They Should Have Stayed Home
    1. Some Came Running (1958 Film) by Vincente Minnelli
    2. The Sins of Rose Bernd (1959 Film) by Wolfgang Staudte
    The New Yorker, January 31, 1959, pp. 94-97
  298. [+]
    The Current Cinema (3 Reviews)
    Bride of Christ
    1. The Nun's Story (1959 Film) by Fred Zinnemann
    2. The Five Pennies (1959 Film) by Melville Shavelson
    3. Middle of the Night (1959 Film) by Delbert Mann
    The New Yorker, June 27, 1959, pp. 52-54
  299. [+]
    The Current Cinema (2 Reviews)
    River, Stay 'Way from My Door
    1. Wild River (1960 Film) by Elia Kazan
    2. Sergeant Rutledge (1960 Film) by John Ford
    The New Yorker, June 4, 1960, p. 99
  300. [+]
    The Current Cinema (2 Reviews)
    Sweet Corn
    1. The Music Man (1962 Film) by Morton DaCosta
    2. Tales of Paris (1962 Film) by Marc Allegret, Claude Barma, and Michel Boisrond, ...
    The New Yorker, September 8, 1962, pp. 80-83
  301. [+]
    The Current Cinema (2 Reviews)
    Melancholy Dane
    1. La Poupee (1963 Film) by Jacques Baratier
    2. Wives and Lovers (1963 Film) by John Rich
    The New Yorker, September 7, 1963, pp. 147-148
  302. [+]
    The Current Cinema (Review)
    Japanese Jocosity
    1. Walleyed Nippon (1963 Film) by Hideo Suzuki
    The New Yorker, September 14, 1963, pp. 118-119
  303. [+]
    The Current Cinema (2 Reviews)
    Clouseau Again
    1. A Shot in the Dark (1964 Film) by Blake Edwards
    2. The Troublemaker (1964 Film) by Theodore J. Flicker
    The New Yorker, July 4, 1964, pp. 58-59
  304. [+]
    The Current Cinema (2 Reviews)
    Assorted Brands
    1. Voice of the Hurricane (1964 Film) by George Frazier
    2. Honeymoon Hotel (1964 Film) by Henry Levin
    The New Yorker, June 13, 1964, pp. 90-91
  305. [+]
    The Current Cinema (3 Reviews)
    Back to Harold
    1. That Man from Rio (1964 Film) by Philippe de Broca
    2. Bedtime Story (1963 Film) by Ralph Levy
    3. Lady in a Cage (1964 Film) by Walter Grauman
    The New Yorker, June 20, 1964, pp. 123-129
  306. [+]
    The Current Cinema: A Lot for a Bad Buck (3 Reviews)
    Mister 880 (1950 Film), by Edmund Goulding
    1. Mister 880 (1950 Film) by Edmund Goulding
    2. The Toast of New Orleans (1950 Film) by Norman Taurog
    3. Born to Be Bad (1950 Film) by Nicholas Ray
    The New Yorker, October 7, 1950, p. 63
  307. [+]
    The Current Cinema: Bonanza for Bette (3 Reviews)
    All About Eve (1950 Film), by Joseph L. Mankiewicz
    1. All About Eve (1950 Film) by Joseph L. Mankiewicz
    2. The Breaking Point (1950 Film) by Michael Curtiz
    3. Two Flags West (1950 Film) by Robert Wise
    The New Yorker, October 21, 1950, pp. 128-129
  308. [+]
    The Current Cinema: Sketch of a Brahmin (5 Reviews)
    The Late George Apley (1947 Film), by Joseph L. Mankiewicz
    1. The Late George Apley (1947 Film) by Joseph L. Mankiewicz
    2. The Red House (1947 Film) by Delmer Daves
    3. The Locket (1946 Film) by John Brahm
    4. My Favorite Brunette (1947 Film) by Elliott Nugent
    5. The Show-Off (1946 Film) by Harry Beaumont
    The New Yorker, March 29, 1947, pp. 82-85
  309. [+]
    The Current Cinema: That Wife Again (2 Reviews)
    Harriet Craig (1950 Film), by Vincent Sherman
    1. Harriet Craig (1950 Film) by Vincent Sherman
    2. The Miniver Story (1950 Film) by H.C. Potter
    The New Yorker, November 4, 1950, p. 139
  310. [+]
    The Current Cinema: Tired Vehicle (2 Reviews)
    Cyrano de Bergerac (1950 Film), by Michael Gordon#2
    1. Cyrano de Bergerac (1950 Film) by Michael Gordon#2
    2. American Guerrilla in the Philippines (1950 Film) by Fritz Lang
    The New Yorker, November 18, 1950, p. 157
  311. [+]
    The Current Cinema: With Haggard in Africa (Review)
    King Solomon's Mines (1950 Film), by Compton Bennett and Andrew Marton
    1. King Solomon's Mines (1950 Film) by Compton Bennett and Andrew Marton
    The New Yorker, November 11, 1950, p. 141
  312. Ethel Merman
    The New Yorker, May 31, 1993, p. 73
  313. Father Coughlin
    Holy Medicine Man
    The American Mercury, June 1939, pp. 129-141
  314. General MacArthur-Fact and Legend
    The American Mercury, January 1944, pp. 7-18
  315. The Golden Boy: Clifford Odets
    The New Yorker, May 31, 1993, p. 69
  316. "Irish Sketches"
    The New Yorker, October 31, 1970, pp. 127-129
  317. "Irish Sketches"
    The New Yorker, September 12, 1970, pp. 109-111
  318. "Irish Sketches"
    The New Yorker, May 8, 1971, pp. 131-136
  319. "Irish Sketches"
    The New Yorker, November 20, 1971, pp. 190-200
  320. The Little Man in Henry Ford's Basement, Part II
    The American Mercury, June 1940, pp. 200-208
  321. The Little Man in Henry Ford's Basement
    The American Mercury, May 1940, pp. 7-15
  322. Pegler: Tough-Guy Columnist
    The American Mercury, February 1945, pp. 174-182
  323. Trujillo
    Little Caesar on Our Own Front Porch
    The Harpers Monthly, December 1956, pp. 67-72
  324. No Items Found