A few days before Christmas, Labour Cllr Richard Watts and the Islington Council, acting at the request of the UK Likud Herut Director, chose to stop me from playing with the Blockheads. The impoverished Council, in an odd interpretation of working for its citizens, hired two partners from one of London’s most expensive law firms to help them in their crusade against my saxophone.
Their action prompted hundreds of complaints and a petition of protest from almost 7000. Despite the backlash, another Labour councillor has stepped in to try to ruin my musical career. Rachel Eden has in the past attempted to interfere with my literature event at Reading Literary Festival, organised a protest against me without knowing who I was and what I stood for, and is on the Zionist We Believe in Israel list of 2016 General Election candidates who pledge their support for Israel.
Cllr. Eden furthered the campaign to ruin me financially for my political beliefs by sending the following email to the Progress Theatre in Reading:
From: Rachel Eden Date: Wed, 19 Dec 2018 at 09:25
Subject: progress theatre and an anti-semite
Hope you’re well and enjoying the run up to Christmas…
Sorry to email you about something controversial but I suspect that you’d rather I let you know. (the comments in brackets are my own GA)
I just wanted to alert you that I am sure inadvertantly (sic) Progress has taken a booking from Gilead (sic) Atzmon. He’s not a household name but he is very well known by the Jewish community as an anti-semite, last time he came to Reading he claimed that Jerusalem-ites doing mitzvot caused the Grenfell Tower tragedy:
https://www.thejc.com/news/uk-news/atzmon-blames-grenfell-tower-tragedy-on-jerusalemites-following-mitzvot-1.447012 (GA: If Mrs. Eden had actually bothered to read the JC article, she would have noticed that I emphasise that Jerusalem vs. Athens is not a Jew vs Gentile binary. I pointed out that tragedies like the Grenfell tower come about because in Jerusalem people are trained to follow patterns and regulations: as opposed to thinking authentically and ethically as in Athens.)
As you’ll see from this story he was protested by a mix of Jewish and LGBT residents, he is also a holocaust ‘skeptic’ and Labour councillors including me. (GA: I am not a Holocaust ‘skeptic’ as I am not an historian, however, I support the idea that every event in the past must be subject to historical analysis and revision!)
If you want to know a bit more about him the Jewish Chronicle keeps an eye on him:
https://www.thejc.com/news/uk-news/antisemite-gilad-atzmon-banned-from-performing-islington-council-1.474094 (GA: now there’s an unbiased source)
He recently lost a libel lawsuit in which was sued by the campaign against anti-semetism:(sic) (GA: I settled a libel suit with CAA’s Gideon Falter, and the issue was not relevant to antisemitism.) https://www.thejc.com/news/uk-news/gilad-atzmon-forced-to-ask-supporters-for-funds-after-campaign-against-antisemitism-libel-lawsuit-1.473179
Hope not hate have a bit about him here:
All in all I am guessing you and the committee probably didn’t know any of this as he is trying to portray himself as “just” a jazz musician, but I would assume he’s not the sort of person you want associated with Progress Theatre.
The promoters of the concert replied to Cllr Eden as follows: “Our focus is on – and our interest is in – the music, nothing else. We do not aim to provide a platform for people to express their personal views on any non-musical subject. We have not received complaints of offence being caused at any of our concerts in the fourteen years we have been promoting jazz, despite programming a wide variety of acts and individuals. In the case of Gilad Atzmon, we understand that he has never even been questioned by any law enforcement authority about the allegations to which you refer, let alone convicted.”
It would be a blessing for the kingdom if our politicians had the clarity of thinking, ethical stand and respect for free speech displayed by our musical promoters and venues. Apparently, despite Eden’s persistent harassment of the venue, the promoters held fast against her onslaught.
As expected, when it became clear that Cllr. Eden would not be able to stop my concert, the notorious ultra Zionist Campaign Against Antisemitism (CAA) in accord with its stated goal to ruin anyone it deems a threat to Zion, openly re-joined the effort to rid Britain of my saxophone.
Apparently, numerous promoters around the country have received threatening letters from Stephen Silverman, a ‘music teacher’ as well as The CAA’s ‘Director of Investigation and Enforcement.’ A charity is defined as “an organisation set up to provide help and raise money for those in need.” I wonder what it is that qualifies an organisation as charitable when instead of helping others it operates to investigate and ‘enforce’ rules of its own making.
Enforcement commissar Silverman’s email is a rehash of their usual list of misleading, misquoted and badly sourced accusations and ends with, what for them is an unusually polite declaration: “It would, of course, be inappropriate for us to attempt to dictate who appears at your venue, and that is not my intention. The purpose of this letter is merely to provide you and your venue with information of which you may be unaware.”
Naturally, Silverman does not actually mean his deferential words. Once a venue replies that it does not intend to accede to the demands of Silverman and his klan, Silverman sends a second letter accusing the venue of “taking side” with haters, in “dereliction of duty” to side with Jews. The email ends with a clear threatening note:
From: [email protected]
Sent: 18 January 2019 17:11
Cc: ‘Anthony Orkin’ [email protected]
Subject: RE: Gilad Atzmon
Thank you for your reply. On the basis of your response it is clear that, by failing to stand up to antisemitism, you have chosen to side with those who seek to stir up hatred towards this country’s Jewish community. Your willingness to turn a blind eye to the activities of this leading antisemite shames you, your board and your arts centre, and is nothing less than a dereliction of duty.