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Statistics professor Andrew Gelman and Kaiser Fung write in Slate:

The Power of the “Power Pose”

Amy Cuddy’s famous finding is the latest example of scientific overreach.

By Andrew Gelman and Kaiser Fung

As practicing statisticians who work in social science, we have a dark secret to reveal: Some of the most glamorous, popular claims in the field are nothing but tabloid fodder. The weakest work with the boldest claims often attracts the most publicity, helped by promotion from newspapers, television, websites, and best-selling books. And members of the educated public typically only get one side of the story.

Consider the case of Amy Cuddy. The Harvard Business School social psychologist is famous for a TED talk, which is among the most popular of all time, and now a book promoting the idea that “a person can, by assuming two simple one-minute poses, embody power and instantly become more powerful.”

In the future, the human race will be ruled by women who look like Phoebe on Friends.

The so-called “power pose” is characterized by “open, expansive postures”—Slate’s Katy Waldman described it as akin to “a cobra rearing and spreading its hood to the sun, or Wonder Woman with her legs apart and her hands on her hips.” In a published paper from 2010, Cuddy and her collaborators Dana Carney and Andy Yap report that such posing can change your life and your hormone levels.

But when somebody attempted to replicate Cuddy’s popular study using a more sufficient sample size than Cuddy’s 42, they instead got a tiny negative effect size.

The idea of improving your mood through power posing doesn’t sound wholly implausible. Arnold Schwarzenegger was a careful student of the interplay of posture, self-confidence, and success. Donald Trump has kept using the posture drilled into him at military school.

I wouldn’t be surprised if overachievers tend to have better posture than underachievers: that seems like a hypothesis that could be studied. (Of course, that wouldn’t answer the question of which way causality flows, but it would be a start.)

But how exactly are we supposed to test motivational techniques that are premised on subjects believing that they work? If you pay $100 to attend a motivational workshop at which a very confident-sounding Arnold Schwarzenegger teaches the packed audience the posture that helped him intimidate Lou Ferrigno at a cocktail party before the start of a 1970s bodybuilding competition and assures you that it will work for you too in your next job interview, can we really replicate that experience in a psychology laboratory by having a neutral-sounding grad student read instructions from an index card?

I haven’t looked at the details of the various studies, but I want to go back to a more general question of how to test hypotheses dependent upon moods that may well change over time.

As I’ve pointed out before, a lot of the social sciences in recent decades, having quietly discovered that reality tends to be politically incorrect, have transitioned toward becoming wings of the marketing and motivational industries. There’s a lot of money in persuading people via marketing and motivational speaking.

And it’s actually a good thing in terms of long term income generation for marketing researchers if people don’t necessarily stay persuaded, but need to be re-persuaded.

Granted, much of the prestige of the social sciences comes from the assumption that they work like natural sciences such as astronomy, in other words, permanently: if you discover that the earth goes around the sun, the earth probably is going to keep going around the sun. But then how do you make money off that? It’s been done.

Marketing researchers make a decent living because the effects of even successful marketing wear off, requiring new marketing ideas and more marketing research studies.

It’s a living.

Even if, best case scenario, power posing worked five years ago when it was obscure, would it be all that surprising if people got sick of power posers as its gimmicks became more publicized?

 

From Politico:

[Trump's] spent only $12.4 million since then, with $6.9 million of that coming in the last three months of the year, according to his FEC report.

A significant portion of that, $940,000, was spent on campaign paraphernalia, including yard signs, bumper stickers, buttons, t-shirts and, of course, hats. In fact, about $450,000 ― or nearly 7 percent of all Trump’s fourth-quarter spending ― went towards hats, presumably including the now-iconic hats bearing Trump’s campaign slogan, “Make America Great Again.”

That’s more money than the campaign paid its data vendor L2 (which received $235,000 for “research consulting”) or than it spent on strategy consulting ($281,000). It’s almost as much as the campaign spent on field consulting ($551,000) or payroll ($518,000).

I’m disappointed to learn that Trump hasn’t wholly funded his campaign from profits off hat sales, with a tidy sum left over to buy him a solid gold house and a rocket car.

 

Brendan Eich, CEO of Mozilla until it was discovered that he had exercised his First Amendment rights as a citizen to participate lawfully in the democratic process, is heading a team building a new browser, alliteratively entitled Brave. It’s intended to block ads and tracking, which seems like a good idea in this Brave New World. You can currently download a 0.7 release for developers if you are into playing guinea pig. I’m not, but I wish him well.

 

Is this parody?

From Foreign Policy:

The End of an Era … for White Males

As demographics change, so does the definition of privilege.

BY DAVID ROTHKOPF

JANUARY 25, 2016

White men have had a great run. From the rise of the Greeks to the birth of Western-based global empires, they have controlled much of the world or sought to: So much of history is a consequence of decisions made by—and at the behest of—the white guys in charge.

Several factors are contributing to making this historic moment a watershed in global history. First, there is the rise of the emerging world, notably the economies and societies of Asia. While the planet has always been home to great nonwhite civilizations, such societies have ebbed and flowed in relative importance. Today, it is clear that these emerging societies, namely China and India, are on the rise. So too—thanks to economic and political reforms, technological and scientific progress, and the advent of the connected world—are other great and rich cultures from the Middle East to Africa.

Granted, millions of Middle Easterners and Africans are trying to paddle away from their great and rich cultures in life rafts so they can live in the realm of White Male Privilege, but they’re still great and rich cultures …

In addition, millennia of repression of women’s rights are coming to an end. Not fast enough. And not everywhere. But in much of the Western world, once male-dominated domains are now populated by more women than ever before, and this trend shows no signs of reversing—thankfully.

Except in neighborhoods in Europe where all those refugees from the great and rich cultures are moving in …

Not only that, but around the world women are empowering other females, including girls, to lead in technological fields in the Digital Age.

White men in technological fields, of course, haven’t done anything to empower girls …

Quite simply: It now seems to be common sense that no society can thrive if it fails to tap the intellectual, economic, creative, and spiritual resources of its entire population.

It’s common sense everywhere, except in non-White Male Privilege societies, but who is counting …

Finally, thanks to the mobility revolution of the past century, flows of refugees and migrants of all kinds have shifted the demographics of societies and—protests and unease aside—they have proved essential to fighting the demographic trends, such as aging, that have put many advanced societies at risk.

Everybody knows societies are at risk from their own old people, not from military age young male invaders …

Inequality, injustice, and, frankly, fatigue have led populations to seek other choices. Further, the societies that have given the white man his greatest influence in the world—those of Europe and the United States—are struggling in key respects to maintain their global influence. Economic pressures weigh on them. Political divisions are a drag on their growth and ability to act. As history has illustrated, it’s hard to stay on top for an indefinite period.

The result is that the status quo of the past several millennia is going to undergo a profound change. In Europe alone, the influx of migrants and refugees is already producing irreversible demographic shifts—a great blending of cultures.

But by mid-century in the United States, the former majority population will be a minority: The majority, according to demographers, will be nonwhite. By that time, Europe will include massive populations from Africa and the Middle East, as well as Asia. This is to say that by 2050 white men will be the ones checking the “other” box on census forms.

In fact, it is this idea of “otherness” that is going to undergo the greatest change. A current subject of hot debate, such othering has been used by some as a tool for fear-mongering against migrants, immigrants, and refugees—an approach linked, of course, to nothing but ignorance and intolerance.

Nothing, I tell you, nothing … nothing

(Attacks on America’s first black president had similar origins and took on a similarly ugly tone.) Whether the threat is one associated with Islam or extremism or simply economic competition within a country, the reality is that the expressed fears are way out of proportion with the actual, manifested threats.

A shrink I knew once said that if a reaction is out of proportion with its alleged cause, then there’s a piece of the story that has been omitted. In this case, the politicians in America and Europe who spew nationalist bile and fan the flames of anti-immigrant furor are tapping into a growing if unconscious cultural recognition that time is running out on what has been the world’s most privileged ethnic class.

Of course, human mobility is not something to be fought, but rather something to be embraced. While belonging to a community is wired into our DNA for reasons linked to the survival-based social units of our most ancient ancestors, the story of civilization and progress has been one about the blending and reblending of those units.

There are two key lessons here. The first is that, given the fact that civilization is a safer, happier, healthier, richer, wiser place today than it has ever been, the sharing of ideas and values and cultures, it seems, has actually been for the better. For the United States, this is illustrated in its history: Since the early 19th century, new groups have entered the country and have been resented and resisted—the Irish, Italians, Eastern Europeans, Jews, you name it. Yet over time each group has made huge contributions to the United States, a country that only grew stronger with each wave of new blood and new ideas.

The second key lesson is that there is an alternative to “other” and that is “all.” Rather than focusing on our differences as the smallest and most dangerous of our political leaders have done, the real leaders for this new era will distinguish themselves by focusing not just on the social diversity that makes great nations, but on the truth and wondrous benefits of the diversity that actually lives within us all.

As the nationalists, white supremacists, and idiot hordes who follow them have sown seeds of division in the wake of new human flows across borders, the tragic irony has been that they, in fact, have ended up embracing precisely the same kind of intolerance that is the stock in trade of their avowed enemies.

What we need instead are those who will stand up and say, “No. You have it wrong. Diversity is not the threat. It is the answer.” That is, in fact, what has made America and every diverse society great. To be sure, we should not—not for one minute—lament the passing of the white-male era, for there is at least a glimmer of hope that soon to come is the era of “all.”

The Era of “All” will start Real Soon Now, perhaps as President Reagan told the U.N. in 1987, the moment the invading flying saucers begin their war of conquest of us Earthlings …

By the way, who is David Rothkopf?

CEO and Editor
Washington, DC

David J. Rothkopf is CEO and editor of the FP Group, where he oversees all editorial, publishing, events, and other operations of the company, which publishes Foreign Policy magazine. He is also the President and CEO of Garten Rothkopf, an international advisory company specializing in global political risk, energy, resource, technology and emerging markets issues based in Washington, D.C.

David is the author of numerous internationally acclaimed books, including Power, Inc., Superclass, and Running the World. His most recent book, National Insecurity: American Leadership in an Age of Fear, was published in the fall of 2014. He writes a weekly column for foreignpolicy.com, and is a frequent contributor to leading newspapers and magazines, including the New York Times, the Washington Post, the Financial Times, CNN, Newsweek, Time, and many others. He is also the host of The Editor’s Roundtable (The E.R.) podcast, a weekly program that triages the big issues of the day, and has appeared as a TED Talk speaker about how fear drives American politics.

Additionally, David is a visiting scholar at the Carnegie Endowment for International Peace, chairman of the National Strategic Investment Dialogue and serves or has served as a member of the advisory boards of the Center for Global Development, the Center for the Study of the Presidency, the U.S. Institute of Peace, and the Johns Hopkins Bloomberg School of Public Health.

Previously David served as CEO of Intellibridge Corporation, Managing Director of Kissinger Associates and as both U.S. Deputy Under Secretary of Commerce for International Trade and as Acting Under Secretary in which capacity he directed the activities of the 2,400 person International Trade Administration during the Clinton Administration. He has taught international affairs at Columbia University’s Graduate School of International and Public Affairs, the Georgetown School of Foreign Service and has lectured at leading universities including Harvard, Yale, Columbia, Princeton, Oxford, Cambridge, Stanford, the National Defense University and the Naval War College.

The Era of White Male Privilege still seems to be going strong in David’s career. Too bad about you younger fellows …

By the way, I wouldn’t completely rule out that this piece by Rothkopf, who after all is editor of a magazine founded by the late Samuel Huntington, is a parody of the conventional wisdom. But how could you tell?

 

I coined the term “the White Death” to refer to the rise in death rates among non-elderly whites during this century. It appears to be related to overdoses from prescription painkillers and heroin. Nobody paid much, if any, attention to it until economist Angus Deaton put out a paper on it last fall right after he won the econ (quasi-)Nobel.

“The Black Death” can refer to the >16 percent rise in homicide rates in big cities in 2015 over 2014. Nobody has crunched the numbers by race yet, but most of this appears to be a spike in black-on-black murders. This is likely related in some manner to Black Lives Matter agitation against law and order.

 

The O.J. Simpson murder case was a luridly formative / confirmatory event in the development of the iSteve worldview. There was so much to learn from it. So, it’s interesting to see how 21 years later the goodthinkers at Slate are attempting to assimilate such awkward memories into the Narrative.

The People vs. O.J. Simpson: American Crime Story

FX’s mini-series feels as urgent and compelling today as the trial did in 1995.

By Willa Paskin

… As FX’s hugely watchable new miniseries The People v. O.J. Simpson: American Crime Story demonstrates, it is the trial of our current century as well. It extends tentacularly into the present moment, when we are once again in the midst of a national reckoning about the intrinsic racism of our police forces, when the NFL is grappling with violence done to and by its players, and when a 24/7 celebrity news culture is dominated by the O.J.-connected Kardashians. Race, sex, violence, fame, football: the live wires of the O.J. trial are still sparking with the same powerful, electrifying charge. The series’ timing is so propitious as to be vertiginous. …

Cochran is a swashbuckling advocate who gets justice in the largest sense—the LAPD was certainly guilty of systemic racism—by aiding a specific injustice and helping a likely murderer go free. Clark and Darden are well-meaning overdogs, ruined by a failure to reckon with the larger backdrop of injustice against which their just cause took place. And then there is O.J., who believing himself to be above the law and race—“I’m not black; I’m O.J.,” he would say—finds himself, like the country that made him, entangled forever with both.

For crimethinkers, however, the O.J. case offered a cornucopia of insights:

- If blacks get themselves all worked up over the putative racist injustices of a particular case, it will probably turn out to be a factual fiasco, just as conspiracy theorists are right a lot less often than conspiracies actually exist.

- One of the more interesting figures in the case was OJ’s attorney Robert Shapiro (played by John Travolta in the show), who by the end, was deeply disturbed that he had facilitated a black man getting away with murdering a Jew with impunity by bringing on Cochran to play what Shapiro called “the race card.” Jewish-black tensions were high in the early 1990s (e.g., the Crown Heights pogrom, the Jewish denunciation of Spike Lee, etc.), but that history has pretty much been shoved down the memory hole.

- As a feminist, civil servant prosecutor Marcia Clark thought that female jurors would side with the murdered woman. As a highly successful racialist lawyer, Johnnie Cochran thought that black jurors would side with the black murderer. So they effectively agreed to pack the jury with black women.

- Black women turned out to be more racist than feminist, just as Cochran assumed.

- Black women feel that white women who steal their men have it coming to them.

- People who can’t get out of jury duty, especially black people who can’t get out of jury duty, aren’t all that bright on average. They are easily bored and baffled by technical testimony, so Cochran’s nursery rhyme was more effective than all the egghead DNA stuff.

- DA Gil Garcetti, the father of the current mayor, pretty much threw the case at the outset by moving the trial from the local courthouse in Santa Monica, where the jury pool would have been mostly bright white liberals, to downtown, which allowed Cochran & Clark to pack the jury with blacks from South-Central.

- The rioters’ threat to the justice system had a lot to do with Garcetti’s decision.

- Career civil servants aren’t as competent as highly paid attorneys who used to be civil servants. The government could have brought back star author and ex-LA prosecutor Vincent Bugliosi, but stuck with Clark and Darden.

- The jocksniffing urge among conservative white men does a lot to facilitate black male violence against white women. Nicole Brown Simpson frequently called 911 to report OJ was beating her, but when the LAPD showed up … “Hey, it’s The Juice! Do the Heisman pose, Juice! Can we get a picture with you, Mr. Simpson.” The exception, the one cop who took the female victim’s side, was Mark Fuhrman, but we know how evil he was.

- The Kardashian Klan’s televised antics are an offshoot of the OJ mess. Kris Kardashian Jenner and her daughters figured out the appeal of dangerous black men to lowbrow white and Hispanic women.

- The Caitlyn Jenner whoop-tee-doo of 2015, which the President wanted us to take seriously, has its roots in OJ’s white Bronco run for the Border from Robert Kardashian’s house.

- Rather than a broken man, OJ, currently imprisoned for thuggishness against somebody not wholly undeserving of thuggishness, is more megalomaniacal as ever, telling all the other cons that he’ll marry Kim Kardashian when he gets out of the joint.

 

From the NYT:

Bernie Sanders and Donald Trump Voters Share Anger, but Direct It Differently
By JOHN LELAND JAN. 30, 2016 COMMENT

DES MOINES — They are angry at a political system they see as rigged. They feel squeezed by immigration, or the power of big banks.

It’s interesting how unthinkable it still remains to use in that sentence about immigration and big banks “and” instead of “or.”

They sense that America is heading in the wrong direction, but emphatically believe only their candidate has the strength and vision to change things.

The voters driving two of the more remarkable movements of this election cycle — for Donald J. Trump and Senator Bernie Sanders — share striking similarities. Both groups are heavily white, more male than female, and both are fueled partly by people who, in interviews, express distrust of their parties and the other candidates, especially Hillary Clinton.

… The two movements have significant differences: Mr. Trump attracts support across a wide spectrum of demographic groups, but is strongest among Americans without a college degree (eight of 10 Trump supporters do not have one) and those with lower incomes, according to a New York Times/CBS News poll in December.

Mr. Sanders draws strong backing from younger voters and self-identified liberals, and 43 percent of Sanders backers are at least college graduates, the same survey showed.

I heard from a young person at a very liberal college, who said judging from Facebook feeds, that among “normal people” in that milieu who publicly express a preference for a candidate, just about all favor Sanders. The only Hillary enthusiasts are gay white males.

“They’re younger, they’re proud of being liberals, and they like Senator Sanders personally,” said Peter A. Brown, assistant director of the Quinnipiac University Poll.

Trump and Sanders voters are the likeliest among their parties to be “angry” at Washington, according to the Times/CBS News poll, with 52 percent of Trump backers and 30 percent of Sanders backers identifying that way….

The targets of their anger diverge. Mr. Trump’s supporters directed their wrath toward career politicians, unlawful immigrants, terrorists and people who they said were taking advantage of welfare. Mr. Sanders’s supporters assailed big banks and economic inequality.

The notion of a high-low team-up against the middle remains one of those ideas that are looming just outside the realm of the thinkable. It’s too useful.

Mr. Sanders’s supporters tended to blame the campaign finance system for Washington dysfunction; Mr. Trump’s supporters blamed the politicians who they said cared only about donations.

“Look at our health care,” said Sean Bolton, 42, of Norwalk, a Trump supporter who once voted for Barack Obama because of similar promises of independence. “Who do you think wrote those laws? I guarantee it was the insurance companies and drug manufacturers of the world.”

… Both camps include many people who have not been active in the Iowa caucuses before, or previously supported the other party.

Are Trump supporters going to jump through all the hoops required to participate in the peculiar Iowa caucuses? How much of a ground game does Trump have in Iowa? Any? Is Trump going to wind up looking like Carson Palmer in the NFC conference championship game last Sunday heaving the ball 30 yards downfield on every play? But do you still need a ground game in an era of social media when it’s technologically easier to get detailed instructions out to the interested?

The two candidates have not shied from appeals to anger. Mr. Trump said recently that he “will gladly accept the mantle of anger.”

Even as he said he would compete to attract Trump voters, Mr. Sanders distinguished his message from Mr. Trump’s, saying the Republican candidate is “using it to scapegoat minorities.” Mr. Trump said he would cool his tone once the campaign battles were over.

Interesting.

Another one of those ideas looming just outside the realm of the thinkable is that for the Democrats to import ringers from abroad to win elections, which Democrats have boasted about throughout this century, is a shameless example of political corruption. This is especially true when the Democrats are more or less explicitly making a deal with the Republican donor class: You Republican plutocrats immediately reap the economic advantages of immigration to your net worths, we Democratic politicians later reap the political advantages of their children’s votes.

Talk about a Corrupt Bargain!

But almost nobody quite has the conceptual vocabulary to think about this yet.

 

From the Washington Post:

More people were murdered last year than in 2014, and no one’s sure why
By Max Ehrenfreund and Denise Lu
Jan. 27, 2016

The number of homicides in the country’s 50 largest cities rose nearly 17 percent last year, the greatest increase in lethal violence in a quarter century.

A Wonkblog analysis of preliminary crime data found that about 770 more people were killed in major cities last year than the year before, the worst annual change since 1990.

The killings increased as some law enforcement officials and conservative commentators were warning that violent crime was on the rise amid a climate of hostility toward police. They said protests and intense scrutiny of officers who used lethal force had caused officers to become disengaged from their jobs, making streets more dangerous. Some have called it the “Ferguson effect,” after the St. Louis suburb in which Michael Brown Jr. was shot and killed by a police officer in 2014.

Alternatively, the anti-cop / anti-white agitation could be stimulating blacks to shoot each other out of what Keynes called “animal spirits.” Or maybe something is going on in the drug trade. Perhaps heroin is spreading from the white hinterlands to the black inner cities? (I’m not at all in touch with what’s going down on the streets. For that matter, has anybody said “What’s going down on the streets” since a 1970s cop show?)

Keep in mind that St. Louis, where the Ferguson Effect (whatever it’s cause) was very large in the first half of 2015, isn’t in these stats because it’s not one of the top 50 cities in the country.

A closer look at the figures, however, suggests no single explanation for the increases and reveals no clear pattern among those cities that experienced the most horrific violence.

Several cities that recorded the largest increases in homicides — Nashville and Washington, D.C., for instance — had no widely publicized, racially charged killings by police. Many other big cities recorded modest increases or even declines in the number of homicides, with no deviation from the pattern of recent years.

13 cities had fewer homicides in 2015 than in 2014

36 cities had more homicides in 2015 than in 2014

The worst increase in percent terms was in Cleveland (+91%, Tamir Rice). Baltimore (Freddie Gray) was up 59%. St. Louis (Michael Brown), which is too small to make the 50 biggest city list, increased from 73 in 2003 to 159 in 2014 to 188 in 2015.

A general pattern was that increases in homicides, especially in absolute number terms, tended to be larger in cities with large black populations than in cities with large Hispanic populations. For example, the Post provided this graphic of California and Texas:

Screenshot 2016-01-28 20.46.59

Also, Hispanic cities have smaller numbers of murders per capita than black cities, so their data can be noisier from year to year just from smaller sample sizes. In contrast, Baltimore had 346 homicides last year, up 59% from 204, which is a pretty big sample size. In contrast, Denver’s homicide rate grew 65%, even faster than Baltimore’s, but Denver still only had 51 homicides in 2015. So, it’s not clear how significant Denver’s change from 2014 to 2015 was.

So, something seems to have gotten black slum dwellers agitated enough to kill each other in considerable numbers. Perhaps it’s all the agitation by black protestors working hand in glove with the Administration, the media, and the NGOs? That’s happened before, back in the 1960s. But the 1960s were a long time ago, so a lot of hard-earned lessons have been forgotten.

 

Ross Douthat writes in the NYT:

Why Isn’t Marco Rubio Winning?
Ross Douthat JAN. 28, 2016 501 COMMENTS

… In the month after that confrontation, Bush’s national numbers slipped into the lower single digits, while Rubio’s climbed steadily. In early December, he and Ted Cruz both had about 15 percent support in the national polls, below Donald Trump but well above all the other professional politicians in the race. It seemed as if they were rising in tandem, and that Rubio was destined to be the establishment’s preferred candidate in a three-man race with Cruz and Trump — and based on past results, the likely nominee.

But instead, Rubio hit a ceiling, while Cruz continued to climb. And despite a long series of “moments” when he was supposed to consolidate his position, the Florida senator is still basically stuck. He’s hovering just above 10 percent in national polls and in New Hampshire, trailing Cruz and Trump by a clear margin in Iowa, and still lagging Jeb in the endorsement primary.

Nobody’s sure why. …

Here are some possible explanations:

It’s all about immigration. In a race dominated by Trumpian nationalism, and with immigration restriction increasingly a litmus test for many conservative voters, Rubio’s role in the “Gang of Eight” immigration bill is plainly a liability. Possibly enough of a liability, in fact, to deny him the nomination.

At the same time, though, there are still lots of Republican voters who don’t consider the immigration issue a top priority, and lots of Republican donors and elected officials for whom Rubio’s “Gang of Eight” support is probably an asset. So immigration might explain why he trails Trump and Cruz in Iowa, but not why he can’t put away Jeb, Chris Christie and John Kasich.

It’s all Jeb’s fault. …

Rubio’s a little too conservative. …

Then there also might be a more personal element as well …

Rubio seems a little too ambitious.

Here’s another idea: Rubio is the human epitomization of the Republican billionaire class’s evident desire to turn the United States into Latin America Norte, with its vast inequalities of wealth, rigged social systems, and fragile rule of law. This urge isn’t as annoying in Rubio as it is in the perversely anti-American ¡Jeb¡ because Rubio’s loyalty to the Latin American way of doing things is understandably natural and personally conservative (in the sense of Rubio having concentric loyalties that start with the Miami Cuban community).

But Americans have very good reasons for not wanting their country to turn further into an outpost of Latin America. In retrospect, Rubio was well-positioned by ethnicity to instead lead resistance to the billionaires’ hopes to worsen the Latinization of our country (on the Nixon-goes-to-China principle of politics).

Whether Rubio ever had the imagination to have seized that opportunity is unknown. But, as far as I can tell, it never even occurred to anybody important whom Rubio talks to. Instead the Republican Brain Trust decided it was a brilliant idea for Rubio, being Latino, to lead the amnesty / guest worker push to Latinize the country, kind of like, if you wanted detente with Russia and China in 1968, you’d have drafted Alger Hiss to run for President.

 

From the Harvard Crimson:

HUPD Closes Law School’s Black Tape Investigation
Unable to identify a perpetrator, HUPD shutters black tape investigation
By CLAIRE E. PARKER, CRIMSON STAFF WRITER 3 days ago

Harvard University Police Department has not identified the perpetrator responsible for the November vandalism of black Law School professors’ portraits and shuttered its investigation into the incident, ending more than a month of interviews and forensic examinations.

On November 19, Law School students and faculty arrived in Wasserstein Hall to find pieces of black tape placed over the portraits of several black Law professors. The incident, quickly denounced by students and Law School administrators as racist, prompted HUPD to investigate it as a hate crime.

Are we supposed to believe there were no fingerprints or DNA evidence left from the interaction of sticky tape and glass picture frames? Sounds like Harvard University wasn’t trying terribly hard to solve this mystery. Maybe the fact that black activists that same night in that same place were defacing the HLS seal with the same black tape might have something to do with Harvard’s lack of zeal in uncovering the perp.

I guess even all the brainpower at Harvard can’t solve some conundrums.

By the way, whatever happened to the Black Autumn on American college campuses?

Winter?

 

From the Washington Post right now:

Play Video 2:54

The first example shown is Sir Alec Guinness as Prince Feisal in Lawrence of Arabia. Is that really the best leadoff example of how bad movies are because of all that white privilege?

Also from the Washington Post right now:

Hollywood has moved on from blackface, but it remains terrible at casting people of color.
And where are the organized complaints about the rampant heightism in the casting of Lawrence of Arabia? Peter O’Toole was about 8″ taller than T.E. Lawrence. Why should the short guys of the world have to put up with having a heroic short guy from history played on screen by a beanpole?
 

Pat Lipsky writes in The Awl:

So I decided to check out the historical perspective: how had women painters fared in the past? I might have been smug about what would turn up—that although it’d been tough for women in the 20th century and recently, we’d done much better than our sisters from the Middle Ages through the early nineteenth century. In fact, I discovered the opposite: the percentage of women exhibiting their work was higher after the French Revolution in Paris than it is in New York now. Despite the bra burnings, Gloria Steinem, the Gorilla Girls, and ongoing feminist rhetoric. From the 17th to the 19th century, Salons in France were official art exhibitions controlled by the government-run Academy of Painting and Sculpture. Here’s the breakdown of women to men showing their work: In the Salon of 1801, 192 painters exhibited, of those 28 or 14.6 % were women. In the salon of 1810, 390 painters exhibited, of those 70, or 17.9%, were women, and in the Salon of 1822, 475 painters exhibited, of whom 67, or 14%, were women.

And the French Revolution / Napoleonic Era probably militarized and masculinized tastes to the detriment of women artists. That was the observation of Elisabeth Vigee-Lebrun, who had been Queen Marie Antoinette’s court portraitist, but had to flee into exile with the coming of Revolution. (You can hear the militarization of tastes by comparing Mozart [d. 1791] to Beethoven.)

Now let’s look at the present. In “Shoes,” I mentioned the reopening of MoMA in 2004. Of 1400 objects exhibited in the museum, 16—that is to say about 1%—came from female artists. Today, at three super-prestigious New York galleries, I found three women out of 20 artists mentioned on the official roster of Sperone Westwater—that is 15%. (All shown, incidentally, with serious black and white photographs next to their names, making it difficult to tell what sex they are.) At Gagosian, among the 39 artists listed as the gallery’s inner core, three are women: 7%. The third gallery, Pace, specifies 90 artists, seven of whom are women; that is to say 7.78%. So, compared with Paris in 1820 the percentage of women in New York showing in 2015 is down drastically. Plus ça change, plus c’est la même chose.

Commenter DavidB replies:

The reputation of women painters from historical times tends to follow a similar trajectory. Assuming they are any good at all, then during their own lifetime they have a rarity value and are wildly overpraised in comparison to male artists of similar talent. Artemisia Ghentileschi, Mary Beale, Rosalba Cariera, Angelica Kauffman and Rosa Bonheur are examples. (I haven’t checked spellings.) When Artemisia G came to England as part of a triumphal European tour, King Charles himself came to meet her at the dock. Then after they die, like most painters who are not on the level of a Titian or a Rubens, they fall out of fashion, and their memory fades. Then in the late 20th century the feminism industry digs them up again and their reputation is hyped out of all proportion. It will be interesting to see what happens to the reputation of such female art ‘giants’ of the 20th century as Gwen John, Frieda Kahlo and Georgia O’Keefe. Will it follow the same pattern, or will feminism keep their boat forever afloat?

I have a quasi-quantitative theory that somebody might want to try to model.

One major cause of an artist’s fame is influencing famous followers. For example, if you are walking through a rich art museum’s late 19th century room, it’s pretty easy to get why there are a lot of paintings by Monet or Van Gogh in the museum. But then you come to a bunch of Cezannes that clearly the museum is very proud to own and … well … the colors are nice … but aren’t they’re kind of … awkward?

But that’s not the point, the point is that a vast number of subsequent famous painters were influenced by Cezanne: Picasso, Matisse, etc. Without Cezanne, the subsequent narrative of art wouldn’t make much sense. Heck, famous writers, like Hemingway, were influenced by Cezanne. If you want to tell the story of 20th Century high culture as a cause-and-effect chain of influences, Cezanne is probably going to show up near the beginning.

My impression is that Cezanne was very much a guy painter’s guy painter. Don’t ask me why. Like I said, I don’t get Cezanne.

Now, let’s make up two pseudo-quantitative measures: first, let’s say that artists differ in appeal between the sexes based on subject matter and (more imponderably) style. For example, American impressionist Mary Cassatt’s subject matter was usually pictures of mothers taking care of their small children. My impression of Cassatt is that she was really good, but, to be honest, my focus wanders pretty quickly by about the fourth Cassatt painting I look at. So Cezanne is more likely to have male followers and Cassatt is more likely to have female followers, and so forth.

Second, assume that male followers are five or ten times as likely to become famous themselves as female followers.

Put them together and it would suggest that a female artist’s fame is likely to fade out faster because her followers’ followers are considerably less likely to be famous than a male artist’s.

Does this make any sense?

 

Screenshot 2016-01-27 22.12.50

With movie director Spike Lee much in the news for denouncing whiteness in the entertainment industry, my Taki’s Magazine column points out that Spike got in all sorts of trouble way back in 1990 for making too clear that his resentment of whites being in positions of power over black entertainers is especially focused on Jews.

Here’s a 1990 New York Times article that’s fairly explicit about what can and cannot be gotten away with:

Critic’s Notebook; Spike Lee’s Jews and the Passage From Benign Cliche Into Bigotry
CARYN JAMES
Published: August 16, 1990

In Spike Lee’s ”Do the Right Thing,” there is a scene he refers to in the published screenplay as ”The Racial Slur Montage.” One by one, a range of ethnic characters stare into the camera and spit out vicious, stereotypical descriptions of some other ethnic group. … The variety of types demonstrates that all bigotry is interchangable, all equally harmful.

There is nothing that reasonable in the stereotypical portrayal of two Jewish characters in Mr. Lee’s new film, ”Mo’ Better Blues,” the story of an obsessed and troubled black jazz musician.

Mo’ Better Blues from 1990 is probably my favorite Spike Lee movie. Here’s a pleasant musical interlude from the film:

Although, like most of Lee’s pictures, it’s chaotically plotted. (Spike has numerous talents, but plotting isn’t one of them.)

Denzel Washington plays a jazz musician (presumably inspired by Lee’s father), with the movie featuring lots of other star power, such as Wesley Snipes as a rival musician, and in a small but important role toward the end, a young Samuel L. Jackson. The film nominally takes place in the present, but looks like it is set in his father’s younger days. (That kind of ambiguity could be considered sloppy, but I like it.)

Because it’s a movie with an almost all-black cast, it has a conservative family values message.

However, the brothers John and Nicholas Turturro play two white club owners, and that wound up causing no end of trouble for Lee:

In creating the minor characters of Josh and Moe Flatbush, club owners who exploit the black musicians in the film, Mr. Lee has elicited charges of anti-Semitism from many critics, a charge the film maker disputes.

Screenshot 2016-01-27 21.45.59

In his review in Newsweek, David Ansen called them ”Shylocks.” In Newsday, Mike McGrady said they are ”craven” caricatures. Garry Giddins in his review in The Village Voice labeled the roles ”undoubtedly anti-Semitic,” but went on to say, ”Don’t let that lapse keep you from seeing” the film. When I reviewed ”Mo’ Better Blues,” in The New York Times, I described the Flatbush brothers as ”money-grubbing, envious, ugly stereotypes with sharks’ smiles.”

The Anti-Defamation League said last week that the characterizations ”dredge up an age-old and highly dangerous form of anti-Semitic stereotyping,” and that the organization ”is disappointed that Spike Lee – whose success is largely due to his efforts to break down racial stereotypes and prejudice – has employed the same kind of tactics that he supposedly deplores.”

And so what began as Mr. Lee’s least overtly controversial film may become one of his most controversial nonetheless. The depiction of Jews in ”Mo’ Better Blues,” as well as remarks Mr. Lee has made in recent interviews, distills two questions: When does a fictional character become an offensive stereotype? How do an artist’s public remarks reverberate and shape an audience’s perception of a film? These questions are acute in the case of Mr. Lee, whose work always has a political undercurrent and whose career is rooted at the crossroads of art and publicity.

The difference between the intelligent analysis of bigotry among blacks and Italians in ”Do the Right Thing” and the disturbing Jewish stereotypes in ”Mo’ Better Blues” is more than the difference between an artistic success and a failure. It’s true that ”Mo’ Better Blues” is muddled in its conception of the musician-hero, who must lose his art to gain a family, and its portrayal of women is pathetically shallow. But Josh and Moe, mirror-images whose repetitions of each other’s opinions are meant to be comic, are not merely stylized or failed characterizations.

The Flatbush brothers (played by real-life brothers, John and Nicholas Turturro) are so loaded with despicable traits typically used to disparage Jews that they might have been invented by someone in the Racial Slur Montage. They become rich by gouging others; they are deceitful; when challenged they threaten to sue. In thick New York-Jewish accents they accuse the underpaid black musicians of ”trying to take food from my children’s mouth.” And when the hero is seriously injured in a back-alley fight, Moe demands that the rest of the band go back onstage. Josh objects, in a tone that has little to do with human sympathy and much to do with the businesslike recognition that the star cannot go on. These caricatures are wildly out of synch with the film’s other roles. …

But the Flatbush brothers are the film’s villains, their greed inseparable from their Jewish identity. And because there are no other Jews to offset them, they become tokens of an entire ethnic group. In ”Do the Right Thing,” the Italian characters are fully defined and represent a fair range of qualities, from Danny Aiello’s ambiguous pizza-parlor owner to his two sons, one an unbiased peacemaker and the other a trouble-making bigot played by John Turturro. In that broader context, Mr. Turturro portrays an individual who is Italian and who has offensive ideas – a clearly conceived role far from his simplistic stereotype of Moe. …

Mr. Lee, among others, has cited the black chauffeur played by Morgan Freeman in ”Driving Miss Daisy” as a demeaning throwback. The charge carries a great deal of validity. The chauffeur, Hoke, exudes an older generation’s sense of ”knowing his place” socially: it is far beneath that of his imperious employer, Miss Daisy, who is Jewish but indistinguishable from any Southern, Protestant white lady. Both characters, however, have sympathetic features that rescue them from being insulting stereotypes. Hoke has a strong sense of self-worth; Miss Daisy’s hidden emotions surface when her synagogue is bombed. They are simplistic throwbacks, but they were not conceived in one-dimensional or malicious terms.

… Whether the Flatbush brothers were born of artistic carelessness or intentional malice, they leap off the screen as such strongly offensive types that they have taken on meaning beyond the film itself. They have moved into the realm of public controversy, where Mr. Lee’s personal opinions come into play.

In a great flurry of interviews given before and after the release of the film, in newspapers and on morning, afternoon and prime-time talk shows, Mr. Lee has denied being anti-Semitic yet sent a contrary message about Jewish control of black artists.

Mr. Lee told Daily Variety that his father, the bass player Bill Lee, ”worked for a majority of jazz club owners who were Jewish; this is not an indictment of them.” He went on, ”When I wrote the film, I wanted to put in how black artists had to fight against being exploited.” But because the exploiters in ”Mo’ Better Blues” are stereotypical Jews, Mr. Lee does make an ethnic indictment. (He also ignores the fact that Jewish club-owners like Max Gordon and Barney Josephson were important promoters of black jazz performers).

In the same interview, Mr. Lee said: ”I am not anti-Semitic. Do you think Lew Wasserman, Sidney Sheinberg or Tom Pollock would allow it in my picture?” He was naming the heads of the parent company, MCA, and Universal Studios, which made the film. And when asked on ABC’s ”Prime Time” whether his films can express any message at all as long as they make money – a wide-open question that did not refer to ”Mo’ Better Blues” – Mr. Lee answered, ”I couldn’t make an anti-Semitic film.” Asked why not, he said that Jews run Hollywood, and ”that’s a fact.” In such statements, Mr. Lee is taking on an issue that heated up last month when a panelist at the N.A.A.C.P.’s annual conference charged that ”Jewish racism” is holding back blacks in the film industry.

Watching ”Mo’ Better Blues” with these comments in mind, viewers are likely to find that Mr. Lee’s sense of Jewish control informs the Flatbushes far more than his disclaimers about good intentions. The characters seem even more loaded with the weight of his public opinions, even less forgivable as misguided artistic failures.

Mr. Lee’s use of his public presence has sometimes been greatly effective; on- and offscreen, he has done a great deal to combat the racism that undoubtedly still exists in Hollywood. But in his remarks about Jews he seems on an inflammatory course. And ”Mo’ Better Blues” suggests that attitude has done his art no good.

Poor Spike had to reply in the columns of the NYT with an op-ed with the self-defeating headline:

I Am Not an Anti-Semite

by Spike Lee

August 22, 1990

In 2012, Spike looked back on this turning point in his career in a profile by Ariel Levy for New York:

“B’nai Brith and the Anti- Defamation League, they were on my ass,” he says. “You don’t know what it is for someone to get on your ass until B’nai Brith and Anti- Defamation League …”

Eventually Lee placated his persecutors by writing an op-ed piece for the Times, but the whole thing still makes him mad when he thinks about it. And the truth is, he’s not sorry about portraying Mo and Josh Flatbush as Jewish bloodsuckers, feeding off the talents of black musicians. “Here’s the thing, though: It’s more than being a stereotype,” says Lee. “In the history of American music, there have not been Jewish people exploiting black musicians? In the history of music? How is that being stereotypical? For me, that’s like saying, like the NBA is predominantly black. Now, if that makes me anti- Semitic …” For a minute, he actually engages and sort of laughs. “I’m not writing any more op-ed pieces,” he says. “I did it once. I’m not doing it again. Seriously. I’m not doing it again.”

My Taki’s column, “The Oscar Grouches,” puts all this in wider perspective.

 

Billionaire former New York City mayor Michael Bloomberg is thinking once again of running for President as a centrist independent, especially if Trump or Cruz and Sanders turn out to be the nominees of the big parties.

The New York / Washington press has a lot of respect for Bloomberg and he has a huge amount of money. But independents never win and New York City mayors never get very far, so Bloomberg would need to do something to shake things up.

Here’s a question: What if Bloomberg publicly changed his mind on immigration and said that he now realizes that Trump, while strident and graceless about how he’s phrased it, has a point? Bloomberg could say he’d favored high immigration in the past, but he now realizes that the U.S. had had massive immigration for a long time now, and that by 2016 we’ve already gotten most of the advantages out of an era of high immigration that there are to be gotten, while the disadvantages are mounting, so now it’s time for a number of years of greater restrictiveness.

Moreover, Bloomberg could say that Democratic politicians like Clinton and Sanders deep down know that more immigration isn’t good for the working class, but they still want more immigration because it’s good for Democratic politicians. As a nonpartisan independent, Bloomberg could deride the Democrats for importing ringers to win elections. And he could likewise deride the Republican establishment for trying to solve their partisan problem with Hispanics with a “comprehensive immigration reform” policy that’s bad for the country.

Bloomberg really, really wants to be President. He’s explored running for President before. But it’s been hard for his hired experts (and he can afford the best) to figure out a way for him to win. He’d have to do something to shake up politics, like announce that he was wrong and Trump was right on immigration. As an example of plutocrat cluelessness, he could use the time he went on the radio in 2006 and said illegal aliens were crucial to fairway maintenance.

That would move the Overton Window spectacularly. Would it make it more likely Bloomberg would become president? Probably not. But maybe …

But Bloomberg almost certainly won’t do this. In fact, it’s downright unthinkable.

But why?

 

Over at Taki’s Magazine, I have a new column up on the long term lessons to be learned from the latest Oscar Whiteness Crisis.

 
Screenshot 2016-01-26 19.01.03

Pygmy Family, Malvina Hoffman

Be honest: pygmies don’t sound as though they actually exist. Homer Simpson could have added them to his observation, “Lisa, vampires are make-believe, like elves, gremlins, and Eskimos.”

But there are quite a few of them. From the New York Times:

There are about 920,000 pygmies in central Africa, but their forest communities are fragmented and endangered by logging, mining and land clearance, according to a consortium of researchers who collaborated to create the first scientific estimate of the size of the population.

Because there is so little census data on pygmies, especially in the Democratic Republic of Congo, where most of them live, the survey relied on techniques normally used for counting animals and plants.

The authors gathered data from 26 collaborators, including anthropologists, biologists and human rights groups.

Starting with the known locations and habits of 654 pygmy camps in five countries, the scientists mapped out grids of terrain across central Africa where similar camps could exist.

There are also populations around the Indian Ocean and southwestern Pacific that are pygmy in size, but don’t appear to be closely related genealogically to the pygmies of Africa. My impression is that these groups are much fewer in number. For example, there are 20th Century photographs of pygmy-sized people in the jungle of northeastern Australia, but nobody has seen any in recent decades.

Interestingly, the NYT still uses the term “pygmy,” which sounds like the kind of thing you aren’t supposed to say. Wikipedia explains:

The term pygmy is sometimes considered pejorative. However, there is no single term to replace it. Many prefer to be identified by their ethnicity, such as the Aka (Mbenga), Baka, Mbuti, and Twa.

The same is true for numerous other ethnic names, but that doesn’t stop them from changing names. For example, the Canadian insistence that Eskimo is a slur and must be replaced by Inuit irritates the non-Inuit Yupik Eskimos of Alaska. But perhaps this urge among white people to change the names of nonwhite peoples to embarrass and befuddle other white people is finally receding?

What seems to be strengthening is the prejudice against mentioning differences in average physique among racial groups. For example, this NYT article goes on to with four paragraphs of useful introductory information about pygmies, e.g., “Genetically, they are related to the Khoisan people of southern Africa who speak “click” languages.” But there’s no mention of their height, even though, or because, that’s what readers would likely most like to know: “Just how short are pygmies?”

 
• Tags: Human Biodiversity

An interesting perspective from commenter Das:

It’s because liberals fundamentally misunderstand what Trump is all about. They think he’s some sort of far-right extremist. In the modern liberal mind, signaling that you’re friendly to minorities is *the, single, issue* that matters, and everything else is boring policy stuff that no one reads or pays attention to. So someone like Rubio who wants to start several wars and cut off Medicare benefits gets moderate cred, because he says nice things about immigrants.

The truth is that Trump is doing so well because he’s dragging the Republican party kicking and screaming back to the center, jettisoning their insane ideas about foreign policy, dropping the unpopular entitlement program cuts, and focusing like a laser on the issues where Republican ideas are actually popular, like immigration control.

Trump is essentially the Republican party’s Bill Clinton.

 

Here’s a pretty good piece in Slate:

How Nate Silver Missed Donald Trump

The election guru said Trump had no shot. Where did he go wrong?

By Leon Neyfakh

A few comments in defense of Silver:

- Donald Trump has not yet quite gone through the formality of winning the GOP nomination.

- Silver has been pretty explicit that nomination campaigns are harder to predict than general elections.

- Silver’s method of aggregating and weighing poll results in the fall of 2012 was about as good as could be done. The danger facing him was always that the polls would turn out to be wrong due to some kind of technological or social change in polling response behavior. For example, in 1936, the Literary Digest’s telephone poll turned out to be too early: people without phones were significantly more pro-FDR than people with phones. In 1996, all the pollsters except Zogby missed that the race was going to be moderately closer than they expected (for reasons that I’ve never seen well-explained, but the polling industry seemed to fix the problem by 2000, whatever the problem was).

It’s quite possible that in some future election, it will turn out that current polling techniques are disastrously outdated. But that didn’t happen in 2012.

In fact, Silver’s prediction of a 2 point Obama win turned out to be wrong by 2 points. It just happened to be on the conservative liberal side: Obama won by 4 points. But nobody much cared.

 

From The Atlantic:

Do White College Students Believe Stereotypes About Minorities?
Researchers found that they bought into the trope that Asian Americans are more competent, and blacks and Latinos need to “work harder.”

NATALIE GROSS 12:00 PM ET EDUCATION
Asian American students are “cold but competent.” Latinos and blacks “need to work harder to move up.”

At least, that’s how their white peers at the country’s elite colleges and universities see them, according to a new study by Baylor University researchers. The study uses data from the National Longitudinal Survey of Freshmen, a survey of 898 participants from 27 prestigious American universities in which respondents rated their opinions of Asian, black, and Latino Americans based on work ethic, intelligence, and perseverance.

Researchers set out to determine whether stereotypes of these minority groups are commonly believed and found their suspicions confirmed.

“Now we have some concrete evidence that some white people tend to think that,” said Jerry Park, an associate professor of sociology in Baylor’s College of Arts & Sciences and lead researcher on the study. … “Recent theories suggest that Latinos are generally perceived in the same ways as African Americans when compared against Asian Americans,” said Park. “These white student respondents tended to rate Asian Americans more highly than Latinos on qualities that reflect competence. …

The study was published in Social Psychology Quarterly and focused on the opinions of white students because, researchers wrote, “arguably, many of these respondents come largely from environments of privilege and will likely have significant influence in many quarters of American society.”

In other words, the researchers discriminated against nonwhite students, refusing to report what they had to say.

Isn’t that kind of racist?

 

Commenter Citizen of a Silly Country responds:

In many ways, the Efficient Market Hypothesis and the entire idea of not trying to beat the market touches on your article’s theme and a point that you’ve made many times. We know that beating the market after costs and consistently over time is extraordinarily difficult, but from an implementation standpoint, just taking what the market will give you and keeping your costs as low as possible is incredibly boring.

Simply put, we know who’s going to win over the long: The guy who captures a particular premium at a very low cost. In essence, you turn yourself into the house instead of the gambler. But what’s the fun in that? It’s far more interesting to be the gambler and talk about whether you should do X, Y or Z. Just sitting their being the house with your slight advantage that will grind down the vast majority of players over the long run is incredibly obvious – and works – but is about as much fun as watching paint dry.

It’s the same with HBD. You know who’s going to win, but it certainly doesn’t appeal to people’s love of suspense and betting.

George Bernard Shaw wrote in 1903:

”The roulette table pays nobody except him who keeps it. Nevertheless a passion for gaming is common, though a passion for keeping roulette wheels is unknown.”

And from The Onion:

Casino Has Great Night
NEWS May 28, 2003

ATLANTIC CITY, NJ—A beaming Donald Brant, general manager of Bally’s Atlantic City, reported that the casino had “an unbelievable night” Monday, cleaning up at the blackjack table, on the slot machines, and elsewhere. …

By the end of the night, the casino walked away a major winner, up $515,274. “A night like that only comes along five, six times a week, tops.”

… “We’ve got a system,” Brant said. “Our strategy is to bet against all the customers who come in here. Then we spread our bets around to each and every table and machine in the casino and keep at it for the long haul. We were down about $200 at one of the roulette tables, but were up on everything else, so we came out pretty much ahead. Actually, more than half a million ahead.” …

Bally’s is in the midst of an impressive winning streak, coming out ahead an astonishing 6,753 nights in a row.

 
Steve Sailer
About Steve Sailer

Steve Sailer is a journalist, movie critic for Taki's Magazine, VDARE.com columnist, and founder of the Human Biodiversity discussion group for top scientists and public intellectuals.


Past
Classics
The “war hero” candidate buried information about POWs left behind in Vietnam.
Talk TV sensationalists and axe-grinding ideologues have fallen for a myth of immigrant lawlessness.
Hundreds of POWs may have been left to die in Vietnam, abandoned by their government—and our media.
The unspoken statistical reality of urban crime over the last quarter century.
Confederate Flag Day, State Capitol, Raleigh, N.C. -- March 3, 2007
Are elite university admissions based on meritocracy and diversity as claimed?