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A Collection of Interesting, Important, and Controversial Perspectives Largely Excluded from the American Mainstream Media
Richard Rush Archives
Richard Rush, Director • 10 Films
Getting Straight (1970)
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Published Reviews
  1. [+]
    Films (Review)
    Getting Straight (1970 Film), by Richard Rush
    1. Getting Straight (1970 Film) by Richard Rush
    The Nation, June 8, 1970, p. 700
  2. [+]
    Commercials for Revolution (2 Reviews)
    The Strawberry Statement (1970 Film), by Stuart Hagmann
    1. The Strawberry Statement (1970 Film) by Stuart Hagmann
    2. Getting Straight (1970 Film) by Richard Rush
    The Atlantic Monthly, October 1970, pp. 140-143
  3. [+]
    The Current Cinema: Oh, Harry (2 Reviews)
    Getting Straight (1970 Film), by Richard Rush
    1. Getting Straight (1970 Film) by Richard Rush
    2. The Landlord (1970 Film) by Hal Ashby
    The New Yorker, May 23, 1970, pp. 108-111
  4. [+]
    Movies: Pardon Me, Your Campus Is Burning (2 Reviews)
    Getting Straight (1970 Film), by Richard Rush
    1. Getting Straight (1970 Film) by Richard Rush
    2. Colossus - the Forbin Project (1970 Film) by Joseph Sargent
    The Saturday Review, May 23, 1970, p. 57
  5. Movies
    [+]
    M*A*S*H-22 (3 Reviews)
    Catch-22 (1970 Film), by Mike Nichols
    1. Catch-22 (1970 Film) by Mike Nichols
    2. M*A*S*H (1970 Film) by Robert Altman
    3. Getting Straight (1970 Film) by Richard Rush
    Commentary, September 1970, pp. 25-34
  6. [+]
    On Films (3 Reviews)
    Getting Straight (1970 Film), by Richard Rush
    1. Getting Straight (1970 Film) by Richard Rush
    2. Leo the Last (1970 Film) by John Boorman
    3. The Out-of-Towners (1970 Film) by Arthur Hiller
    The New Republic, May 30, 1970, p. 24
  7. [+]
    The Current Cinema: Then As Now (4 Reviews)
    Getting Straight (1970 Film), by Richard Rush
    1. Getting Straight (1970 Film) by Richard Rush
    2. The Revolutionary (1970 Film) by Paul Williams
    3. Hello-Goodbye (1970 Film) by Jean Negulesco
    4. They Call Me Mister Tibbs! (1970 Film) by Gordon Douglas
    The New Yorker, July 18, 1970, pp. 45-47