The Unz Review - Mobile
A Collection of Interesting, Important, and Controversial Perspectives Largely Excluded from the American Mainstream Media
John Lahr Archives
John Lahr • 358 Items / 11 Books, 334 Articles, 13 Reviews
Show MoreShow AllFinding...Find More
Email This Page to Someone

 Remember My Information



=>
Sort by Showing ListingStampsCovers
Title Period
Publication Archives
Genre? /
Type? AllBooksFilmsReadableReviewsVerse
  1. The Critics
    Annals of Comedy
    Bill Hicks
    The New Yorker, November 1, 1993, pp. 113-121
  2. Astonish Me (1973)
    Adventures in Contemporary Theater
    2 Reviews, 1 Readable
  3. The Autograph Hound (1973)
    3 Reviews, 1 Readable
  4. The Critics
    Backstage Chronicles
    Speaking Shakespeare
    The New Yorker, September 7, 1998, pp. 78-81
  5. Backstage Chronicles
    Petrified
    The New Yorker, August 28, 2006, pp. 38-41
  6. The Beatles Considered
    The New Republic, December 2, 1981, pp. 19-23
  7. [+]
    Books: The Politics of Charm (Review)
    The Noel Coward Diaries, by Graham Payn, Sheridan Morley, and Noel Coward
    1. The Noel Coward Diaries by Graham Payn, Sheridan Morley, and Noel Coward
    The Harpers Monthly, October 1982, pp. 64-67
  8. Brilliantly Beckett
    Showcase: Rosaleen Linehan
    The New Yorker, July 22, 1996, pp. 66-68
  9. The Critics
    [+]
    Charm's Way (2 Reviews)
    Noel Coward: A Biography, by Philip Hoare
    1. Noel Coward: A Biography by Philip Hoare
    2. My Life with Noel Coward by Graham Payn and Barry Day
    The New Yorker, September 9, 1996, pp. 86-89
  10. [+]
    Clutching at Flaws (Review)
    The Champions, by Peter Fuller
    1. The Champions by Peter Fuller
    The Harpers Monthly, May 1977, p. 96
  11. [+]
    The Critic as a Cultural Confidence Man (Review)
    New York Jew, by Alfred Kazin
    1. New York Jew by Alfred Kazin
    The Harpers Monthly, July 1978, pp. 84-87
  12. A Critic at Large
    Irving Berlin
    The New Yorker, March 8, 1999, pp. 77-83
  13. The Critics
    A Critic At Large
    The New Yorker, July 1, 2002, pp. 82-87
  14. A Critic At Large
    The New Yorker, July 12, 2004, pp. 100-104
  15. The Critics
    A Critic At Large
    The New Yorker, September 19, 2005, pp. 88-94
  16. The Critics
    A Critic At Large
    The New Yorker, April 17, 2006, pp. 72-78
  17. The Critics
    A Critic At Large
    The New Yorker, March 17, 2008, pp. 78-82
  18. A Critic At Large
    The works of Horton Foote
    The New Yorker, October 26, 2009, pp. 88-93
  19. Curtain Up! Angels on Broadway
    The New Yorker, May 31, 1993, p. 137
  20. The Diaries of Kenneth Tynan (2001)
    1 Review
  21. [+]
    Dreamers of the Day (Review)
    American Dreams: Lost and Found, by Studs Terkel
    1. American Dreams: Lost and Found by Studs Terkel
    The Harpers Monthly, January 1981, pp. 72-76
  22. Elements of Film: The Voodoo of Glamour
    Hollywood can't have many secrets left except one: Why do the stars still have a hold o...
    The New Yorker, March 21, 1994, p. 113
  23. Fearful Symmetry
    On the art of human precision
    The Harpers Monthly, July 1977, pp. 83-86
  24. [+]
    Get Happy (Review)
    Reading Lyrics, by Robert Gottlieb and Robert Kimball
    1. Reading Lyrics by Robert Gottlieb and Robert Kimball
    The New Yorker, December 11, 2000, pp. 120-123
  25. Hot to Trot (1974)
    3 Reviews, 1 Readable
  26. Introduction: Light Fantastic
    The New Yorker, May 31, 1993, pp. 56-57
  27. Life and Letters
    Making Willy Loman
    The New Yorker, January 25, 1999, pp. 42-49
  28. Life and Letters
    The Impersonator
    The New Yorker, April 30, 2007, pp. 34-35
  29. The Critics
    Life and Letters
    Land of Lost Souls
    The New Yorker, November 24, 2008, pp. 114-115
  30. Light Fantastic (1996)
    Adventures in Theatre
    1 Review
  31. London Portfolio
    Between the Acts
    The New Yorker, March 9, 1998, pp. 66-75
  32. [+]
    Material Boy (Review)
    Money: A Suicide Note, by Martin Amis
    1. Money: A Suicide Note by Martin Amis
    The New Republic, May 6, 1985, pp. 34-35
  33. [+]
    Messages in a Bottle (Review)
    The Selected Letters of Tennessee Williams, Vol. I: 1920-1945, by Albert J. Devlin, Nan...
    1. The Selected Letters of Tennessee Williams, Vol. I: 1920-1945 by Albert J. Devlin, Nancy M. Tischler, and Tennessee Williams, ...
    The New Yorker, December 4, 2000, pp. 102-107
  34. Notes on a Cowardly Lion (1969)
    The Biography of Bert Lahr
    5 Reviews, 1 Readable
  35. Notes on Fame
    The Harpers Monthly, January 1978, pp. 77-83
  36. Onward and Upward With the Arts
    Skeleton of the New
    The New Yorker, January 5, 1998, pp. 56-61
  37. Onward and Upward with the Arts
    Fresh Prince
    The New Yorker, December 13, 1999, pp. 46-54
  38. Onward and Upward With the Arts
    A Touch of Bad
    The New Yorker, July 5, 1999, pp. 42-49
  39. Onward and Upward With the Arts
    The Shock of the Good
    The New Yorker, June 4, 2001, pp. 44-47
  40. Onward and Upward With the Arts
    The Alchemist
    The New Yorker, October 15, 2001, pp. 88-94
  41. Onward and Upward With the Arts
    The Ringmaster
    The New Yorker, December 2, 2002, pp. 50-51
  42. Onward and Upward With the Arts
    Demolition Man
    The New Yorker, December 24, 2007, pp. 54-60
  43. Onward and Upward With the Arts
    Disappearing Act
    The New Yorker, February 12, 2007, pp. 38-45
  44. Onward and Upward with the Arts: King Tap
    At twenty-one, Savion Glover is already better than Bojangles
    The New Yorker, October 30, 1995, pp. 88-90
  45. Onward and Upward with the Arts: The Dangling Man
    Can Wallace Shawn---a comic actor, a serious playwight, and a charming loner---really b...
    The New Yorker, April 15, 1996, pp. 45-49
  46. Onward and Upward with the Arts: The Great Guskin
    In New York and in Hollywood, actors with jitters turn to Harold Guskin, the acting doc...
    The New Yorker, March 20, 1995, pp. 44-49
  47. Onward and Upward with the Arts: This Other England
    Why Mike Leigh's movies would never get made in Hollywood
    The New Yorker, September 23, 1996, pp. 50-54
  48. The Orton Diaries (1987)
    Including the Correspondence of Edna Welthorpe and Others
    2 Reviews, 1 Readable
  49. Our Local Correspondents: Speaking Across the Divide
    Harlem's Eliza Doolittles find a better way to be heard
    The New Yorker, January 27, 1997, pp. 35-37
  50. Personal History
    The Lion and Me
    The New Yorker, November 16, 1998, pp. 62-67
  51. Personal History: My Mother the Ziegfeld Girl
    A Jazz Age heroine makes for an interesting mom
    The New Yorker, May 13, 1996, pp. 74-81
  52. Postscript
    Eugene Ionesco
    The New Yorker, April 11, 1994, pp. 94-95
  53. Postscript: Audrey Hepburn
    The New Yorker, February 1, 1993, pp. 72-73
  54. Postscript: Bedazzled
    The late Peter Cook, who wrote for "Beyond the Fringe" and "Good Evening," taught the E...
    The New Yorker, January 23, 1995, pp. 80-81
  55. Prick Up Your Ears (1978)
    The Biography of Joe Orton
    6 Reviews, 1 Readable
  56. Profile: Dealing with Roseanne
    What is Roseanne? Loud, vulgar, difficult, influential---and very, very funny
    The New Yorker, July 17, 1995, pp. 42-49
  57. Profile: Fortress Mamet
    The New Yorker, November 17, 1997, pp. 70-81
  58. Profile: The Big Picture
    Is there an Oscar category broad enough to cover all of Sharon Stone's performances?
    The New Yorker, March 25, 1996, pp. 72-79
  59. Profile: The C.E.O. of Comedy
    The New Yorker, December 21, 1998, pp. 62-73
  60. Profile: The Demon-Lover
    The New Yorker, May 31, 1999, pp. 66-79
  61. Profile: The High Roller
    Garth Drabinksy's new rules for how to succeed on Broadway
    The New Yorker, June 2, 1997, pp. 70-77
  62. Profile: The Imperfectionist
    Why did Woody Allen choose to make a musical?
    The New Yorker, December 9, 1996, pp. 68-73
  63. Profile: The Izzard King
    Will Eddie Izzard become America's favorite English comic?
    The New Yorker, April 6, 1998, pp. 80-81
  64. Profile: The Lemon-Drop Kid
    Yip Harburg and the secret of the American musical
    The New Yorker, September 30, 1996, pp. 68-75
  65. Profiles (Dame Edna Everage)
    The New Yorker, July 1, 1991, pp. 38-57
  66. Profiles: After Angels
    The New Yorker, January 3, 2005, pp. 42-49
  67. Profiles: Becoming the Hulk
    The New Yorker, June 30, 2003, pp. 72-81
  68. Profiles: Been Here and Gone
    The New Yorker, April 16, 2001, pp. 50-57
  69. Profiles: Chasing the Witch
    The New Yorker, November 17, 2003, pp. 100-106
  70. Profiles: Citizen Penn
    The New Yorker, April 3, 2006, pp. 48-53
  71. Profiles: Command Performance
    The reign of Helen Mirren
    The New Yorker, October 2, 2006, pp. 58-65
  72. Profiles: Coogan's Bluff
    The New Yorker, November 5, 2007, pp. 42-43
  73. Profiles: Escaping the Matrix
    The New Yorker, April 5, 2004, pp. 46-55
  74. Profiles: He That Plays the King
    The New Yorker, August 27, 2007, pp. 48-51
  75. Profiles: Making It Real
    The New Yorker, February 21, 2000, pp. 196-204
  76. Profiles: The Player Queen
    The New Yorker, January 21, 2002, pp. 58-63
  77. Profiles: The Thin Man
    The New Yorker, November 14, 2005, pp. 72-79
  78. Profiles: Whirlwind
    The New Yorker, December 9, 2002, pp. 100-101
  79. [+]
    Trelawny's Dream (Review)
    Woody Guthrie: A Life, by Joe Klein
    1. Woody Guthrie: A Life by Joe Klein
    The New Republic, October 18, 1980, pp. 35-36
  80. [+]
    Samurai Screw-Up (Review)
    Wired, by Bob Woodward
    1. Wired by Bob Woodward
    The New Republic, August 6, 1984, pp. 37-39
  81. Show and Tell (2000)
    New Yorker Profiles
    1 Review
  82. Showcaes: The Stork Club
    The New Yorker, May 8, 2000, pp. 118-119
  83. Showcase
    Fiona Shaw
    The New Yorker, May 20, 1996, pp. 90-92
  84. Showcase
    The New Yorker, September 22, 1997, pp. 136-138
  85. Showcase
    The New Yorker, January 29, 2001, pp. 60-67
  86. Showcase: Edward Norton
    The New Yorker, July 5, 1999, pp. 82-84
  87. Showcase: John Leguizamo
    The New Yorker, February 2, 1998, pp. 48-53
  88. Showcase: Lindsay Duncan
    The New Yorker, May 27, 1996, pp. 104-109
  89. Showcase: Michael Gambon
    The New Yorker, September 9, 1996, p. 95
  90. Showcase: Natasha Richardson
    The New Yorker, January 12, 1998, pp. 58-61
  91. Sketchbook: Showstoppers
    The New Yorker, May 31, 1993, pp. 74-75
  92. Arts and Letters
    Theater
    The Harpers Monthly, April 1979, pp. 71-81
  93. Books & the Arts
    Theater
    The Nation, October 10, 1981, p. 353
  94. Theater
    The Nation, September 5, 1981, pp. 186-187
  95. The Theater
    "A Doll's House," "The Young Man from Atlanta"
    The New Yorker, April 14, 1997, pp. 86-87
  96. Theatre
    "Slavs!," "The Petrified Prince"
    The New Yorker, January 9, 1995, pp. 85-87
  97. Theatre
    The New Yorker, November 8, 1999, pp. 96-97
  98. Theatre
    The New Yorker, December 4, 2000, pp. 108-110
  99. The Critics
    The Theatre
    The Lone Wolf and the Russian Bear
    The New Yorker, December 21, 1992, pp. 123-126
  100. The Theatre
    Astonishments and Pratfalls
    The New Yorker, December 28, 1992, pp. 190-192
  101. The Theatre
    One-Man Universe
    The New Yorker, November 9, 1992, pp. 142-143
  102. The Critics
    The Theatre
    Dogma Days
    The New Yorker, November 16, 1992, pp. 121-124
  103. The Critics
    The Theatre
    Beyond Nelly
    The New Yorker, November 23, 1992, pp. 126-129
  104. The Critics
    The Theatre
    Caprice of the Gods
    The New Yorker, October 19, 1992, pp. 102-103
  105. The Theatre
    Waiting for Odets
    The New Yorker, October 26, 1992, pp. 119-122
  106. The Critics
    The Theatre
    Wilde Oats
    The New Yorker, April 5, 1993, pp. 93-96
  107. The Theatre
    "The Song of Jacob Zulu," "Redwood Curtain"
    The New Yorker, April 12, 1993, pp. 105-110
  108. The Theatre
    "Silence, Cunning, Exile," "The L.A. Plays," "Memory Tricks"
    The New Yorker, April 26, 1993, pp. 111-113
  109. The Theatre
    "The Kentucky Cycle"
    The New Yorker, December 6, 1993, pp. 138-142
  110. The Theatre
    Tony Kushner's "Perestroika"
    The New Yorker, December 13, 1993, pp. 129-134
  111. The Theatre
    Neil Simon's "Laughter on the 23rd Floor"
    The New Yorker, December 20, 1993, pp. 135-138
  112. The Theatre
    Selling the Sizzle
    The New Yorker, February 1, 1993, pp. 99-101
  113. The Theatre
    "The Deep Blue Sea"
    The New Yorker, February 22, 1993, pp. 174-176
  114. The Theatre
    All the Way to Heaven
    The New Yorker, January 18, 1993, pp. 100-103
  115. The Theatre
    Brian Friel's "Wonderful Tennessee"
    The New Yorker, July 19, 1993, pp. 82-83
  116. The Critics
    The Theatre
    "Sunset Boulevard"
    The New Yorker, July 26, 1993, pp. 74-76
  117. The Theatre
    Peter Feibleman's "Cakewalk"
    The New Yorker, June 21, 1993, pp. 93-95
  118. The Theatre
    "Twilight: Lost Angeles 1992"
    The New Yorker, June 28, 1993, pp. 90-94
  119. The Critics
    The Theatre
    "The Who's Tommy"
    The New Yorker, May 3, 1993, pp. 96-98
  120. The Theatre
    "Madame de Sade"
    The New Yorker, May 10, 1993, pp. 101-106
  121. The Theatre
    "Machinal"
    The New Yorker, November 22, 1993, pp. 112-116
  122. The Theatre
    "The Madness of King George III"
    The New Yorker, October 11, 1993, pp. 124-126
  123. The Critics
    The Theatre
    Peter Sellar's "The Persians"
    The New Yorker, October 18, 1993, pp. 103-106
  124. The Theatre
    Harold Prince's "Show Boat"
    The New Yorker, October 25, 1993, pp. 123-126
  125. The Critics
    The Theatre
    Harold Pinter's "Moonlight"
    The New Yorker, September 20, 1993, pp. 108-110
  126. The Critics
    The Theatre
    "The Flowering Peach," "Twilight: Los Angeles, 1992"
    The New Yorker, April 4, 1994, pp. 94-95
  127. The Theatre
    "Johnny on a Spot"
    The New Yorker, April 18, 1994, pp. 100-101
  128. The Theatre
    Jackie Mason, Mort Sahl
    The New Yorker, April 25, 1994, pp. 87-91
  129. The Critics
    The Theatre
    David Mamet's "The Cryptogram"
    The New Yorker, August 1, 1994, pp. 70-72
  130. The Critics
    The Theatre
    "Lady, Be Good!," "The Front Page"
    The New Yorker, August 22, 1994, pp. 110-112
  131. The Critics
    The Theatre
    "Sunset Boulevard," "Simpatico"
    The New Yorker, December 5, 1994, pp. 126-129
  132. The Critics
    The Theatre
    "What the Butler Saw, "Hello Again"
    The New Yorker, February 21, 1994, pp. 106-107
  133. The Theatre
    "My Fair Lady"
    The New Yorker, January 17, 1994, pp. 84-85
  134. The Critics
    The Theatre
    "Shemiel the First"
    The New Yorker, July 11, 1994, pp. 75-77
  135. The Critics
    The Theatre
    "Sweet Bird of Youth"
    The New Yorker, July 18, 1994, pp. 68-71
  136. The Theatre
    Peter Brook's "The Man Who"
    The New Yorker, June 13, 1994, pp. 104-106
  137. The Theatre
    Arnold Wesker's "The Kitchen"
    The New Yorker, March 14, 1994, pp. 86-88
  138. The Theatre
    "Beauty and the Beast"
    The New Yorker, May 2, 1994, pp. 102-104
  139. The Critics
    The Theatre
    Arthur Miller's "Broken Glass"
    The New Yorker, May 9, 1994, pp. 94-96
  140. The Theatre
    "Three Tall Women," "An Inspector Calls"
    The New Yorker, May 16, 1994, pp. 102-105
  141. The Theatre
    "Passion"
    The New Yorker, May 23, 1994, pp. 89-92
  142. The Critics
    The Theatre
    "Floating Islands," "Blade to the Heat"
    The New Yorker, November 14, 1994, pp. 125-128
  143. The Theatre
    "The Glass Menagerie"
    The New Yorker, November 21, 1994, pp. 124-127
  144. The Critics
    The Theatre
    "The Winter's Tale"
    The New Yorker, October 3, 1994, pp. 105-107
  145. The Critics
    The Theatre
    Brian Friel's "Molly Sweeney"
    The New Yorker, October 17, 1994, pp. 107-110
  146. The Theatre
    Tom Stoppard's "Arcadia"
    The New Yorker, April 17, 1995, pp. 111-113
  147. The Theatre
    "How to Succeed in Business Without Really Trying," "Gentlemen Prefer Blondes"
    The New Yorker, April 24, 1995, pp. 116-117
  148. The Theatre
    The New Yorker, December 4, 1995, pp. 119-121
  149. The Theatre
    The New Yorker, July 10, 1995, pp. 83-85
  150. The Theatre
    "The Old Lady's Guide to Survival"
    The New Yorker, March 6, 1995, pp. 130-131
  151. The Theatre
    The New Yorker, May 8, 1995, pp. 95-97
  152. The Theatre
    "Hamlet"
    The New Yorker, May 15, 1995, pp. 97-99
  153. The Theatre
    The New Yorker, November 6, 1995, pp. 179-183
  154. The Theatre
    The New Yorker, November 20, 1995, pp. 112-115
  155. The Theatre
    "The Steward of Christendom"
    The New Yorker, October 2, 1995, pp. 106-107
  156. The Theatre
    Stephen Sondheim's "Company"
    The New Yorker, October 23, 1995, p. 103
  157. The Theatre
    Noel Coward's "Cavalcade"
    The New Yorker, September 4, 1995, pp. 96-98
  158. The Theatre
    August Wilson's "Seven Guitars"
    The New Yorker, April 15, 1996, pp. 99-101
  159. The Theatre
    The Montreal comedy festival
    The New Yorker, August 12, 1996, pp. 76-77
  160. The Theatre
    David Henry Hwang's "Golden Child"
    The New Yorker, December 2, 1996, pp. 121-123
  161. The Theatre
    "Rent"
    The New Yorker, February 19, 1996, pp. 94-96
  162. The Theatre
    "The Way of the World"
    The New Yorker, January 15, 1996, pp. 81-83
  163. The Theatre
    "Martin Guerre"
    The New Yorker, July 29, 1996, pp. 78-79
  164. The Theatre
    "Venus," "A Funny Thing Happened on the Way to the Forum," "Bring In da Noise In da Funk"
    The New Yorker, May 20, 1996, pp. 98-100
  165. The Theatre
    "Chicago," "Present Laughter"
    The New Yorker, November 25, 1996, pp. 122-125
  166. The Theatre
    "Summer and Smoke," "Old Wicked Songs"
    The New Yorker, September 16, 1996, pp. 101-103
  167. The Theatre
    David Hare's "Skylight"
    The New Yorker, September 30, 1996, pp. 95-97
  168. The Theatre
    "Play On!," "Violet"
    The New Yorker, April 7, 1997, pp. 98-99
  169. The Theatre
    The New Yorker, December 1, 1997, pp. 94-95
  170. The Critics
    The Theatre
    "Ragtime"
    The New Yorker, January 20, 1997, pp. 90-92
  171. The Theatre
    The playwright Martin McDonagh
    The New Yorker, January 27, 1997, pp. 84-85
  172. The Theatre
    The New Yorker, July 21, 1997, pp. 78-80
  173. The Theatre
    "A Question of Mercy," "One Flea Spare"
    The New Yorker, March 24, 1997, pp. 86-87
  174. The Theatre
    "Candide," "The Little Foxes"
    The New Yorker, May 19, 1997, pp. 98-101
  175. The Critics
    The Theatre
    The New Yorker, November 24, 1997, pp. 126-128
  176. The Theatre
    The New Yorker, April 13, 1998, pp. 78-80
  177. The Theatre
    The New Yorker, August 17, 1998, pp. 80-81
  178. The Theatre
    The New Yorker, December 28, 1998, pp. 135-137
  179. The Theatre
    The New Yorker, February 2, 1998, pp. 79-80
  180. The Theatre
    The New Yorker, February 16, 1998, p. 86
  181. The Theatre
    The New Yorker, January 5, 1998, pp. 78-79
  182. The Theatre
    The New Yorker, March 16, 1998, pp. 79-82
  183. The Theatre
    The New Yorker, March 23, 1998, pp. 96-97
  184. The Theatre
    The New Yorker, November 23, 1998, pp. 110-112
  185. The Theatre
    The New Yorker, October 12, 1998, pp. 97-98
  186. The Theatre
    The New Yorker, October 19, 1998, pp. 88-90
  187. The Theatre
    The New Yorker, April 5, 1999, pp. 93-94
  188. The Theatre
    The New Yorker, April 12, 1999, p. 101
  189. The Theatre
    The New Yorker, December 20, 1999, pp. 100-101
  190. The Theatre
    The New Yorker, February 22, 1999, pp. 182-183
  191. The Theatre
    The New Yorker, July 19, 1999, pp. 88-89
  192. The Theatre
    The New Yorker, March 8, 1999, pp. 92-93
  193. The Theatre
    The New Yorker, March 29, 1999, pp. 110-111
  194. The Theatre
    The New Yorker, May 24, 1999, pp. 99-100
  195. The Theatre
    The New Yorker, November 1, 1999, pp. 118-119
  196. The Theatre
    The New Yorker, November 29, 1999, pp. 130-131
  197. The Theatre
    The New Yorker, October 18, 1999, pp. 238-243
  198. The Theatre
    The New Yorker, September 27, 1999, pp. 102-103
  199. The Theatre
    The New Yorker, April 3, 2000, pp. 96-98
  200. The Theatre
    The New Yorker, April 24, 2000, pp. 219-220
  201. The Theatre
    The New Yorker, December 18, 2000, pp. 100-101
  202. The Theatre
    The New Yorker, December 25, 2000, pp. 166-170
  203. The Theatre
    The New Yorker, February 7, 2000, pp. 90-91
  204. The Theatre
    The New Yorker, February 14, 2000, pp. 82-83
  205. The Theatre
    The New Yorker, January 24, 2000, pp. 88-90
  206. The Theatre
    The New Yorker, July 17, 2000, pp. 84-86
  207. The Theatre
    The New Yorker, March 20, 2000, pp. 140-142
  208. The Critics
    The Theatre
    The New Yorker, March 27, 2000, pp. 120-121
  209. The Theatre
    The New Yorker, May 8, 2000, pp. 123-124
  210. The Critics
    The Theatre
    The New Yorker, May 15, 2000, pp. 88-90
  211. The Theatre
    The New Yorker, November 13, 2000, pp. 176-177
  212. The Theatre
    The New Yorker, October 16, 2000, pp. 254-255
  213. The Theatre
    The New Yorker, September 18, 2000, pp. 150-152
  214. The Theatre
    The New Yorker, April 2, 2001, pp. 94-95
  215. The Critics
    The Theatre
    The New Yorker, April 9, 2001, pp. 128-130
  216. The Theatre
    The New Yorker, August 20, 2001, pp. 170-173
  217. The Theatre
    The New Yorker, January 29, 2001, pp. 92-93
  218. The Theatre
    The New Yorker, July 9, 2001, pp. 92-93
  219. The Theatre
    The New Yorker, June 4, 2001, pp. 100-104
  220. The Theatre
    The New Yorker, March 19, 2001, pp. 148-151
  221. The Theatre
    The New Yorker, March 26, 2001, pp. 98-99
  222. The Critics
    The Theatre
    The New Yorker, May 7, 2001, pp. 84-86
  223. The Theatre
    The New Yorker, November 5, 2001, pp. 102-103
  224. The Theatre
    The New Yorker, November 12, 2001, pp. 134-135
  225. The Theatre
    The New Yorker, November 19, 2001, pp. 92-96
  226. The Critics
    The Theatre
    The New Yorker, September 10, 2001, pp. 102-104
  227. The Critics
    The Theatre
    The New Yorker, April 1, 2002, pp. 84-86
  228. The Theatre
    The New Yorker, April 8, 2002, pp. 92-94
  229. The Theatre
    The New Yorker, December 16, 2002, pp. 104-105
  230. The Theatre
    The New Yorker, December 23, 2002, pp. 162-165
  231. The Theatre
    The New Yorker, February 18, 2002, pp. 196-198
  232. The Theatre
    The New Yorker, January 21, 2002, pp. 84-88
  233. The Theatre
    The New Yorker, July 22, 2002, pp. 80-81
  234. The Theatre
    The New Yorker, June 10, 2002, pp. 94-102
  235. The Theatre
    The New Yorker, March 18, 2002, pp. 149-151
  236. The Theatre
    The New Yorker, March 25, 2002, pp. 102-106
  237. The Theatre
    The New Yorker, May 6, 2002, pp. 136-137
  238. The Theatre
    The New Yorker, May 27, 2002, pp. 120-121
  239. The Theatre
    The New Yorker, November 4, 2002, pp. 108-109
  240. The Theatre
    The New Yorker, November 18, 2002, pp. 93-94
  241. The Theatre
    The New Yorker, October 14, 2002, pp. 224-225
  242. The Theatre
    The New Yorker, October 28, 2002, pp. 117-118
  243. The Theatre
    The New Yorker, September 23, 2002, pp. 94-95
  244. The Theatre
    The New Yorker, April 14, 2003, pp. 86-87
  245. The Theatre
    The New Yorker, April 21, 2003, pp. 191-193
  246. The Critics
    The Theatre
    The New Yorker, December 1, 2003, pp. 100-103
  247. The Critics
    The Theatre
    The New Yorker, December 8, 2003, pp. 122-124
  248. The Theatre
    The New Yorker, February 17, 2003, pp. 190-191
  249. The Theatre
    The New Yorker, January 6, 2003, pp. 88-89
  250. The Theatre
    The New Yorker, January 27, 2003, pp. 92-93
  251. The Theatre
    The New Yorker, July 7, 2003, pp. 80-83
  252. The Theatre
    The New Yorker, July 28, 2003, pp. 88-91
  253. The Theatre
    The New Yorker, June 9, 2003, pp. 106-107
  254. The Critics
    The Theatre
    The New Yorker, May 19, 2003, pp. 80-81
  255. The Theatre
    The New Yorker, May 26, 2003, pp. 100-101
  256. The Theatre
    The New Yorker, November 3, 2003, pp. 94-95
  257. The Theatre
    The New Yorker, November 10, 2003, pp. 126-127
  258. The Theatre
    The New Yorker, October 6, 2003, pp. 136-137
  259. The Theatre
    The New Yorker, September 29, 2003, pp. 110-111
  260. The Critics
    The Theatre
    The New Yorker, April 5, 2004, pp. 76-78
  261. The Theatre
    The New Yorker, April 12, 2004, pp. 86-88
  262. The Theatre
    The New Yorker, April 19, 2004, pp. 196-198
  263. The Theatre
    The New Yorker, December 6, 2004, pp. 122-124
  264. The Theatre
    The New Yorker, December 13, 2004, pp. 105-106
  265. The Theatre
    The New Yorker, December 20, 2004, pp. 182-185
  266. The Theatre
    The New Yorker, February 2, 2004, pp. 90-91
  267. The Theatre
    The New Yorker, March 1, 2004, pp. 96-97
  268. The Theatre
    The New Yorker, March 8, 2004, pp. 88-90
  269. The Theatre
    The New Yorker, May 31, 2004, pp. 91-96
  270. The Critics
    The Theatre
    The New Yorker, November 8, 2004, pp. 136-138
  271. The Theatre
    The New Yorker, November 22, 2004, pp. 106-110
  272. The Theatre
    The New Yorker, November 29, 2004, pp. 161-163
  273. The Theatre
    The New Yorker, October 18, 2004, pp. 211-213
  274. The Critics
    The Theatre
    The New Yorker, October 25, 2004, pp. 82-85
  275. The Theatre
    The New Yorker, September 27, 2004, pp. 154-155
  276. The Theatre
    The New Yorker, August 1, 2005, pp. 88-89
  277. The Theatre
    The New Yorker, December 5, 2005, pp. 102-103
  278. The Theatre
    The New Yorker, December 12, 2005, pp. 115-116
  279. The Theatre
    The New Yorker, December 19, 2005, pp. 94-95
  280. The Theatre
    The New Yorker, February 14, 2005, pp. 256-258
  281. The Theatre
    The New Yorker, January 3, 2005, pp. 76-77
  282. The Theatre
    The New Yorker, July 4, 2005, pp. 84-85
  283. The Theatre
    The New Yorker, June 6, 2005, pp. 104-105
  284. The Theatre
    The New Yorker, June 13, 2005, pp. 181-183
  285. The Theatre
    The New Yorker, March 14, 2005, pp. 141-142
  286. The Theatre
    The New Yorker, March 21, 2005, pp. 88-89
  287. The Critics
    The Theatre
    The New Yorker, March 28, 2005, pp. 68-70
  288. The Theatre
    The New Yorker, May 9, 2005, pp. 90-91
  289. The Theatre
    The New Yorker, May 16, 2005, pp. 93-94
  290. The Critics
    The Theatre
    The New Yorker, November 7, 2005, pp. 144-145
  291. The Theatre
    The New Yorker, November 14, 2005, pp. 96-97
  292. The Theatre
    The New Yorker, October 31, 2005, pp. 92-93
  293. The Theatre
    The New Yorker, September 19, 2005, pp. 98-102
  294. The Theatre
    The New Yorker, April 10, 2006, pp. 86-87
  295. The Theatre
    The New Yorker, April 17, 2006, pp. 84-85
  296. The Theatre
    The New Yorker, December 11, 2006, pp. 108-109
  297. The Theatre
    The New Yorker, December 18, 2006, pp. 96-98
  298. The Theatre
    The New Yorker, December 25, 2006, pp. 144-145
  299. The Theatre
    The New Yorker, February 27, 2006, pp. 88-89
  300. The Theatre
    The New Yorker, July 24, 2006, pp. 78-81
  301. The Theatre
    The New Yorker, June 19, 2006, pp. 92-93
  302. The Theatre
    The New Yorker, June 26, 2006, pp. 88-89
  303. The Theatre
    The New Yorker, March 6, 2006, pp. 80-81
  304. The Theatre
    The New Yorker, March 13, 2006, pp. 92-94
  305. The Theatre
    The New Yorker, May 1, 2006, pp. 92-94
  306. The Critics
    The Theatre
    The New Yorker, May 15, 2006, pp. 80-82
  307. The Theatre
    The New Yorker, November 6, 2006, pp. 126-127
  308. The Theatre
    The New Yorker, October 16, 2006, pp. 184-185
  309. The Theatre
    The New Yorker, October 23, 2006, pp. 88-89
  310. The Theatre
    The New Yorker, October 30, 2006, pp. 98-99
  311. The Theatre
    The New Yorker, April 2, 2007, pp. 84-85
  312. The Theatre
    The New Yorker, April 9, 2007, pp. 75-76
  313. The Theatre
    The New Yorker, December 10, 2007, pp. 114-115
  314. The Theatre
    The New Yorker, December 17, 2007, pp. 98-101
  315. The Theatre
    The New Yorker, February 19, 2007, pp. 190-191
  316. The Theatre
    The New Yorker, July 2, 2007, pp. 80-81
  317. The Theatre
    The New Yorker, June 25, 2007, pp. 102-103
  318. The Theatre
    The New Yorker, March 5, 2007, pp. 92-93
  319. The Theatre
    The New Yorker, May 7, 2007, pp. 82-83
  320. The Theatre
    The New Yorker, May 28, 2007, pp. 84-85
  321. The Theatre
    The New Yorker, November 12, 2007, pp. 96-97
  322. The Critics
    The Theatre
    The New Yorker, November 19, 2007, pp. 88-91
  323. The Theatre
    The New Yorker, October 15, 2007, pp. 102-103
  324. The Theatre
    The New Yorker, October 22, 2007, pp. 182-183
  325. The Theatre
    The New Yorker, December 22, 2008, pp. 114-115
  326. The Theatre
    The New Yorker, June 23, 2008, pp. 86-87
  327. The Theatre
    The New Yorker, June 30, 2008, pp. 80-81
  328. The Theatre
    The New Yorker, March 3, 2008, pp. 84-85
  329. The Theatre
    The New Yorker, November 17, 2008, pp. 106-107
  330. The Theatre
    The New Yorker, October 6, 2008, pp. 92-93
  331. The Theatre
    The New Yorker, October 13, 2008, pp. 148-150
  332. The Theatre
    The New Yorker, October 20, 2008, pp. 98-99
  333. The Theatre
    The New Yorker, April 20, 2009, pp. 114-115
  334. The Theatre
    The New Yorker, April 27, 2009, pp. 72-73
  335. The Theatre
    "The Starry Messenger"
    The New Yorker, December 7, 2009, pp. 96-97
  336. The Critics
    The Theatre
    "A Streetcar Named Desire," "Race"
    The New Yorker, December 14, 2009, pp. 82-84
  337. The Theatre
    The New Yorker, February 2, 2009, pp. 76-77
  338. The Theatre
    The New Yorker, February 9, 2009, pp. 110-113
  339. The Theatre
    The New Yorker, January 5, 2009, pp. 70-71
  340. The Theatre
    Helen Mirren in "Phedre"
    The New Yorker, July 20, 2009, pp. 78-79
  341. The Theatre
    "Grasses of a Thousand Colors"
    The New Yorker, June 1, 2009, pp. 88-89
  342. The Theatre
    The New Yorker, March 9, 2009, pp. 78-79
  343. The Theatre
    The New Yorker, March 23, 2009, pp. 78-79
  344. The Critics
    The Theatre
    The New Yorker, March 30, 2009, pp. 60-61
  345. The Theatre
    "Waiting for Godot"
    The New Yorker, May 18, 2009, pp. 82-86
  346. The Theatre
    An all-black "Death of a Salesman," "Bloody Bloody Andrew Jackson"
    The New Yorker, May 25, 2009, pp. 82-83
  347. The Critics
    The Theatre
    "After Miss Julie," "Memphis"
    The New Yorker, November 2, 2009, pp. 106-108
  348. The Critics
    The Theatre
    "In the Next Room or the Vibrator Play," "Finian's Rainbow"
    The New Yorker, November 30, 2009, pp. 78-80
  349. The Critics
    The Theatre
    "Hamlet," "Let Me Down Easy"
    The New Yorker, October 19, 2009, pp. 92-95
  350. The Theatre
    "Bye Bye Birdie," "County of Kings: The Beautiful Struggle"
    The New Yorker, October 26, 2009, pp. 96-97
  351. Tony Portfolio: Broadway Bravos
    The New Yorker, June 3, 1996, pp. 72-75
  352. [+]
    A Tramp Is Born (Review)
    Chaplin: His Life and Art, by David Robinson
    1. Chaplin: His Life and Art by David Robinson
    The New Republic, November 4, 1985, pp. 44-46
  353. Under the Skin
    Higher Education Exchange, Annual 1994, pp. 36-42
  354. Up Against the Fourth Wall (1970)
    Essays on Modern Theater
    2 Reviews
  355. The Whirlwind
    The New Yorker, August 7, 2000, pp. 42-47
  356. [+]
    The Wonder Boy (3 Reviews)
    Orson Welles: A Biography, by Barbara Leaming
    1. Orson Welles: A Biography by Barbara Leaming
    2. Orson Welles by Charles Higham
    3. The Making of Citizen Kane by Robert L. Carringer
    The New Republic, March 17, 1986, pp. 26-29
  357. [+]
    Young Tennessee (Review)
    Tom: The Unknown Tennessee Williams, by Lyle Leverich
    1. Tom: The Unknown Tennessee Williams by Lyle Leverich
    The New Yorker, December 18, 1995, pp. 113-116
  358. No Items Found